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BOZAR Works from the SAMMLUNG VERBUND

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Artist - Ewa Partum » Moving Image. Tautological Cinema, 1973-1974 M+R Fricke Invalidenstr. 114 Berlin-Mitte, D 10115 Germany T: (49) (0)30 – 283 53 45 E: info@galeriefricke:de W: www.galeriefricke.de Between 1973 and 1978 the artist produced a dozen 8, 16 and 35 mm films which she endowed with the common designation „Tautological Cinema“.

Artist - Ewa Partum » Moving Image

From the basic conception it was a matter of a conceptual cinema or rather a conceptual idea to find a new language for art. … Thus the „Tautological cinema“ was a conceptual notebook of a special kind, in which the linear, designated message presented an extension of the artist’s cenceptual ideas. The Art of Penny Slinger/ Welcome. Electronic Arts Intermix : Rita Myers : Biography. Since 1975, Rita Myers has created a body of large-scale, multi-media installations that create highly theatrical, metaphorical spaces from a fusion of video, text, sound, and sculptural and natural forms.

Electronic Arts Intermix : Rita Myers : Biography

Juxtaposing elements of landscape and architecture, these formalized, symbolic environments function as contemplative sites that resonate with evocations of the ritualistic and the mystical. Drawing on sources that range from physics and Jungian psychology to magic and alchemy, Myers' often site-specific works invoke the mythological and the spiritual, the unconscious worlds between the real and the imaginary. Integrating archetypal objects with iconic imagery, she uses video as a time-based pictorial element. Myers states that through her works she seeks to discover "the ways in which ancient archetypes survive as the foundation for current images of reality.

" Myers was born in 1947. Mary Beth Edelson. Lili Dujourie. Works - 1970-1979. Francesca Woodman. (b. 1958, Denver, Colorado.

Francesca Woodman

Died 1981, New York.) Much of Francesca Woodman's work was produced while she was a student at the Rhode Island School of Design (1975-1978) and then while working in Rome; New York City; and the MacDowell Colony, New Hampshire. She had a major posthumous retrospective at the Fondation Cartier pour l'art contemporain, Paris, France, which traveled to the following institutions, from 1998 to 2002: Kunsthal, Rotterdam, The Netherlands; Centro Cultural de Belém, Lisbon, Portugal; The Photographers' Gallery, London, United Kingdom; Centro Cultural TeclaSala, L'Hospitalet, Barcelona; Carla Sozzani Gallery, Milan; The Douglas Hyde Gallery, Dublin; and PhotoEspana, Centro Cultural Conde Duque, Madrid. More recently a retrospective of her work was exhibited at the San Francisco Museum of Art, San Francisco and traveled to the Guggenheim Museum, New York (2011-2012).

Martha Wilson. Hannah Wilke: Biography, Exhibitions, Awards, HWCALA. Hannah Wilke Biography Education Temple University, Stella Elkins Tyler School of Art, Philadelphia, PA, Bachelor of Fine Arts and Bachelor of Science in Education, 1962 Awards C.A.P.S., grant for sculpture, 1973.

Hannah Wilke: Biography, Exhibitions, Awards, HWCALA

Annegret Soltau - Annegret Soltau. Home - Cindy Sherman - Photographer, Model, Director, Actor, Avant-Garde Images, Doll Parts and Prosthetics, Movies. Carolee Schneemann. Martha rosler: about the artist. Ulrike rosenbach. The event Gina pane. Ana Mendieta. Ana Mendieta (18 November 1948 – 8 September 1985) was a Cuban American performance artist, sculptor, painter and video artist who is best known for her "earth-body" art work.

Ana Mendieta

Early life and exile[edit] Mendieta was born in Havana, Cuba to a family prominent in the country's politics and society.[1] At age 12, in order to escape Fidel Castro's regime, Ana and her 14-year-old sister Raquelin were sent to the United States by their parents. Through Operation Peter Pan, a collaborative program run by the U.S.

Government and the Catholic Charities, Mendieta and her sister spent their first weeks in refugee camps before moving to several institutions and foster homes in Iowa.[2] In 1966, Mendieta was reunited with her mother and younger brother; her father joined them in 1979, having spent 18 years in a Cuban political prison for his involvement in the Bay of Pigs invasion.[2] Education[edit] Life and Work[edit] In 1983 Mendieta was awarded the Rome Prize from the American Academy in Rome. Suzy Lake - Suzy Lake. Artist Resource Site. Leslie Labowitz Discusses Activist Performance and the Media. Galerie Georg Kargl. Ketty La Rocca is one of Italy’s most eminent representatives of Conceptual Art.

Galerie Georg Kargl

The œuvre of the early deceased artist comprises visual poetry, visual art and performance. La Rocca’s poetic, experimental and media-critical exploration is devoted to language, images and the stereotype signs of everyday world. Her goal is to reveal the prevailing policy of bodies. […] In the 1970’s, La Rocca developed her performative series based on hands. She studied their expressive potential placing this in a linguistic context by writing words on the hands and tracing their contours by means of handwriting. Birgit Jürgenssen. Sanja Ivekovic (Croatian, born 1949) 8,702 Artists and 52,575 Works Online SaveNot on view Gledanje u.

Sanja Ivekovic (Croatian, born 1949)

Esther Ferrer. Feminist artist Alexis Hunter - biography, exhibitions, sales and contact page. VALIE EXPORT: VALIE EXPORT. Galerie Barbara Thumm. \ Teresa Burga & Anna Oppermann 02.06. – 04.08.2012 Opening: 01.06.2012, 7 - 9 pm The Gallery Barbara Thumm is presenting two female artists, Teresa Burga (born 1935 in Peru) and Anna Oppermann (born 1940 in Eutin, deceased 1993), who methodically redefined artistic practice in the 1970s.

Galerie Barbara Thumm

Nowadays both positions are in their own way still and maybe more than ever considered as highly influential on contemporary discourses about how the dealing with subjectivity can lead to social approaches. As Ute Vorkoeper who is an expert for Oppermanns oeuvre, writes: “The ensemble "Theory of emotions", is now for the first time publicly exhibited in the gallery Barbara Thumm.

It is together with her photographic work documenting the ways in which Anna Oppermann reflected on her method, which developed gradually through the artistic process of creation, and was together with a group of self-portraits discovered only posthumously. WOMAN. The Feminist Avant-Garde of the 1970s. Ana Mendieta Untitled (Glass on Body Imprints), 1972/1997 Color photograph (from a series of 6) © Estate Ana Mendieta / SAMMLUNG VERBUND, Vienna.

WOMAN. The Feminist Avant-Garde of the 1970s.

Renate Bertlmann. Eleanor Antin. Galerie Les Filles du Calvaire.