
Graphic design
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Are they repurposed for another client 3 months later? Or do they go in the back of the folio under the heading, 'They didn't actually go with this option but I still really like it so I keep it in my folio'. Ideas that you slave over for days, months, weeks only to have it play second fiddle to the 'preferred route.' Ideas that have been shot down. Join Toko and designers Mark Gowing (Mark Gowing Design), Paul Garbett (Naughtyfish), Ivana Martinovic (Native) as we drown our sorrows to a selection of the unseen, unheard, unrealised and the possibly under-appreciated. Besides Toko, exhibitors and contributors to this very first Au.thentic event include: Deanne Cheuck, ContainerMade, Adam Goodrum, Trent Jansen, Ingvar Kenne, one8one7, Nick Rennie, TAIT, Toko, John Warwicker, UniversalDesignStudioLondon, Charles Wilson
::: Toko. Concept. Design. ::: +61 (0)4 136 133 81 :::
Code & form » Computational aesthetics
This Spring I will be hosting a series of one-day independent Processing workshops in New York, starting April 21. The workshops will focus on generative form strategies (introduction and advanced), with a few more esoteric offshoots like parametric modeling for 3D printing and drawing with machines (working with plotters). I’ll be taking groups of 8-10 people to keep it intimate and allow for plenty of interaction within the group. The plan is to put together a curriculum of some of my most useful tricks for developing and optimizing generative visual systems, packaged as a series of code scenarios that we will go through together in an informal setting. The workshops should be useful for beginners and pros alike, since they’ll be based on solving real-world scenarios with tried and tested techniques.Processing.js
processing
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Graphic Design - Grrrrrrraphic, My Woman!
Web D!
LAIKA - Eine dynamische Schrift
BLA BLA BLA
Witness an exquisite and controlled variation of stroke rarely seen on FontStruct. This is a beautiful FontStruction which rewards close examination, revealing sophisticated details.
FontStruct | Build, Share, Download Fonts
BibliOdyssey
These lithographic scenes from the Crimean War, based on sketches by William Simpson , were published in London in a couple of series by Colnaghi & co. in the second half of the 1850s. The illustrations here are all derived from .tif downloads and the images themselves are cropped back to the edges of the mounted borders. The scene keys or legends were cut from the sides of their corresponding prints and the deficits filled in. A few images have had background stains removed. "The Crimean War (1853-1856) was a conflict between the Russian Empire and an alliance of the French Empire, the British Empire, the Ottoman Empire, and the Kingdom of Sardinia. The war was part of a long-running contest between the major European powers for influence over territories of the declining Ottoman Empire.AisleOne - Graphic Design, Typography and Grid Systems
30 of the Best Web Typography Resources Online | Webdesigner Dep
We Are The World was a group exhibition that took place in 2003, at the Dutch Pavilion, during the Biennale di Venezia. A year later, the same exhibition was repeated at Museum Boijmans van Beuningen, under the name 'We Are The World – Rotterdam Edition' (March 20 - May 23, 2004). Since we were responsible for all the graphic design in the first exhibition (see WATW / Catalog and WATW / Other printed matter), we were also asked to design some small items for the second version. Shown below is the invi... (continued here)

