Blog. Mexican Artist Smithe our latest mural at the Bushwick Art Park August, 2013 In collaboration with Mex in the City and All City Canvas for their ACCGSNYC event bridging NYC and Mexico the group brought Mexican Artist Smithe to paint the latest 200 ft mural at the Bushwick Art Park.
His mural at the Bushwick Art Park was written about in the NY Times & NY Magazine. The mural took 2 weeks to complete and you can see photos of the entire process at All City Canvas's Google+ page. C-MONSTER.net. Public Art Fund: Projects Index. Brooklyn-street-art-cake-jaime-rojo-pantheon-03-11-web-6.JPG 740×541 píxeles. Wooster Collective. Supakitch & Koralie. RED BULL STREET ART VIEW. Brooklyn Street Art. Posted on April 7, 2014 “After photographing in the mosh pits for awhile I began to get familiar with patterns in the music.
Eventually it got to the point where I could sense the moment coming when things would really cut loose and go berserk,” says painter Dan Witz about his process and method for catching the moment when the roiling mass of hardcore music fans hit the perfect state of frenzy. “NY Hardcore Paintings”, opening this past Saturday night and on view currently at The Jonathan Levine gallery in Chelsea, presents Witz with his new body of convulsing bodies and to say they are a revelation is only part of the story. When we saw his first mosh pit paintings a few years ago we were struck by the raw thrilling chaotic energy and calculated abandon in them – and reminded of many such nights in the 80s and 90s in lower Manhattan when we also joined in the fray.
Dan Witz “NY Hardcore” Jonathan LeVine Gallery (Photo © Jaime Rojo) Dan Witz “NY Hardcore” Jonathan LeVine Gallery. Past Exhibitions. In the first commission to use the building’s iconic river façade, and the first major public museum display of street art in London, Tate Modern presents the work of six internationally acclaimed artists whose work is intricately linked to the urban environment: Blu from Bologna, Italy; the artist collective Faile from New York, USA; JR from Paris, France; Nunca and Os Gemeos, both from São Paulo, Brazil and Sixeart from Barcelona, Spain.
You can also take the Street Art Walking Tour: an urban tour of site-specific art from a group of five Madrid-based street artists: 3TTMan, Spok, Nano 4814, El Tono and Nuria – a map will be available in the gallery. Various events will take place during the exhibition, including an interactive evening with experimental New York artists Graffiti Research Lab, refacing Tate Modern with graffiti light projections.
Imprimante 3D, algorithme et graffiti. Un an après son passage à la Cantine, l’artiste Evan Roth expose à Barcelone dans le cadre de l’exposition Kitsch Digital.
C’est l’occasion de présenter son projet Graffitti Analysis : Sculptures. Tout d’abord, il y a le développement du logiciel Graffiti Analysis “une vaste étude du mouvement dans le graffiti“, qui permet d’enregistrer les mouvements, ainsi que leur rapidité, du graffeur lorsqu’il réalise un tag. Evan utilise ensuite les données recueillies pour en faire une visualisation 3D et à l’aide d’une imprimante 3D il en fait une sculpture. Inside Out. The Barnstormers. U B U W E B : The Films of Guy Debord.
Guy Debord (1931-1994) Critique de la séparation (1961) Hurlements en faveur de Sade (1952) In Girum Imus Nocte Et Consumimur Igni, Part 1 (1978) In Girum Imus Nocte Et Consumimur Igni, Part 2 (1978) Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film “The Society of the Spectacle” (1975) Society of the Spectacle, Part 1 (1973) Society of the Spectacle, Part 2 (1973) Society of the Spectacle by Guy Debord with a new and unauthorized translation, voiceover by Paul Chan (2013) Guy Debord was born in Paris on December 28, 1931.
In 1957 the Lettrist International joined another group of avant-garde artists, called Movement for an Imaginist Bauhaus, to form the Situationist International (SI), and founded the magazine called Situationiste Internationale. The original membership of the SI were Parisian intellectuals and artists who were influenced by the Dada and Surrealist movements, and the group never grew to more than a dozen members. Graffiti Research Lab Archive.