Logic Pro | Audiotuts+ Five Frequency Areas When EQ'ing the Vocal. Equalizing a vocal track can be very tricky. Sometimes it seems to sound like it was stuck on later, and doesn't flow with the rest of the track. Below are the five frequency ranges you can start with when you are in trouble and need to figure out how to equalize it so it sits with the song. It goes without saying that no amount of EQ'ing is going to fix a badly recorded vocal. So be sure to have a clean and well recorded vocal before you start mixing it. Try out these frequencies The much unneeded low range Usually vocals can be filtered quite severely in the lowest range.
Obviously this depends on the singer's voice but I usually go for a little over 100 Hz. The thick 150 Hz For rounding out a vocal and making it more thick and full I would search around the 150 Hz area. Honky-boxy 4-500 Hz If your vocal track lacks definition and sounds boxy you can sweep around this area, even going so far as up to 800 Hz.
In your face presence of the 5 Khz Sibilance around the 7 Khz. The art of eq'ing. 15 Online Tools that You Will Come to Love as a Tech | EmergingTechs.com - StumbleUpon. I have compiled a list of 15 free online tools that will help you greatly as a tech. I’m sure that there are other good ones that I have left out so please feel free to post the ones that you like as well. IPTools offers a wide variety of online networking tools. With this site you can look up IP address information, check spam databases, run pings, run traceroutes, lookup WHOIS information and much more. BugMeNot allows you to find and share logins for sites that require you to register. This tool is great to use when you don’t want to have to go through the process of creating an account for a site when you just want to login once for something like a driver.
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Loudness has always been an important topic in mixing, and especially mastering – never more so than today. Knowing how loud is too loud has always been difficult. Recently a new tool has been released, purpose-designed for measuring the loudness of music. And best of all – it’s free . (*) (*) Kind of This tool is the TT Dynamic Range Meter , released by the Pleasurize Music Foundation . There is also a second, off-line version of the meter, which generates an overall DR dynamic range measurement for a complete WAV file or CD and allows you to generate a log file, which can be submitted to the (unofficial) Dynamic Range Database . How it works How to read the meter It’s that simple ! (Well actually, it’s not quite that simple. Interactive Frequency Chart - Independent Recording Network. EQ GUIDE FOR NEWBIES. This really helped me out when i first started. Some History Dating as far back as the 1930's, the equalizer is the oldest and probably the most extensively used signal processing device available to the recording or sound reinforcement engineer.
Today there are many types of equalizers available, and these vary greatly in sophistication, from the simple bass and treble tone control of the fifties to advanced equipment like the modern multi-band graphic equalizer and the more complex parametric types. Basically, an equalizer consists of a number of electronic filters which allow frequency response of a sound system or signal chain to be altered. Over the past half century, equalizers design has grown increasingly sophisticated.
Understanding EQ and its Effects on Signals There are two areas of equalization that I want to cover. Vocals Speech fundamentals occur over a fairly limited range between about 125Hz and 250Hz. Effects of Equalization on Vocals 80 to 125 160 to 250 315 to 500. The Ultimate EQ Guide. Please Note - The values below are merely guides, each mix is unique and individual so experimentation is advised. Low Bass: anything less than 50Hz This range is often known as the sub bass and is most commonly taken up by the lowest part of the kick drum and bass guitar, although at these frequencies it's almost impossible to determine any pitch.
Sub bass is one of the reasons why 12" vinyl became available: low frequencies require wider grooves than high frequencies - without rolling off everything below 50Hz you couldn't fit a full track onto a 7" vinyl record. However we do NOT recommend applying any form of boost around this area without the use of very high quality studio monitors (not home monitors - there is a vast difference between home nearfield and studio farfield monitors costing anywhere between £5,000 and £20,000). Boosting blindly in this area without a valid reference point can and will permanently damage most speakers, even PA systems. Bass: 50-250Hz Mid-range: 800-6kHz.