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Immersive virtual world environments

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Virtual reality? Not for me. Then I turn into Wonder Woman and fly over New York. My interest in virtual reality was virtually nil – until last month.

Virtual reality? Not for me. Then I turn into Wonder Woman and fly over New York

When I thought of it, I pictured low-budget sci-fi movies with bad special effects. I thought of those pixellated posters, popular in the mid-1990s, the ones where you would stare at the wall and a three-dimensional vision of an underwater city would slowly emerge from a cluster of purple dots. I thought of it as something that turned on adolescent gamers who sat at home in their underpants with the curtains closed and who dreamed of a day when they could fully inhabit the body of the bank robber guy with the stubble and the biceps in Grand Theft Auto.

I thought of 3D glasses in 1950s movie theatres and the 360-degree cinema screens your parents took you to when you went on holiday to France and it was raining. The whole idea of virtual reality made me want to stifle an actual reality yawn. “Put your arms out to take off,” the laboratory manager Shawnee Baughman says, as if this is all perfectly normal. High Fidelity. VHIL: Publications. Virtual Worlds Education Wiki. Does fantasy offer mere escapism, or escape? – Damien Walter. The only people who hate escapism are jailers, said the essayist and Narnia author C S Lewis.

Does fantasy offer mere escapism, or escape? – Damien Walter

A generation later, the fantasy writer Michael Moorcock revised the quip: jailers love escapism — it’s escape they can’t stand. Today, in the early years of the 21st century, escapism — the act of withdrawing from the pressures of the real world into fantasy worlds — has taken on a scale and scope quite beyond anything Lewis might have envisioned. I am a writer and critic of fantasy, and for most of my life I have been an escapist. Born in 1977, the year in which Star Wars brought cinematic escapism to new heights, I have seen TV screens grow from blurry analogue boxes to high-definition wide-screens the size of walls.

I played my first video game on a rubber-keyed Sinclair ZX Spectrum and have followed the upgrade path through Mega Drive, PlayStation, Xbox and high-powered gaming PCs that lodged supercomputers inside households across the developed world. And I am not alone. 12 July 2013. Internet Comments and Civility. You’re reading a story on the web and your eyes accidentally drift down to the comments.

Internet Comments and Civility

Within moments, lost in a sea of atrocious behavior and even worse grammar, your view of humanity clicks down another few notches. It’s an experience so common it’s spawned a mantra: Don’t Read The Comments. Improving Architecture and City Planning by Harnessing the Ideas behind: Web 2.0, Open Source, Mass Collaboration, Social Networking, Crowd Sourcing, Crowd Wisdom, Social Production, Open Platforms, Open Innovati. Promoting motivation with virtual agents and avatars: role of visual presence and appearance. Amy L.

Promoting motivation with virtual agents and avatars: role of visual presence and appearance

Baylor1,2,3,* + Author Affiliations * Abstract Anthropomorphic virtual agents can serve as powerful technological mediators to impact motivational outcomes such as self-efficacy and attitude change. 1. Research indicates the effectiveness of human social models in influencing another to change behaviours, beliefs or attitudes, as well as social and cognitive functioning (e.g.

The focus in this paper is on the motivational (e.g. self-efficacy beliefs, attitude, interest) and affective (e.g. feelings of connection, relief of frustration) changes that result from observing or socially interacting with anthropomorphic agents that are instantiated in the role of social models. Further, there are several advantages to implementing anthropomorphic agents as social models.

The advantages of accessibility in real time and customization are significant, but not if considerable time is required to construct these personalized agent social models. 2. Figure 1. Figure 2. Figure 3. What Virtual Reality Is About To Mean For Technology and Advertising. IN THE 1982 SCIENCE-FICTION NOVEL Software, an elderly character named Cobb Anderson trades in his frail human body for an android avatar and then sets out on an unusual mission: to start a cult.

What Virtual Reality Is About To Mean For Technology and Advertising

The old man’s new body allows him to alter his appearance at will, which turns out to be handy for gathering disciples. To gain trust and devotion, Anderson meets with his initiates one at a time—and then changes his face to resemble theirs. “I always use this trick on the recruits,” he says with a chuckle. A few years ago, a research psychologist at Stanford University named Jeremy Bailenson effectively proved the soundness of Anderson’s recruitment methods (pdf). A week before the 2004 presidential election, Bailenson asked a bunch of prospective voters to look at photographs of George W. Virtual reality. U.S.

Virtual reality

Navy personnel using a mock VR parachute trainer. Virtual Reality (VR), which can be referred to as immersive multimedia or computer-simulated life, replicates an environment that simulates physical presence in places in the real world or imagined worlds. Virtual reality can recreate sensory experiences, which include virtual taste, sight, smell, sound, and touch. Most up to date virtual reality environments are displayed either on a computer screen or with special stereoscopic displays, and some simulations include additional sensory information and emphasise real sound through speakers or headphones targeted towards VR users. Some advanced, haptic, systems now include tactile information, generally known as force feedback in medical, gaming and military applications.

Concept origins[edit] Authors@Google: Jeremy Bailenson, Infinite Reality: Revealing the Blueprints of our Virtual Lives. Jeremy Bailenson - Infinite Reality: Avatars, Eternal Life and New Worlds. James Blascovich - Mind, Brain and Virtual Reality. Randy Hindrichs (Part 1) Jesse Schell - The Future of Virtual Characters (Part 1)

How we think about the virtual

Do we use our technology or does it use us? Evolving interfaces. Existing virtual world environments.