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COLOR IN MOTION / Main

COLOR IN MOTION / Main

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Documentation - Installation Instructions Glossary Directory: Same as a folder. Path: A physical location on a server that describes where files and directories are. On Windows paths begin with the drive letter ( c:/inetpub/wwwroot/ ), on *nix paths start at root ( / ) like ( /var/www/ ) public_html : Common name for the directory on a webserver that contains all files that are accessible via a URL (other common names: htdocs, www) URL: Uniform Resource Locator, the address of a specific piece of information on the web ( ) Installation Requirements

Color Distribution, Printable and Otherwise - Modern Photoshop Color Workflow My friend and fellow author Russ Brown sent me an image of an Amazon milk frog, which he grabbed from the web somewhere. The interior of the mouth is a very unusual cyan. Whether this image portrays it accurately is unknown to either of us, as we have never seen this particular amphibian in person. To judge by the greens, this image has already had its color enhanced, so my supposition is that the cyan is probably less intense in real life. At about the same time, another friend, Bob Baldassano, sent me the red train that’s next to it. Brainstorming Doesn’t Really Work In the late nineteen-forties, Alex Osborn, a partner in the advertising agency B.B.D.O., decided to write a book in which he shared his creative secrets. At the time, B.B.D.O. was widely regarded as the most innovative firm on Madison Avenue. Born in 1888, Osborn had spent much of his career in Buffalo, where he started out working in newspapers, and his life at B.B.D.O. began when he teamed up with another young adman he’d met volunteering for the United War Work Campaign. By the forties, he was one of the industry’s grand old men, ready to pass on the lessons he’d learned. His book “Your Creative Power” was published in 1948. An amalgam of pop science and business anecdote, it became a surprise best-seller.

Cellsea Image Manipulation Sunday, June 25th, 2006 <>p>Update (June 28, 2006): Beau Hartshorne of Snipshot (formerly Pixoh) says “massive chunks” of Cellsea code are identical to Snipshot. “This is not an accidental inspiration. by Michael Surtees » Blog Archive » My Link Drop Process A couple people have asked me about how I do my Link Drops —wondering if they’re some how automated. I’m sure there must be a faster way to do it, but everything I do is by hand and hard coded into a post. Even the screengrab are done by hand. There’s about ten things that I have to do to get the post ready to be published on a Friday morning. 10 Commandments of Type and Color Articles, Infographic, Resources June 19, 2014 Here’s 2 really clever infographic featuring the 10 Commandments of Type and Color. It’s always good to have a steady foundations and some basic principles for your graphic design work! While not absolute rules, these infographics created by the lovely DesignMantic are very good guidelines to ensure that your work has a sense of aesthetics and that you can express the message the clearly. You can view the inforgraphic by clicking on the image! If you love typography as much as we do – you can check out last week’s segment of Typography Thursday – where we covered this really cool series of Isometric Type by Jing Zhang.

The Mask Ghosts Through I’ve been one poor writer, lately, and I apologize for this. A swarm of workshops and courses took its toll in late spring and I am only starting to take control of my time again. I come back to this blog exactly two months after the last article, hopefully with something you may find interesting. First, a warning: please do not consider the content of this post as something carved in stone.

The Infinite Grid Grid systems are a key component of graphic design, but they’ve always been designed for canvases with fixed dimensions. Until now. Today we’re designing for a medium that has no fixed dimensions, a medium that can and will shape-shift to better suit its environment—a medium capable of displaying a single layout on a smartphone, a billboard in Times Square, and everything in between. We’re designing for an infinite canvas—and for that, we need an infinite grid system. It’s common to think of responsive design as multiple layouts: mobile, tablet, desktop, etc. The problem is the “in-between” sizes tend to suffer, so we end up with layouts that look great at specific dimensions (320, 720, 960), but less than great for everything else.

Color Inspiration from the Masters of Painting by COLOURlovers The world has seen thousands of artists and millions of great pieces of art, but we chose just a handful of pieces of art from some of greatest masters of painting to show a little of how they were inspired by color... or perhaps, how they inspire us with color. What colors inspire you? Check out Creative Market to find your color palette now. 10 Steps To Boost Your Creativity Ten quick steps to help you be more creative. This article was first written in 1996 and has remained on of the most popular pages on our web site. It has also been reprinted many times over in books, magazines and elsewhere. Listen to music by Johann Sebastian Bach.

Shape of eye's 'light pipes' is key to colour sorting Physicists have pinned down precisely how pipe-shaped cells in our retina filter the incoming colours. These cells, which sit in front of the ones that actually sense light, play a major role in our colour vision that was only recently confirmed. They funnel crucial red and green light into cone cells, leaving blue to spill over and be sensed by rod cells - which are responsible for our night vision. Key to this process, researchers now say, is the exact shape of the pipes. The long, thin cells are known as "Muller glia" and they were originally thought to play more of a supporting role in the retina. They clear debris, store energy and generally keep the conditions right for other cells - like the rods and cones behind them - to turn light into electrical signals for the brain.

UX Apprentice Research Adam hired me to design his iPad application. I initially met with him and his investors at the restaurant to determine the scope of the project and the objectives: reduce the wait time for customers to place an order increase customer spending by encouraging multiple courses create a unique dining experience I noticed that there was a disconnect between Adam’s vision and the stakeholders’.

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