给“高级定制不死”几个理由 _时尚频道_腾讯网 这些时装诞生于复杂的手工艺，但它们终归是一件衣服，是能够让穿着者在21世纪的社会中随意活动的衣服。 Yves Saint Laurent在2002年初宣布退出时，痛心疾首地发表宣言：“高级时装已死！昔日的隆重、矜贵、豪华，被眼下的荒谬与怪诞所取代！” 如今，Yves Saint Laurent显然是属于“老一代”，属于与高级定制一起死的时代。 在2014春夏巴黎高级定制时装周上，Christian Dior和Chanel为首的高级定制品牌，给出拯救“高级定制”的方法：“年轻”与“实穿”。 舒适的衣着是现代女性的需要。 也许在“旧时代的守卫者”眼中：Christian Dior 2014春夏高级定制的那些礼服太简单了，够不上“红毯争艳”的气势；Chanel居然为礼服配上了运动鞋和护膝，这简直是一场“灾难”。 我特别同意洪晃女士的一句话：“奢侈品的昂贵是对人的智慧的尊重，不管是设计还是手工，都是对动手和动脑子的人表达一种认可。” 在新时代，购买高级定制的人并不是为了用来“炫耀”，而是他们对这件时装的“感同身受”——这不光光是头脑一热一掷千金的消费，还得有品位、有时间，等得起工时，试得起衣服（Dior一件高级定制，从选款、量身、白披布试身到最后制作完成总共需要购买者亲自前往巴黎5次），认同这种仪式感和这份手工，追求最贴身、最舒适的穿着…… Christian Dior设计总监Raf Simons在本季这样形容购买Dior高级定制的女人：“她穿着的不仅仅是时装，更是一种力量和态度。
FANNY AND JESSY Angela Brandys My image is a collective of identities formed through every day visuals. From the sensual to the unusual all references I find result in interesting hybrids. These references can be anything from already constructed images: a photograph, a styled look or an artwork. To something more haphazard that draws my attentions deeper than surface impact, Into the formation, colour, composition and texture of these found elements. This collection does not favor the superficial façade presented by the mass media dictatorship currently in play. I am drawn to tactile, textured, cleverly colorful elements that I use as ingredients to design with. My creativities don’t just reside in the designs you see but in the very way they are born. My work is heavily affected by or even dictated by life's day-to-day necessities, these may be the hurdles of money or even time, but both are influential tools to utilize and optimize my work. My influence on my designs is essential in their success.
Mengyi Hu Mengyi Audrey Hu's latest collection for autumn/winter is inspired by the concept of counter-conformity. Small Trades Workwear meets the ritual adornment of West African Masquerade. Initially began with an interest in exploring and excavations. She was intrigued by how the explorers defines their "ritual" to traverse for the purpose of discovery, encounter and interact with the alien environment, then survive, morph and evolve. Here is where Western Masqueraders tap in. EDUCATION 2008-2011 London College of Fashion, London, UK in BA (Hons) Fashion Design and Technology, Womenswear INDUSTRIAL EXPERIENCE 2010 July – October Viktor & Rolf Design intern Contributing to the women’s fashion and main Collection S/S 2011, A/W 2011/ 2012 2010 March – July Julien Macdonald Creative Intern and Design Assistant Research for the capsule collection and S/S 201 2009 September-October: Studio intern at Erdem Hand embroidering, industrial machine sewing, beading for S/S10 Show.
Jaeho Choi Jaeho Choi is a menswear designer based in London. He started fashion design in London with BA degree in Menswear design at the London College of Fashion. He has been doing several projects, and has collaborated with a few fashion photographers. He also worked at J.W.Anderson as an assistant. (pattern cutting & making) Jaeho Choi’s Autumn/Winter 2011 collection is minimalism fashion design based on contemporary menswear fashion. After the Press show, he has been contacted by Magazine, Fashion Websites, Blog, Publisher, TV and Music Video such as : Lady GaGa Music Video (Yoü And I) Vox TV (Germany) with Christian Deerberg (German model/celebrity) Collaborative Project with Zadrian (the Vogue Stylist) Publishing Work (Laurence King in the UK) Sid Magazine Bullet Magazine in New York Fashion 156.com Issue A/W 2011 BBC Website Nicolaformichetti Blog Fashion 156.com Vistelacalle.com (Spain) Disorder.com Catwalking.com Ibsonstyle.com Fashiontrenddigest.com (China) F.Y.I Blog