REMIX culture

TwitterFacebook
Get flash to fully experience Pearltrees
Remix culture is a term used to describe a society which allows and encourages derivative works . Remix is defined as combining or editing existing materials to produce a new product. [ 1 ] A Remix Culture would be, by default, permissive of efforts to improve upon, change, integrate, or otherwise remix the work of copyright holders. In his 2008 book, Remix , Lawrence Lessig presents this as a desirable ideal and argues, among other things, that the health, progress, and wealth creation of a culture is fundamentally tied to this participatory remix process.

Remix culture - Wikipedia, the free encyclopedia

http://en.wikipedia.org/wiki/Remix_culture
http://remixtheory.net/?cat=6 Paul Ramirez-Jonaz, “Another Day” (2003), video installation, image courtesy of the artist. This essay, made available here in English and Spanish, was written for the exhibition Transitio _MX 03 , which took place in Mexico City in October 2009. The text was published in December 2010 in Errata , a Colombian journal dedicated to art and culture.

Remix Theory » Remix Culture

http://vagueterrain.net/journal07 This is Not Memorex In familiarizing myself with this work over the past few weeks, I've felt an odd sense of nostalgia developing. These projects collectively highlight various facets of what we have dubbed sample culture, that is the continued evolution of the triumph of the fragment. There are dozens of threads that can be traced back to the 1980s and while I am personally indebted to the potent combination of Brian Eno and David Byrne, the perpetual litigation of Negativland , and the sonic collage of the Bomb Squad , I am going to instead direct my attention to another dusty artifact from collective memory. A few years ago while perusing soulseek, I stumbled across a collection of recorded DJ mixes that had been aired on WJLB in Detroit in the late 1980s.

Vague Terrain 07: Sample Culture | Vague Terrain

Remix Theory » Remix Defined

For my most in-depth definition of Remix, read “ Regressive and Reflexive Mashups in Sampling Culture .” What follows below are excerpts from numerous articles I published since 2006. Generally speaking, remix culture can be defined as the global activity consisting of the creative and efficient exchange of information made possible by digital technologies that is supported by the practice of cut/copy and paste. http://remixtheory.net/?page_id=3
Download a high resolution version of Diagram in PDF format This text was originally published on June 25, 2007 in Vague Terrain Journal as a contribution to the issue titled Sample Culture. It was revised in November 2009 and subsequently published as a chapter contribution in Sonvilla-Weiss, Stefan (Ed.) Mashup Cultures , 2010, ISBN: 978-3-7091-0095-0, Springer Wien/New York published in May 2010. It is here republished with permission from the publisher and is requested that it be cited appropriately. This online publication is different from the print version in that it is missing images that help illustrate the theory of Remix that I propose. http://remixtheory.net/?p=444

Remix Theory » Archivio » Regressive and Reflexive Mashups in Sampling Culture, 2010 Revision, by Eduardo Navas

alexia says: Derek Anson says: January 16, 2011 at 5:59 am so ya writing about remixing, remixing info from a remixing video http://www.everythingisaremix.info/watch-the-series/

Watch | Everything Is a Remix

Re-hello On continue notre petit début de semaine avec Rodolfo Loaiza qui est un peintre qui aime la couleur, Disney et… et le trash, le décalé, l’humour. Il a donc repris les illustrations des studios Disney pour dépeindre la face sombre de l’univers de Disney. Désolé si vous aimiez bien Bambi ! En tout cas, le travail graphique est intéressant, le style est vraiment respecté ! Je me demande si il a eu quelques petits soucis avec Disney.

disney-pr0n

http://graphism.fr/disney-pr0n
Lundi 16 mai 2011 à 14h30 , salle du conseil, UFR Lettres Arts et Sciences Humaines , Nice Sophia Antipolis , 98, bd Edouard Herriot, Nice. Antoine Moreau soutiendra publiquement une thèse en vue d'un doctorat en Sciences de l'Information et de la Communication, réalisée sous la direction de Monsieur Norbert Hillaire et portant sur le sujet suivant : http://artlibre.org/archives/news/829

Soutenance de thèse : « Le copyleft appliqué à la création hors logiciel ».

http://artlibre.org/ressources/culture

Sur l’art, la culture, le partage et l’auteur

Des lectures pour creuser les questions de l’art et de la culture, de l’auteur, du partage et de la transmission : Authorship and Authorial Autonomy: The Personal Factor in the Cinematic Work of Art – Trevor PONECH, [en] : (un intéressant débat sur le réalisateur de cinéma comme Bare Code: Net Art and the Free Software Movement – Josephine BERRY, [en], May 2002, on NetArt Commons