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Take a long, hard look at the picture above and the pictures below, and you’d swear that they were the works of a talented photographer; take an even closer look, you still wouldn’t doubt this cocksure belief. However, the picture above and the ones collected below were not captured by photographers, nor even by cameras: they were, in fact, captured on a canvas by a common-or-garden paintbrush and some dollops of oil paint. These are the works of Pedro Campos, a Spanish artist who specialises in photorealism, an art movement that attempts to depict everyday objects, the natural world and real-life human beings in the most hyper-realistic way possible, giving the viewer the impression that what they are looking at is nothing more than a typical photograph. As you can see in this article, as well as on his official website , Campos enjoys depicting household items, from Coke cans to motorcycles, all bewilderingly completed by hand, without the aid of a computer. Pretty amazing, right?
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“ The Reverse of a Framed Painting was not intended to be hung on the wall, but to be placed against it,” writes Olaf Koerster. “The viewer would be deceived into trying to turn the picture around, only to see the reverse of an unframed painting: Gijsbrechts had created the paradoxical painting with two backs.” Douglas Eaton’s “storage apparatus for storing a necktie,” patented in 1993, winds your neckwear into a tidy cylinder when you’re not using it and dispenses it again at interview time.