Inspiracion gral

Fasch & Fuchs Zt Gmbh — neubau bildungscampus hauptbahnhof wien gudrunstraße. © Fasch & Fuchs Zt Gmbh .

Published on March 30, 2011. städtebauliches konzept. die lage des zukünftigen bildungscampus hauptbahnhof wien ist geprägt von seiner situierung zwischen öffentlicher parkanlage im norden und gudrunstraße im süden. an der westseite des zukünftigen gebäudes verbindet ein schmaler parkstreifen die große parkfläche im zentrum des stadtentwicklungsgebietes hauptbahnhof wien mit der gudrunstraße. grundidee ist, diesen schmalen parkstreifen über das gesamte wettbewerbsgebiet zu erweitern und somit eine großzügige räumliche verbindung vom großen park mit der gudrunstraße zu erreichen. es entsteht eine nahezu 200 meter breite öffnung zwischen den angrenzenden, geplanten block- randbebauungen. in dieser lücke wird der bildungscampus als flache, terrassierte grünlandschaft konzipiert. es entsteht der bildungshügel. alle bildungs- und gruppenräume sind zum großen park orientiert und haben einen direkten zugang zu den begrünten freibereichen.

DepA [departamento Arquitectura] — Museo Santiago Ydáñez. © depA [departamento Arquitectura] .

Published on March 10, 2011. Our primal gesture considered enhancing the buildings spatial value by extending the existing volumes. While making the most of the space within given boundaries, building heights were strategically maintained and space between houses converted to an access platform to the museum. We aimed at a sensible integration to the existing urban logic which would restore the memory of an old industrial site. “I like to work with big formats, letting gestures loose loose, in a sort of dance.It’s an experiment of huge tension and concentration in which sometimes you can get completely evaded.” Imrey Culbert, Kazuyo Sejima & Ryue Nishizawa - Sanaa, Mosbach Paysagistes — Musée Louvre-LENS. © Hufton + Crow .

Published on March 11, 2013. In keeping with a desire to maintain the openness of the site and to reduce the ascendancy of this large project, the building was broken down into several spaces. Through their size and layout, which follow the gradual changes in terrain elevation, the buildings achieve balance with the scale of the site and the shape of the paths, landscape features evoking its mining history.

In order to visually and physically open up the site, the main glassed area features a hollow in the core of the building. This delicate glass box serves as an entry hall to the museum and is a genuine public space for the city of Lens. Marco Cerri, Kazuyo Sejima & Ryue Nishizawa - Sanaa — Museo Diocesano Competition. Image: Marco Cerri - SANAA © All rights reserved. © Marco Cerri .

Published on November 20, 2007. The site is currently a schism in the city, a collection of disparate elements that interrupt the urbanism of the area. The proposed extension seeks to reengage the area with its surroundings, restoring harmony to the disrupted urban framework. Kazuyo Sejima & Ryue Nishizawa - Sanaa — The Circle at Zurich Airport.

© Kazuyo Sejima + Ryue Nishizawa / SANAA .

Published on March 16, 2010. This project is an eleven-story building complex located at Zurich airport. The building has retail program on the first and second floor, offices on floors three to eight, and a hotel on the ninth, tenth and eleventh floor. Parking is provided underground. Each program needs a different thickness in order to get enough sunlight into each room. Propuestas in_consultas. Esta mujer japonesa es una ‘rara avis’ entre los arquitectos estrella.

Frente al espectáculo, la fama y el dinero, defiende la discreción y el trabajo perfeccionista. Así, con su dedicación casi religiosa, se ha convertido en un referente mundial. Tiene cuerpo de niña y voz ronca. Fuma sin apenas descanso y no podría contar los cafés que bebe al día. Asegura que hablar no es su fuerte, que le cuesta encontrar las palabras exactas para expresarse. La entrevista se concierta en Barcelona. Ha conseguido hacer historia; no sólo por su arquitectura, sino también por su forma de relacionarse. C.F. Møller Infuses New life in One of Denmark’s oldest school. The listed Sølvgade School built in 1847, close to King Christian IV's famous historic naval barracks, Nyboder, in Copenhagen, has for many years been lacking space and modern facilities. C. F. Moller has carefully renovated the school and done an extension which in its form and colors is true to the surroundings, but also adds a modernistic twist to the school.

Nueva Iglesia Evangélica - Jon Tugores. Proyecto: Nueva Iglesia EvangélicaAutor: Jon TugoresColaboradores: Mika UtzonLocalización: Barcelona, EspañaCalculo estructural: BOMA (Brufau, Obiol Moya)Cálculo instalaciones: RG IngenieríaCálculo acústico: AldovierProyecto: Concurso 2007Construccion: Inicio Septiembre 2009Fotografía: Estudio Jon Tugores Afrontar el proyecto de una iglesia sin recurrir a argumentos tradicionales y retóricos y de fàcil asimilación por el público, fue un inicio de un guión que nos llevó a tomar un camino arriesgado.

Una iglesia evangélica a diferencia de la católica, es un lugar poli-prográmatico, donde la mayor parte de la superficie edificada no tiene una función específica, más bien es receptiva de múltiples acontecimientos que varían en el tiempo. Decidimos tratar la iglesia como un objeto en si, un elemento abstracto, inclasificable, con una inmediata lectura urbana que no tradujera nada de lo que pasa en su interior. Pegan Petkovšek - National Gymnastics Centre in Ljubljana, Slovenia.

The National Gymnastics Centre Pegan Petkovšek is part of the comprehensive renovation of Svoboda Sports Park in Ljubljana.

It is the first of the three sports halls that are to be built on the western edge of a belt between an access street on one side and a large greened park layout with sports grounds on the other. The building of the gymnastics centre is placed on the northernmost part of this belt.