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#1 LEARN FREE MUSIC THEORY. Counterpoint. General principles[edit] It is hard to write a beautiful song. It is harder to write several individually beautiful songs that, when sung simultaneously, sound as a more beautiful polyphonic whole. The internal structures that create each of the voices separately must contribute to the emergent structure of the polyphony, which in turn must reinforce and comment on the structures of the individual voices.
The way that is accomplished in detail is...'counterpoint'.[1] In the modern period, polytonality and atonality were introduced. [clarification needed] Glenn Gould's String Quartet in F minor, Opus 1, for example, is "an idiosyncratic synthesis of idioms including Baroque fugue, Classical sonata form, Strauss's late-Romantic harmony, and Schoenberg's 'developing variation'".[2] Development[edit] Species counterpoint[edit] In 1725 Johann Joseph Fux published Gradus ad Parnassum (Steps to Parnassus), in which he described five species: Considerations for all species[edit] First species[edit] Music Theory. Diatonic Common Chord Modulation.