#4 was a really common event in my undergrad screenwriting classes (where it was commonly called the Page 70 Problem or the Act 2 Dead Zone or some other ridiculous name). It is really where outlining-as-you-go can prevent problems. For instance, I might have a ten point outline for the whole story and as I catch up to various points I may go back over the outline and flesh out points with another outline. If a scene is really tricky, my outline might be as specific as three points for five pages. But something that is really simple may never get more than a "this happens".
Arouse your creativity A guest post by Katie Tallo of Momentum Gathering. Electric flesh-arrows … traversing the body. A rainbow of color strikes the eyelids. A foam of music falls over the ears. It is the gong of the orgasm. ~ Anais Nin
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