Oxford Music Online
Oxford Music Online is the home of Grove Music Online (GMO) and the access point for other Oxford online music reference subscriptions. With over 60,000 articles written by over 6,000 music scholars, Grove Music Online is the authoritative resource for music research with an ongoing mission to chart the diverse history and cultures of music and musicians from around the globe. Grove Music Online is the eighth edition of Grove’s Dictionary of Music and Musicians, and contains articles commissioned specifically for the site as well as articles from New Grove 2001, Grove Opera, and Grove Jazz. The recently published second editions of The Grove Dictionary of American Music and The Grove Dictionary of Musical Instruments are still being put online, and new articles are added to GMO with each site update.
Self-Sabotage in the Academic Career
Pogo recognized long ago that we often are our own worst enemies. Sure, he was a cartoon character, but he had a point—especially in higher education, where self-sabotage seems to be a standard characteristic of academic careers. In my 30 years as a professor, five years as a dean, and three years as a provost, I have observed many academics harm their own careers, often without realizing it.
Oxford Art Online
Welcome to Oxford Art Online, the access point for subscriptions to Grove Art Online, the Benezit Dictionary of Artists, and other Oxford art reference resources. Hirschvogel Workshop, after Sebald Beham: Roundel with Christ Healing the Blind Man, colourless and pot-metal glass with vitreous paint, 307×6 mm, 1517–27 (New York, Metropolitan Museum of Art, The Cloisters Collection, 2009, Accession ID: 2009.281); image © The Metropolitan Museum of Art Art History Research Starts Here Oxford Art Online is the gateway to multiple trusted online art reference resources that serve students, scholars, curators, and collectors alike. It is anchored by two major resources with complementary strengths; subscribers to both can cross-search them simultaneously.
Individual Consultations for Academic Skills Support with the Learning Centre
When are consultations held? During Semesters 1 and 2, The Learning Centre consultation hours are: Monday to Thursday 10am - 5pmFriday 10am - 1pm Each consultation is 50 minutes long. Demand is high, so make your appointment well in advance, rather than a day or so before an assignment is due. Consultations can be arranged outside these hours on request.
Women Artists Essay - Linda Nochlin
Why Have There Been No Great Women Artists? by LINDA NOCHLIN While the recent upsurge of feminist activity in this country has indeed been a liberating one, its force has been chiefly emotional--personal, psychological, and subjective--centered, like the other radical movements to which it is related, on the present and its immediate needs, rather than on historical analysis of the basic intellectual issues which the feminist attack on the status quo automatically raises.
Chaos theory and the Larrikin Princip - Universitetsforlaget
This lively, accessible book applies ideas from chaos and complexity theory to core issues inorganisation studies. It develops a new critique of Managerialism and its global god-father, Neo-Liberalism, still dominant ideologies in management today. It complements theoretical critique with stories and voices from the front line of organisational life, in Australia, Mexico and Brazil.
Gerald Coke Handel Collection
The composer George Frideric Handel was a Governor and benefactor of the Foundling Hospital, and annual performances of Messiah provided vital sources of income for the Hospital. Handel offered his first benefit concert for the Hospital in 1749 to fund the completion of the Chapel, and composed the anthem Blessed are they that considereth the poor, known as the Foundling Hospital Anthem, for this occasion. The event was so successful that the Governors asked him for another concert the following year; Handel chose to perform Messiah and he gave performances every year until his death in 1759. He also paid for the first organ to be installed in the Hospital Chapel.
Practice-Based Research, Digital Art and Problem Based Learning: A Dialogue
Original Citation: Miles, Adrian, and Mark Amerika. “Practice-Based Research, Digital Art and Problem-Based Learning: A Dialogue.” Leonardo Electronic Almanac 10.7 (2002). Practice-Based Research, Digital Art and Problem Based Learning: A Dialogue I arranged for Mark Amerika to be a visiting fellow with us during 2002 and we did an interview come dialogue around practice based research. This was published in Leonardo and Mark also republished it in “META/DATA: A Digital Poetics” The MIT Press.
List of compositions by George Frideric Handel
Operas[edit] All works are opera seria in three acts, unless otherwise stated. Incidental music[edit] Oratorios[edit]
George Frideric Handel
George Frideric Handel (/ˈhændəl/;[1] German: Georg Friedrich Händel; German pronunciation: [ˈhɛndəl]; (1685-02-23)23 February 1685 – 14 April 1759(1759-04-14)) was a German-born Baroque composer famous for his operas, oratorios, anthems and organ concertos. Born in a family indifferent to music, Handel received critical training in Halle, Hamburg and Italy before settling in London (1712), and became a naturalized British subject in 1727.[2] By then he was strongly influenced by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition. Early years[edit] Händel-Haus (2009) – birthplace of George Frideric Handel Entrance of Teatro del Cocomero in Florence
The Chicago Manual of Style Online: Chicago-Style Citation Quick Guide
The Chicago Manual of Style presents two basic documentation systems: (1) notes and bibliography and (2) author-date. Choosing between the two often depends on subject matter and the nature of sources cited, as each system is favored by different groups of scholars. The notes and bibliography style is preferred by many in the humanities, including those in literature, history, and the arts.
