Ben fry. Chico MacMurtrie / Amorphic Robot Works --------> INFLATABLES : narrative. In a step forward from my most advanced robots, Skeletal Reflections and Growing, Raining Tree, a new generation of robotic sculptures, The Inflatable Bodies, eliminates the structural metal and associated weight found in my earlier work. In my prior work, the sculptural forms and the joints that connected and allowed for the sculptures' movement were largely composed of metals. Although the designs allowed for significant strength and movement, the structures bore many constraints due to weight and rigidity. In this new generation of work, wood and metal are absent; forms instead arise from high-tensile, inflatable, fabric "skeletons" which are formless until inflated with air. The innovative use of the same strong fabric for both the structural "bones" and the actuating "muscles" of the sculptures has many benefits.
Receptive Environments | DanielPalacios. Synopsis Receptive Environments (along with Shelter) was part of my research about perception and time “Measuring Berlin”, developed during my residence at Künstlerhaus Bethanien. A receptive environment is that one which is in constant change, the one always shifting from state to state, adapting itself to its surroundings. We are part of it, but we are only able to perceive change as big differences, starting and end points, while the whole process remains invisible to us. The project deals with the limits of our perception by creating a series of images that represents change over time. Change is an universal constant. All the representative data (air quality, temperature, humidity, light color, light and sound levels, etc.) is collected during a significant time frame for the specific place.
Pictures Serie of 14 engravings made with the data captured at EnBW. Receptive Environments EnBW Credits With the support of: Commissioned by: Thanks to: Katja Endisch María José Martínez. Home. Colourscape Music Festivals, Structures, Images, Performers. Colourscapes are walk-in structures of colour and light, originally created by artist Peter Jones in the early 70s. Over 35 have been made, in many different sizes and shapes offering different experiences.
In 1994 Eye Music Trust commissioned the largest ever Colourscape (Festival One) with funds from the National Lottery and Foundation for Sport and the Arts. Subsequently Eye Music Trust commissioned two further Colourscapes – Festival Two and Moonorooni. All three are presented by Eye Music throughout the UK and abroad for events and workshops linking music and colour. Cwmni Colourscape, the partnership of artists Peter Jones and Lynne Dickens, have three Colourscapes, Mirror Islands, Wings and Sky Holes, and continue to develop new work. Each of the Colourscapes have different qualities and functions – Festival One and Two for presentations of larger-scale performances, events and workshops. Onionlab.com. Mine Kafon | Callum Cooper. DO Flow. Research | Cloneproduction. Marshmallow Laser Feast. Stain. Robert_Mathy. Re:FACE, Anchorage Version. 2010 | Tmema (Golan Levin & Zachary Lieberman) Re:FACE [Portrait Sequencer], Anchorage Version (2007-2010: Golan Levin and Zachary Lieberman) is a playful interactive video installation commissioned by the Municipality of Anchorage 1% for Art Program, for permanent display over the entryways of Anchorage East High School, Alaska.
Based on the Victorian "Exquisite Corpse" parlor game, and our previous small-scale prototype, the Re:FACE installation records and dynamically recombines brief video slices of its participants' mouths, eyes and brows. In this version of the installation, six large LCD screens — four over the school's North entrance, and two over the South — present an endless remix of face videos created by the students at East High. Students record their face videos using the project's custom Capture Station, located in the school's library. Anchorage East High School has one of the most diverse student populations in the United States. Cloneproduction. Zimoun. Kyle McDonald. Stylepark. News | intolight. Andy Huntington Interaction & Sound. DANIEL PALACIOS. Chris Carlson. Gordon Monahan - sound art, sound installations. BIO - jaimedelosrios. Interactive Installations – Strukt. Symbioticcube. Moritz Waldemeyer. Sound Design For Architecture.
What is embodied programming? « Alex McLean. I had a great time at the Node Forum in Frankfurt this weekend. I got to meet my software art hero Julian Oliver finally, who gave an excellent and provocative talk on the technological ideology of seamlessness from a critical engineering perspective. Kyle McDonald gave an excellent related talk on the boundaries between on-line and off-line life, and I particularly liked his work on “computer face“, which is a highly relevant topic for any critical view of live coding performance. My own talk was about “Live coding the embodied loop”, a bit of a ramble but hopefully got across some insights into what live coding is becoming. I had a great question (I think by someone called Moritz) that I didn’t manage to answer coherently, so thought I’d do it now: Perhaps the concept of “embodied programming” relates to a slightly delicate point I made during my talk (and have tentatively explored here before), that programmers do not know what they are doing.
PlanetHybrid | wirmachenbunt. Ivo Schüssler. Strukt. MESO Image Spaces. MESO Image Spaces is your partner to let ideas take shape and enter spaces. We make abstract content graspable within appealing media experiences. MESO Image Spaces provides 3D visualisations of anything you can´t simply take a snapshot of. We thoroughly study your subject to work out the most compelling synthesis of content, design and technical solution. Our service includes conception and realisation of renderings, animations, realtime graphics and interactive installations. Find them on the internet, on television, at events or at exhibitions. And if you want, we transform your exhibition space into an augmented scenery and carry off the spectator by playfully merging real and virtual environments with elaborate projection techniques. Campaign for Productpilot representation of the upcoming business matching portal productpilot.de with a prelaunch website, movies, ads and staging of the launch event October 2005 - February 2006 Lightstrive sportive illumination of a building´s facade.
WoeishiLean. Works. Microphone as an interactive installation proposing a means of communication, in which two participants exchange sounds echoed between them. It consists of two specially constructed microphones and seven external speakers. The custom-built hardware, a camera and a speaker are housed inside cone-shaped wooden microphones. The `microphones' do not capture sound in a conventional manner. Instead, each webcam captures vowel-mouthed shapes using customized computer vision written in free/open source software, which are then synthesised into vocal sounds, transmitted across the space using nine-channel speakers (including one in each of the microphones). This project is derived from the idea of how our appreciation and responses in communication are affected by interpreting not just lexical information but the gestural movements of the vocal tract themselves.
CP0x0b Push Button Bertha EP out now! » ChordPunch. Julian Oliver - Projects. The Transparency Grenade Handheld Network Intervention Device, Exploit Enactor, 2012 No Network Mobile network jammer in the form of a battle tank, 2013 No Network Border Bumping Dislocative Media, Tele-Cartographic Intervention, 2012 Newstweek Network intervention. PRISM: The Beacon Frame Speculative NSA Network Forensics Equipment, 2013 The Beacon Frame Public Patch Patching security cameras in public space with appropriate copyright terms, 2014 Public Patch Solitary Confinement Exhibition of quarantined PC deliberately infected with Stuxnet virus, 2013 Solitary Confinement The Weise7 Incompatible Archive A book that doubles as an Internet independent wireless server, 2012 Flamer Quarantined, gun-shaped USB stick deliberately infected with the ‘Flamer’ cyber weapon, 2013 Flamer Remote Install Installation of Software Art as Software Art Installation, 2013 Remote Install UNIX Command Line, For Artists and Activists UNIX Command Line Workshop NETworkshop NETworkshop The OtherNet Workshop OtherNet Workshop Stuxnet.
Cultural morphing soundscape - Katrin Stumreich. Deconstructed Reality Documentation. On Monday I produced an experimental movie featuring thoughts about wearable/fashionable technology, 3d printing, audio visual production and the deconstruction of reality. It was produced with a head-mounted web-cam. I was wearing it half the day to test how it feels and what it means to record everything you see and hear. The computer was processing the live image in a deconstructing way, doing basically the opposite of “augmented reality”. In the evening I produced the soundtrack and cut together the movie. So the movie can be seen as a compressed view on my activities on this specific Monday. Body Shaped Controlers, Deconstructed Reality, Headmounted Cameras and 3D Printers from leaving the planet on Vimeo. Desaxismundi. FLORIAN EGERMANN · WORKS. Daniel Schwarz. ScreenLab Series.
Edisonnoside. Lanvideosource.