Photoshop tutorial, Glass :: How to obtain many kind of glass with photoshop. [ Photoshop tutorials ] If you want to render any kind of frosted glass, you have to think about to notable increase of rendering time. My personal solution is to render "normal" glasses with our render engines, and after abtain any kind of glass playing with Photoshop. You could be make many kind of Glasses in few seconds! Think about Photo-retouching time A software like Photoshop could be very, very helpfully to refine scenes: stop to make 3d images directly with your 3d studio max or Maya... think your render as a first part.
To save your time think to photo retouch especially frosted glasses. My scene sample has same important elements to evaluate the method: - A chair in front of the Glass - A chair behind the Glass - A colouder square - A strong light So we will verify if this method can solve any situation. How to use Photoshop Masks Especially if we have an object behind the Glass the best solution is to use a mask. But what's exactly the mask? But... why do I have to use a mask? Photoshop Layer Management | Visualizing Architecture. Architecture visualization is notorious for producing complex and messy PSD files. Sometimes, it’s the little things that can make a big difference and in my opinion, layer management is one of those little things that many people don’t put enough emphasis on.
Properly managing your layers in Photoshop can lead to better efficiency, a more editable file, and in many cases better looking illustrations. Over the years, I have moved toward a system of building up Photoshop files. This system may not be perfect for everyone but has streamlined my workflow and has lead to cleaner looking illustrations. The problem with PSD files is that they can quickly get out of hand. Many of my Photoshop files that I work on easily exceed several hundred layers. Being careless about naming files or not properly grouping them may save a little time in the beginning. I put together an illustration that takes into account a lot of the different types of groups that I typically use in my PSD files. 1. 2. 3.
Mapping A Texture To A Face With Photoshop. Step 1: Select The Channel With The Best Image Contrast Let's begin with the photo we'll be applying the texture to. Switch over to your Channels panel for a moment. You'll find the Channels panel grouped in with the Layers and Paths panels ("panels" are called "palettes" in earlier versions of Photoshop).
Click on the Channels name tab at the top of the group to select it. You'll see three color channels listed - Red, Green, and Blue - along with a composite RGB channel at the top: The Channels panel (palette) in Photoshop. To learn more about color channels and the RGB color mode in Photoshop, be sure to check out our full RGB and Color Channels In Photoshop Explained tutorial. We need to select the channel that will give us the highest amount of image contrast, since the more contrast we have, the better the results we'll achieve with our displacement map. Select individual channels by clicking on them in the Channels panel. Step 2: Duplicate The Channel Go to Filter > Noise > Median. Photoshop tutorial, Glass :: How to obtain many kind of glass with photoshop. 45 handy Photoshop shortcuts to speed up your workflow! | Photoshop. When working in Photoshop, simple tasks can become a hindrance to your workflow. So, instead of becoming frustrated take a look at our list of Photoshop shortcuts right here.
They're guaranteed to speed up your workflow once you get the hang of them! Win clients & work smarter with our FREE ebook: get it now! We've also have a great selection of free Photoshop actions to create stunning effects and some brilliant Photoshop tutorials to help you put them into practise. Promotion Whether you want to change the size of your text, deselect a layer or merge a series of layers – we've got it covered! Layers Fill a layer MAC: Alt+Backspace (foreground) or Cmd+Backspace (background) WINDOWS: Alt+Delete (foreground) or Ctrl+Delete (background) This command will fill an empty later with the current foreground or background colour.
Flatten layers MAC: Cmd+Alt+Shift+E WINDOWS: Ctrl+Alt+Shift+E Merge visible Layers MAC: Cmd+Shift+E WINDOWS: Ctrl+Shift+E New layer via copy MAC: Cmd+J WINDOWS: Ctrl+J Selecting. How to master colour theory | Graphic design. Colour is such a pervasive part of everything we visually encounter in the world, that for many designers it becomes an intuitive choice. If you think back to school though, you'll recall being told at a young age that there are three 'primary' colours – Red, Yellow, and Blue.
We were all taught that any colour can be created by mixing these three colours in varying quantities. It turns out that this isn't quite right (although it's still workable enough in practice to be taught the world over to five-year-olds). Get Adobe Creative Cloud How colour is formed Understanding how colour is formed and, more importantly, the relationships between different colours, can help you to use colour more effectively in your designs. The Bauhaus school understood this in the 1920s and 1930s, with staff and students going on to develop colour theories for evoking particular moods and emotions through choice of palette in design and architecture.
Colour systems 01. 02. The colour wheel. Adding Ivy in PhotoShop. Using image editors like PhotoShop or GIMP to add elements can dramatically reduce render times and help to keep your SketchUp scenes more navigable. In this tutorial you will learn how a masked image can quickly add an extra dimension to your SketchUp renders. This method requires you to be familiar with PhotoShop or GIMP and be able to apply masks and perform various brightness corrections. Basic Method 1. Open your raw render in PhotoShop and paste a copy of some ivy on a new layer.
You can find some great ivy textures on CGTextures. 2. 3. 4. 5. 6. Advanced Method You can also use an Ivy Brush to add even more realism to your masked area. Load your Ivy Brushes into Photoshop and repeat steps 1 to 3 from above. A. B. C. D. E. F. Render with V-Ray and change colors in Photoshop - Tutorial. Share with your friends! Description: How many times did you encountered a terrible customer who suddenly ask you for deep color changes on your render? How to quickly get results, if your render is already done? Direct color correction in photoshop is great but not every time, this is time to use masks. With the photoshop masks you can make strong operations on the image, you just need a few minutes to create the perfect mask for your needs. Here’s how I usually do. A fast way is the dear old Scanline. Then in Photoshop complete the process. RESUME – In 3ds Max: Panel render (F10)> Common> Assign Renderer> Default Scanline Rendercreate two standard materials: pure white and pure black: Make white what I want to change – Black the others.Turn off all the lights in the scene (don’t forget!)
RESUME - In Photoshop: Open render-base.jpg and render-mask.jpgIn “render-base” Duplicate the layerCreate a new maskApply image > “render-mask”Make any changes you want.