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Music box variations: var. 0 - chromatic - 48 tinesvar. 1 - harmonics of 55hzvar. 2 - harmonics of 20hzvar. 3 - harmonics of 48hz, reversedvar. 4 - harmonics of 48hz, palindromevar. 5 - chromatic - 88 tinesvar. 6 - microtonesvar. 7 - harmonics - 120 tines, reversedvar. 8 - chromatic - 88 organ pipes, rev.var. 9 - chromatic - 88 bars, rev.var. 10 - chromatic - 64 pipe crypto calliopevar. 11 - minute waltz - 60 keys, 60 secondsvar. 12 - chromatic - prime numbers onlyvar. 13 - chromatic - non-primes onlyvar. 14 - stereovar. 15 - stereo - 120var. 16 - stereo - 210var. 17 - hand crankedvar. 18 - stereo dronevar. 19 - stereo sonarvar. 20 - bell carol More detailed information can be found in this post.

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Properties of musical modes. Modern Dorian mode on C Play Early Greek treatises on music do not use the term "mode" (which comes from Latin), but do describe three interrelated concepts that are related to the later, medieval idea of "mode": (1) scales (or "systems"), (2) tonos—pl. tonoi—(the more usual term used in medieval theory for what later came to be called "mode"), and (3) harmonia (harmony)—pl. harmoniai—this third term subsuming the corresponding tonoi but not necessarily the converse (Mathiesen 2001a, 6(iii)(e)).

Greek Dorian octave species in the enharmonic genus, showing the two component tetrachords Play Greek Dorian octave species in the chromatic genus Play Greek Dorian octave species in the diatonic genus Play The Greek scales in the Aristoxenian tradition were (Barbera 1984, 240; Mathiesen 2001a, 6(iii)(d)): These names are derived from Ancient Greek subgroups (Dorians), one small region in central Greece (Locris), and certain neighboring (non-Greek) peoples from Asia Minor (Lydia, Phrygia).