The Alignment System. A creature's general moral and personal attitudes are represented by its alignment: lawful good, neutral good, chaotic good, lawful neutral, neutral, chaotic neutral, lawful evil, neutral evil, or chaotic evil. Alignment is a tool for developing your character's identity. It is not a straitjacket for restricting your character. Each alignment represents a broad range of personality types or personal philosophies, so two characters of the same alignment can still be quite different from each other. In addition, few people are completely consistent. Good vs. Evil Good characters and creatures protect innocent life. "Good" implies altruism, respect for life, and a concern for the dignity of sentient beings.
"Evil" implies hurting, oppressing, and killing others. People who are neutral with respect to good and evil have compunctions against killing the innocent but lack the commitment to make sacrifices to protect or help others. Being good or evil can be a conscious choice. Law vs. The 22 rules of storytelling, according to Pixar. Using Real Psychology in Your Writing. Using Real Psychology in Your Writing Using Archetypes in Your Stories Writing Better Romantic Relationships This series looks at the Anima/Animus archetype, which is most often seen in romantic relationships, and how to use it to create more compelling romantic relationships, regardless of genre.
Looks at what the anima and animus are, how they're formed, and why fiction writers need to understand them. There's also some and what makes love grow - and how happily ever afters really work. Creating Better Antagonists Forensic Psychology. 105 Writing Tips from Professional Writers. How to Build a Universe That Doesn't Fall Apart Two Days Later. First, before I begin to bore you with the usual sort of things science fiction writers say in speeches, let me bring you official greetings from Disneyland. I consider myself a spokesperson for Disneyland because I live just a few miles from it — and, as if that were not enough, I once had the honour of being interviewed there by Paris TV.
For several weeks after the interview, I was really ill and confined to bed. I think it was the whirling teacups that did it. Elizabeth Antebi, who was the producer of the film, wanted to have me whirling around in one of the giant teacups while discussing the rise of fascism with Norman Spinrad... an old friend of mine who writes excellent science fiction. We also discussed Watergate, but we did that on the deck of Captain Hook’s pirate ship. Little children wearing Mickey Mouse hats — those black hats with the ears — kept running up and bumping against us as the cameras whirred away and Elizabeth asked unexpected questions. “What does that mean?”