The Church of London. Experimental Film - married, show, name, cinema, scene, book, story, documentary. Experimental films are very different from feature-length Hollywood fiction films. In Mothlight (1963), Stan Brakhage (1933–2003) completely avoids "normal" filmmaking (he doesn't even use a camera) by sprinkling seeds, grass, dead moths, and bee parts directly onto the film stock; the result is a three-minute rhythmic "dance" between nature and the projector mechanism. There are many types of experimental film, but despite their diversity, it is possible to pin down tendencies that help make experimental film a discrete genre.
Edward Small identifies eight traits of experimental films and in the process defines important differences between the avant-garde and Hollywood. Most obviously, production is a collaborative enterprise, but most experimental filmmakers conceive, shoot, and edit their films alone or with a minimal crew. Often they even assume the responsibility for the distribution of the finished film. Many experimental films violate one or more of the above traits.
Daido Moriyama 森山大道 « I c. U c. Wii c. Oishii! Above is a photo of Daido Moriyama adding comments to his works at his show. (Photo taken from white-screen.jp) He is a photographer; furthermore, he is a Visual Anthropologist. Moriyama, born in 1938, began his career as early as when he was 20. He first started off as a graphic designer but two years later he began his study of photography under photographer Takeji Iwamiya. [1] Moriyama often described himself as a “stray dog” where he will wander around the town to find something or do something–find the subject then take pictures. He also described the town as “his studio and his classroom and also where his energy for his creativity is provided from”. [2][3] He enjoys taking pictures of–literary–things he sees where his photos explore a lot about the reality happening. The most influencial photographer of his life is William Klein.
Above is a photo taken by William Klein. Below is a photo taken by Daido Moriyama. I enjoy looking over his photos overall. Bibliography Like this: New York: Daido Moriyama and William Klein | International Center of Photography Library. The urban environment, with its fast pace, constant motion and blur of activity has consistently been a subject for the well-known Japanese postwar photographer Daido Moriyama. Whether contemporary images of his Shinjuku, Tokyo neighborhood or vintage 1971 photos taken during his first trip to New York with close friend and graphic designer Tadanoori Yokoo, Moriyama’s ability to capture the nervous and dark edges of a city and tame it within a raw exuberance and vitality is emblematic of his highly charged visual language. Nearly 40 years since his first trip to New York, Moriyama returned to the city this past week to participate in several events at Japan Society and the Aperture Gallery.
Particularly of interest were Moriyama’s comments about American photographer William Klein, who he freely praised as one of his earliest and most profound influences. I began photography at the age of 22 – 23, and that is when I encountered William Klein’s New York. William Klein. Daido Moriyama. Jellyfish Lake Filmed With A 5D Mark II. DIYPhotography.net | Hacking Photography For The Love of It. Experimental/Avant-Garde. Like many of the predominant art movements in the Twentieth Century, American Experimental Film, one could argue, saw its birth in New York City.
Conversely, one could easily claim that the movement began on the opposite coast (in San Francisco, for instance, where truly significant developments were made, or in the shadow of Hollywood, where several filmmakers got their start. Regardless, though heavily influenced by the German Expressionists (F.W. Murnau, Fritz Lang, Robert Wiene), the Soviet Constructivists (Alexander Dovzhenko, Sergei Eisenstein, Vsevolod Pudovkin) and the early French Trick-Filmmakers (Georges Melies, Emile Cohl, Ferdinand Zecca), experimental work in the 1950s and 1960s grew out of a desire to expand beyond the rules of conventional narrative and invent a new language for film. As a filmmaker, Mekas developed a form of "diary film" immediately recognizable from its gritty technique. Without distribution, these films would never be seen by anyone.
Thoughts? August Sander. (German, 1876–1964) German photographer. After seven years as a miner and a period of national service, he studied painting in Dresden from 1901 to 1902, which allowed him to approach photography artistically. He had developed an interest in photography through work in photographic firms in Berlin, Magdeburg, Halle and Dresden from 1898 to 1899. In 1901 he went to Linz, where he first worked in the Greif Studio, which he ran from 1902 with his partner Franz Stukenberg as the Studio Sander & Stukenberg, until he founded the Studio August Sander für Kunstphotographie und Malerei in 1904.
He sold the studio in 1909 and returned to Cologne, where he ran the Studio Blumberg & Hermann, and in 1910 he founded his own studio in Lindenthal. At this point Sander started his major project, Menschen des 20. Although this cyclic model of society was anything but progressive, Sander came into conflict with the Nazis. Sander’s portraits, whether half- or full-length, are always set in a simple environment. Top. Daido Moriyama – Paul Davies | Features | TANK Magazine. Top 5 art events and exhibitions around the world you can't miss in october 2012. Madrid: María Blanchard October 17 – February 25, 2013 The exhibition dedicated to María Blanchard (Santander, 1881 – Paris, 1932) seeks to recover this Spanish artist who experienced painting with all of its uncertainties and convictions and who would end up becoming one of the great figures of the avant-garde.
Her artistic development came late and she did not reach creative maturity until well into her thirties, after moving to Paris. For many years, until the 1960s with the arrival of the book by Rodríguez Alcalde, she was the object of a biased vision that reduced the study of her pictorial work to a few clichés and focused primarily on finding a biographical justification for her style. Museo Nacional Centro de Arte Reina Sofía, 52 Santa Isabel, Tel. (+34) 91 774 10 00, Madrid London: William Klein and Daido Moriyama 10 October – 20 January Explore modern urban life in New York and Tokyo through the work of photographs of William Klein and Daido Moriyama. Rome: Sulla Via della Seta. Daido Moriyama: Journey to Something | Blend.
Today a solo exhibition of one of Japan’s foremost photographers is opened at the Reflex Art gallery in Amsterdam. For Journey to Something, Daido Moriyama has pulled shots from his archive as well as new images. We were very honoured to do a short interview with the man himself. BLEND\: You started out as a graphic designer. What made you want to become a photographer?
You tend to shoot a lot of snapshots. A lot of your images are very gritty, shot analogue. So the exhibition with William Klein is coming up soon. Obviously you started shooting in Japan, and then you went to New York like Klein did. You tend to speak a lot of the importance of a certain desire that is displayed in good photography. When speaking of your influences, you state the names of several photographers very clearly. Since you have been shooting for a very long time now, and the world around you changes, Japan has changed a lot. You still look very you and vibrant. Thank you very much! Chapter MovieMaker. Magazine. Archive | Yayoi Kusama. Yayoi Kusama Museum Boijmans van Beuningen, Rotterdam, Netherlands Yayoi Kusama, Infinity Mirror Room - Phalli's Field (Floor Show) (1965) For nearly half a century now, Yayoi Kusama’s personal history has preceded her: the artist arrived in New York from Japan in the late 1950s, and soon became the city’s avant-It Girl, receiving praise from and exhibitions with the likes of Donald Judd, Frank Stella and Yves Klein.
Though she preferred the somewhat antiquated ‘avant-garde’ label to Abstract Expressionism, Minimalism or Fluxus, hers was nonetheless the perfect art practice for the wild 1960s. But when the party that was the 1960s wound down, Kusama retreated to Japan and checked herself into a Tokyo mental hospital, far beneath the art world’s radar. Not least here at the Museum Boijmans van Beuningen, where a show called ‘Mirrored Years’ tries to find the links between the art that briefly made her famous decades ago, and the works she still makes today.
Douglas Heingartner. Whitney Museum of American Art: Home. NY Arts Magazine - Home. 2008 February 18 « Ground Glass. The blogosphere is full of ‘best of’ lists and rankings. The blog is a perfect venue for this type of information. So I thought it would be nice to create a women in the history of photography list. I rarely read an interview where a photographer, male or female, cites a woman as an influence. The exceptions is perhaps Diane Arbus. I often wish I had more female mentorship and inspiration, but I guess it is out there if you are willing to look. Julia Margaret Cameron Camille Silvy Clementina, Lady Hawarden Alice Austen Doris Ulmann Gertrude Kasebier Alice Boughton Eva Watson-Schutze Louise Deshong Laura Adams Armer Alice Lex-Neurlinger Margrethe Mather Hannah Hoch Florence Henri Lucia Moholy Imogen Cunningham Tina Modotti Ilse Bing Bernice Abbott Margaret Bourke-White Marion Post Wolcott Dorothea Lange Helen Levitt Inge Morath Lotte Jacobi Barbara Morgan Carlotta Corporan Lillian Bassman Lisette Model Laura Gilpin Louise Dahl Wolfe Diane Arbus Ms.
Part Two – Coming Soon…. The weirdest Alice in Wonderland movie ever made. British Journal of Photography. Magazine - Archives. Lee Frost Photography. Greatest Films - The Best Movies in Cinematic History. Adventures in Vertigo. Juxtapoz Magazine.