Our Favorite Typefaces of 2004. As the new year began I asked Typographica readers and contributors to share their top picks from the fonts released during 2004. Here are the results in no particular order. Bello [MyFonts] Akiem Helmling, Bas Jacobs, Sami Kortemäki Prior to its release, the sign-painterly inkings of Bello existed in the Underware and Typeradio wordmarks. Frankly, I adored the unassuming playfulness of those logos more than what many may deem as healthy. I hoped that a full typeface would be developed capturing that same personality. Olduvai Randy Jones After exciting the Typophile crit boards with a couple clever interpretations of past types (Neweue Helpetica and Saint Nicolaus), Randy Jones hit us in early 2004 with a wholly original design, a handlettered roman (drawn at 1 cm.) inspired by archeological digs at the craddle of man. Auto Akiem Helmling, Bas Jacobs, Sami Kortemäki The following confessions were found in an unnamed schoolgirl’s diary: – Zara Evens Versa Peter Verheul Galaxie Polaris chester.
Museo font. Downloads: 0 Rate this font: Lowercase characters Uppercase characters Other characters. Discover.typography by H&Co. Frere-Jones Type | Typeface Mechanics: 001. Our conscious minds want to draw one shape, but our eyes need to see another. Part of typeface design is managing this eternal friction between logic and optics. It’s always there, no matter the style. This new series of posts will explore what I call “typeface mechanics”, the behind-the-scenes work that makes typefaces visually functional.
It is what placates the stubborn oddities of human perception, helps or hinders the user, and informs long-standing conventions of design. The typeface design process has many counterintuitive moments. One of the earliest pertains to vertical position and size, which we expect to be consistent among letters. We could simply pick a measure and apply it everywhere. Square shapes like H have a simple and stable relationship to the baseline and cap height. If the “correct” height appears inadequate, “too much” will look right. But like many aspects of type mechanics, overshoot comes in degrees. Sloping serifs can make matters harder again. BLOKK font gives you a nice fill text for mock-ups and wireframing without the lorem ipsum. The new and better wireframing font.
Free Fonts Download, Fonts for Free. We Love Typography. 14 Punctuation Marks That You Never Knew Existed. Classeur : Dessin , lettres & typo. 25 Fresh Examples of Beautiful Typeface Combinations in Web Design. Typography is a very important part of design and choosing the right type for your design can be very challenging. From print to web layouts, typography is the center piece of a good design and today we gathered a few examples of beautiful typeface combinations in web design to inspire you. In web design, typography can be used in different forms, big bold headers, simple and clean menus, explanatory text and so on.
Finding a good combination of typeface is more than only good taste, it's an art Typography is a very important part of design and choosing the right type for your design can be very challenging. To discover the fonts used in each design I used the WhatFont tool, which is pretty good (besides Firebug and other tools). Colbow Design Futura PT (header) – Yellowtail (center). Ana Majik FF Tisa (header and footer) – Josefin Slab (everything else). Fatum Helvetica Neue and Octin College Regular. nest nest is beautifully mixing Fuller Sans DT Bold and Fuller Sans DT Regular. Tommy La Wine. Best Practices of Combining Typefaces. Typographie & Civilisation | Histoire de l'écriture, de l'imprimerie et de la typographie.
Typedia: A Shared Encyclopedia of Typefaces. A U T O T Y P O G R A P H Y - └───── dh. Seen on: Etapes Bench.li Trendlist Qualite Graphique Garantie Incredible Types Crap is good R-mag Clikclk.fr Buamai Onion Mag Cargo Gallery YYELLOW Justmyty.pe ffffound! NFODCQFOA Collectionate / Tweet / Share on Tumblr Week Forty Five, 20-26 Week Forty Four, 13-19 Week Forty Three, 06-12 Week Forty Two, 30-05 Week Forty One, 23-29 Week Forty, 16-22.
Gazette. Typographie française : manuel de typographie en ligne. Typefoundry. Présentation et typo. The League of Moveable Type. Un peu de typographie... D'habitude je m'intéresse plus au fond qu'à la forme, mais voilà, je me suis découverte un penchant pour les mystères de la typographie. Les polices d'écriture sont tellement présentes dans notre vie courante, des étiquettes sur les paquets de biscuits aux enseignes commerciales, que l'on a tendance à les oublier – sauf quand on s'apprête à écrire sur son ordinateur, et qu'on hésite entre Comic Sans (enfantine), Arial (passe-partout), Book Antigua (sérieuse) et Courier New (style machine à écrire/vieux fax, celle que j'ai choisi pour Londres Calling).
C'est quand même merveilleux, comme les différents styles de caractères et leurs tous petits détails ouvrent la porte d'un monde très particulier. De Claude Garamont à Roger Excoffon, les Français en ont inventés de très beaux (tout comme les Italiens, les Américains, les Allemands et les Suisses d'ailleurs)... Mais ici penchons-nous sur les plus belles majuscules et minuscules à être sorties des ateliers de typographie du Royaume-Uni...
:: t y p o g r a p h y. I Love Typography: The Rather Difficult Font Game. Handwritten Letters. 100 best Typefaces of all times. Letterology. NEW BOHEMIA SIGNS: Hand Painted Signs and Gold Leafing. Typographisme. Tom Davie | 2010 Typographic Posters. Blackletter 4CP. 5 x 7 inches. This typographic poster features a photographed 3-D two-tone blackletter paper sculpture overlaid with an original graphite line drawing. « buy a signed print Note: posters currently for sale are indicated below their respective project description. Now Available — Note card sets and numbered edition print sets featuring Blackletter, Can O’ Dingbats, Typographic Hype, Paragraph Indentation and Sans Serif are now for sale in the...studiotwentysix2 shop Can O’ Dingbats 4CP. 5 x 7 inches. This typographic poster is an ode to Hermann Zapf’s Zapf Dingbats.
. « buy a signed print Paragraph Indentation 4CP. 5 x 7 inches. Photographed in natural light, this poster is based on the typographic suggestion that paragraph indentation should be a one-em space. « buy a print or iPhone case Typographic Hype 4CP. 11 x 17 inches. This typographic poster features a photographed 3-D letterform sculpture overlaid with an original graphite line drawing. « buy a signed print « buy a print. Muriel Paris - Petit manuel. Friends of Type. Introducing... The seriously minimal graphic design of Icelandic studio GUNMAD. Introducing… The desk of GUNMAD GUNMAD is Guðmundur Ingi Úlfarsson and Mads Freund Brunse, one Icelandic and one Danish graphic designer working together between Rekjavík and London. Stylistically these guys are at the very edge of minimal, striving for typographic purity and structural perfection, with no white space disturbed by imagery or text unless absolutely necessary.
They’re also incredibly experimental, channeling an enormous amount of energy into research in a manner that’s rarely seen outside of academic institutions. The walls of their studio are thick with typographic sketches, slices of inspirational imagery and any other snippets of visual paraphernalia that might expand the scope of their practice. Like their work, Guðmundur and Mads are sparing with their words, but their answers below reveal some fascinating truths about designers working in the digital age. Where do you work? By e-mail and Skype. How does your working day start? With coffee and tea. The Complete Engraver. Introducing two new typefaces – JMC Engraver & Feldman Engraver.
Designed by Terrance Weinzierl, these two typefaces were commissioned as companion fonts to Nancy Sharon Collins’ new book The Complete Engraver: A Guide to Monograms, Crests, Ciphers, Seals, and the Etiquette and History of Social Stationery. Available now on Fonts.com, these fonts are FREE. Simply add to your cart, download and enjoy them in all your creative projects. The Complete Engraver charts the art of engraving, from its origin to those who carry on the tradition still today. A practicing designer – authority on engraving – Collins also provides insight on the methods in which engraving (and social stationery as a whole) soldiers forward in today's digital age. The JMC Engraver & Feldman Engraver typefaces, featured below, are a testament to bridging this analog and digital divide.
“These designs have a Victorian soul with a typographic body.” — Terrance Weinzierl Complementary Typefaces Engraving at TypeCon2012. Revues.refer.org/telechargement/fiche-typographie.pdf. Règles typographiques (résumé) Résumé de règles typographiques Les "règles typographiques" indiquées ici pour l'impression papier sont conformes à celles définies par l'Imprimerie nationale et détaillées dans : Lexique des règles typographiques en usage à l'Imprimerie nationale. 3e édition. Paris : Imprimerie nationale, 2002. Rappelons que ce n'est pas la norme obligatoire, mais simplement une norme parmi d'autres. Règles, codes, guides Index des points traités Pour plus de précisions sur chacun des points abordés, cliquer sur les liens indiqués. – virgule, point, points de suspension, parenthèse fermante), crochet droit fermant] : pas d'espace avant, espace après – (parenthèse ouvrante, [crochet droit ouvrant : espace avant, pas d'espace après – deux points, point-virgule, point d'interrogation, point d'exclamation : espace insécable avant – apostrophe : pas d'espace avant ni après – titres : pas de point à la fin N.B.
Ponctuation Espaces Pour les guillemets, voici les usages pour l'allemand, l'anglais et le français : Lexique Des Règles Typographiques En Usage À L'imprimerie Nationale - Achat Vente Neuf Occasion. Page crée le 2014 04 15 21:38:23 bbc2a27a2d82f6a45062138320946ce920100915 15,30 €Promo-4%14,54 €Produit Neuf+ 3,05 € (frais de port) Note du vendeur :4,9/5pour 113859 ventes Commentaire vendeur : Vendu par TOPSLIBRIS, expédié par PriceMinister-Rakuten - NEUF EN STOCK DISPONIBLE IMMEDIATEMENT. Vendeur professionnel, remise de 5%, expédié sous 12h à 24h, hors week-ends. Emballage soigné, avertissement par e-mail de l'envoi. Livraison avec ou... Voir le détail de l'annonce - Voir les modes d'expédition Autres vendeurs pour ce produit Livre - Collectif - 23/08/2002 - Broché Résumé :Vous qui devez rédiger ou corriger, saisir ou préparer un texte, vous vous posez souvent ces questions... et bien d'autres aussi délicates.
. © tire Les PriceMembers ayant vu 'Lexique Des Règles Typographiques En Usage À L'imprimerie Nationale' ont finalement acheté 7 vendeurs pour Lexique Des Règles Typographiques En Usage À L'imprimerie Nationale de Collectif Les PriceMembers ayant vu les mêmes produits que vous ont aimé. Pointypo– - L’actualité typographique en français. TypeCon | Presented by the Society of Typographic Aficionados.
WhatTheFont! Mark Simonson Studio / Notebook. 80 Beautiful Typefaces For Professional Design. Every now and again designers stumble upon the very same problem: the choice of a unique and beautiful typeface which manages to fulfill three basic tasks. Support the corporate identity, enrich the visual appearance and is compatible with the overall design. However, usually there are simply too many options you can consider, which is why you need time to find the option you are most comfortable with. Although the choice usually depends on clients’ requirements, it is necessary to have some pretty starting points for your font decision. Every now and again designers stumble upon the very same problem: the choice of a unique and beautiful typefaces which manages to fulfill three basic tasks. Support the corporate identity, enrich the visual appearance and is compatible with the overall design.
However, usually there are simply too many options you can consider, which is why you need time to find the option you are most comfortable with. So which typefaces are “bulletproof”? 1. 2. 3. 4. Handpicked free fonts for graphic designers with commercial-use licenses. Vegur font by arro. Identifont - Identify fonts by appearance, find fonts by name. Sympathique. Editions en typographie. 25 MORE Completely Free Fonts Perfect for @fontface. A year or so ago we published our original Completely Free Fonts Perfect for @fontface. It has been a long time coming but here, at long last, is our next installment. Again, we have chosen 25 free (for both personal and commercial use) fonts that are so good we can’t believe they are the free. Here they are… Bemio Download Page → Bemio Copyright → Pay what you want (or zero) for personal and commercial use.
FV Almelo Download Page → FV Almelo Copyright → Free for personal and commercial use. Rex Download Page → Rex Copyright → Free for personal and commercial use. Poly Download Page → Poly Copyright → Free for personal and commercial use. Exo Download Page → Exo Copyright → Free for personal and commercial use. Arvil Download Page → Arvil Copyright → Pay what you want (or zero) for personal and commercial use. Hagin Download Page → Hagin Copyright → Free for personal and commercial use. Haymaker Download Page → Haymaker Copyright → Pay what you want (or zero) for personal and commercial use. Static. L'argot des typographes. Just My Type: A Book About Fonts: Amazon.co.uk: Simon Garfield.