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Harvard University Library: Open Collections Program: Home. Poet Seers - Poem of the Day. Textkit | Greek and Latin Learning Tools. IRISH LITERATURE, MYTHOLOGY, FOLKLORE, AND DRAMA. Irish Writers OnlineIrish PlayographyStudy Ireland: Poetry - BBCIrish Women Writers - M. OckerbloomIreland Literature GuidePoetry Ireland / Éigse ÉireannEarly Irish Lyric Poetry - Kuno MeyerSonnets from Ireland - E. BlomquistColum's Anthology of Irish Verse - Bartleby.comBREAC - Digital Journal of Irish Studies Medieval Celtic ManuscriptsThe Book of KellsCarmina GadelicaCELT Irish Electronic Texts Irish Writers OnlineIreland Literature ExchangeBibliography of 19th-c. Irish Literature - J.M. WrightIrish Literature - Island IrelandIrish Writers' Centre Jonathan SwiftJonathan Swift ArchiveJonathan Swift Biography - IncompetechGulliver's Travels - U.

Bram StokerDraculaBram Stoker Biography - Classic Literature LibraryBram Stoker's Dracula - Carstens smith Oscar WildeThe Official Home Page of Oscar WildeWilde Biography - BBCOscar Wilde OnlineCELT: Oscar WildePoetry of Oscar Wilde - Bartleby.com George Bernard ShawShaw Biography - C. Donn ByrneByrne Biography - J. Fine Art The Faery Harper Oisín. Absolute Shakespeare - plays, quotes, summaries, essays... 17th C. English Literature: Metaphysical Poets.

For Better for Verse | Sonnet 73. Accent: emphasis given a syllable in ordinary usage, as provided by a pronouncing dictionary. See also stress. accentual-syllabic: the prosodic mode that dominated English-language poetry 1400-1900, and that this tutorial exclusively addresses. Alike distinct from verse that is quantitative (measuring duration, as in classical Greek and Latin), accentual (counting only beats, as in Old English), and syllabic (counting only syllables, as in certain: 20th-cy. experiments), accentual-syllabic verse is based on recurrent units (feet) that combine slacks and stresses in fixed sequence. acephalous line: a “headless” line in iambic or anapestic meter, which omits (a) slack syllable(s) from the first foot. Alexandrine: iambic hexameter line, usually with a strong midpoint caesura; most familiar in Romance-language poetry but not rare in English. alliteration: repetition of the same initial sound in nearby words.

Anapest: metrical foot consisting of two slacks and a stress: υ υ / anaphora: assonance: iamb: Mental_floss Blog & The Quick 10: 10 Things You Probably Didn't... With Harry Potter and the Half Blood Prince coming out in the U.S. later this week, it's time to out myself as a Slytherin Supporter. Maybe you already knew that. Nothing against Gryffindors - I'm no Voldemort or anything - but I always tend to like the villains a little more than the do-gooders. To celebrate Harry and Co.'s sixth movie (and sixth book), here are a few facts that you may not have known about the gang in gold and red (and maybe a couple about the set in silver and green). 1. It has a sour tone to it, doesn't it?

3. 4. 5. 7. 8. 9. There's obviously a ridiculous amount of Harry Potter trivia out there, and since Harry Potter fever is about to sweep the world again, we might as well share it. Whichbook | A new way of choosing what to read next. The Book Seer | Find your next book. 50 Most Influential Books of the Last 50 (or so) Years. In compiling the books on this list, the editors at SuperScholar have tried to provide a window into the culture of the last 50 years. Ideally, if you read every book on this list, you will know how we got to where we are today. Not all the books on this list are “great.” The criterion for inclusion was not greatness but INFLUENCE. All the books on this list have been enormously influential. The books we chose required some hard choices.

Because influence tends to be measured in years rather than months, it’s much easier to put older books (published in the 60s and 70s) on such a list than more recent books (published in the last decade). We also tried to keep a balance between books that everyone buys and hardly anyone reads versus books that, though not widely bought and read, are deeply transformative. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 29. 30. 31. 32. 33. 34. 35. 36. 38. 39. 40. 41. 42. 43. 45.