
no man's land / exploration
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urbanexploration
Base de données d'exploration urbaine
Votre meilleure photo de friche urbaine - les avis sur L'Internaute
Friches industrielles, terrains vagues, bâtiments en destruction, les paysages urbains désolés attirent facilement l'attention du photographe.Infiltration
This site is dedicated to documenting various abandoned places through both text and photographs; recording their transformations through time before they are demolished. The abundance of abandoned asylums and psychiatric hospitals in the New England area create the bulk of the locations here; these beautiful state funded structures are vast and complex, giving insight to both the humanity and mistreatment towards the mentally ill over the past two centuries. In recent years, there has been a surge of redevelopment projects for these places, and states have been lowering land prices and pushing for bids to buy.
Opacity - Abandoned Photography and Urban Exploration
The Paris Metro and the service it provides are deeply intertwined into the fabric of the city. As the 4.5 million passengers who ride it every day will probably attest it's the quickest way around whether it's for work, for play or both. The metro's distinctive art-nouveau style is unmistakable and the plant like green wrought iron entrances topped with the orange orbs and Metropolitan signage designed by Hector Guimard which sprout up all over the city lead one down to the gleaming white tiled platforms to be whisked away around Paris.
photography urban exploration | Demolition of the Paris Metro
Oranjemund, Namibia. It seems to be the largest diamond mine vehicle graveyard, and yet there are barely any pictures of it. Satellite photos of the area could let you guess how big it is. The mine owned by De Beers is reputed to have the largest private earthmoving fleet in the world. From the texts I have found here and there, my understanding is that that people are not allowed to visit those the area for safety reasons, hence the lack of available photos.

