This picture is used as a test to demonstrate that people may not attach sounds to shapes arbitrarily: American college undergraduates and Tamil speakers in India called the shape on the left "kiki" and the one on the right "bouba". The bouba/kiki effect is a non-arbitrary mapping between speech sounds and the visual shape of objects. This effect was first observed by German-American psychologist Wolfgang Köhler in 1929. In psychological experiments, first conducted on the island of Tenerife (in which the primary language is Spanish), Köhler showed forms similar to those shown at the right and asked participants which shape was called "takete" and which was called "baluba" ("maluma" in the 1947 version). Although not explicitly stated, Köhler implies that there was a strong preference to pair the jagged shape with "takete" and the rounded shape with "baluba". In 2001, Vilayanur S. More recently research indicated that the effect may be a case of ideasthesia.
Lexipedia - Where words have meaningMy Writing SpotInternet Resources - Writers Resources - Writing Links & Writers Links for Writers - Word StuffUnsorted [/writers] James Patrick Kelly - Murder Your Darlings - "When time comes to make that final revision, however, you must harden your heart, sharpen the ax and murder your darlings." Greda Vaso - Determining the Readability of a Book - includes formulas for Gunning's Fog Index, Flesch Formula, Powers Sumner Kearl L. Kip Wheeler - Literary Terms and Definitions L. Kip Wheeler - Comp - Lit - Poetry - Links - more Style - Grammar - Errors in English [/writers]American Heritage - Book of English Usage - free download Band-Aid AP StylebookPaul Brians - Common Errors in EnglishCJ Cherryh - Writerisms and other Sins The Chicago Manual of Style FAQ Gary N. Curtis - The Fallacy Files - Logical fallacies and bad arguments Prof.
The Ren'Py Visual Novel EngineInk - Quotes about writing by writers presented by The Fontayne GroupWriting "I put a piece of paper under my pillow, and when I could not sleep I wrote in the dark." Henry David Thoreau "Writing is an adventure." Winston Churchill "Know something, sugar? Stories only happen to people who can tell them." Allan Gurganus "... only he is an emancipated thinker who is not afraid to write foolish things." Anton Chekhov "A poet is someone who stands outside in the rain hoping to be struck by lightening." "Whether or not you write well, write bravely." "The first rule, indeed by itself virtually a sufficient condition for good style, is to have something to say."
Creative Writing Prompts, Creative Writing Ideas, Creative Writing Exercises, ... — Helping Writers and Poets Get Some Writing DoneCreate paintings from photosDid you ever wanted to be a great artist? But unfortunately you are really bad at it? Well that's ok because now with Psykopaint you can be a great artist with no skills. But how does it work?Archetype: The Fiction Writer's Guide to PsychologyAbout a little thing called 750 WordsOne Page Per Day: A web typewriter for authors.5 Ways Not to Write a NovelWriting a novel? There's first-draft flow, and there's editing flow. And then there comes a time when you think you might be done, yet the manuscript is still not quite "there." To sell your work to an agent, and then to a publisher, and finally to a great many readers, put thoughts of flow aside now, and consider the following advice. , such as "Danielle was a woman of medium height with brown hair and brown eyes." , such as: "He shaved, and then he wiped off the shaving cream," "She walked to the corner, and she looked both ways," or "We opened the door, and we found the mail on the porch." . such as the following: the difficult task, both share, blend together, on account of, considering the fact that, report back. [Better: Add some tension, impending tension, or trouble to every page. * Did you miss my post about the sometimes unpolished writing of Stephen King ? * Or the one about best writers' resolutions ? Copyright (c) Susan K.
The Ultimate Guide to Writing Better Than You Normally Do.Writing is a muscle. Smaller than a hamstring and slightly bigger than a bicep, and it needs to be exercised to get stronger. Think of your words as reps, your paragraphs as sets, your pages as daily workouts. Think of your laptop as a machine like the one at the gym where you open and close your inner thighs in front of everyone, exposing both your insecurities and your genitals. Because that is what writing is all about. Procrastination is an alluring siren taunting you to google the country where Balki from Perfect Strangers was from, and to arrange sticky notes on your dog in the shape of hilarious dog shorts. The blank white page. Mark Twain once said, “Show, don’t tell.” Finding a really good muse these days isn’t easy, so plan on going through quite a few before landing on a winner. There are two things more difficult than writing. It’s no secret that great writers are great readers, and that if you can’t read, your writing will often suffer.
10 Creative Block Breakers That Actually WorkDoesn't matter what you call it: writer's block or creative block or simply "Where is my inspiration when I need it?!" All creative individuals find their work coming less easily at some times than others. That's when you need strategies, and plenty of them. There are at least 90 such tips, tools, and techniques in , edited by Alex Cornell, with a foreword by Erik Spiekermann. is a fresh compilation of practical, real world solutions offered by a range of creative individuals, including graphic designers, artists, writers, and photographers. The insights in this perkily designed, light-hearted, and useful little volume are sometimes amusing, often unexpected. to find it more compelling. Place an ink-stained handprint on its blankness so you have something to fix. You can't criticize the results. Consider this: "I'm not running out of ideas, just trying to push myself into better ones." in your episodes of creative block. to conceive of your blocks. , not just one. Blocked?
The Thirty-Six Dramatic SituationsThe Thirty-Six Dramatic Situations is a descriptive list which was created by Georges Polti to categorize every dramatic situation that might occur in a story or performance. To do this Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors. In his introduction, Polti claims to be continuing the work of Carlo Gozzi, who also identified 36 situations. Publication history “Gozzi maintained that there can be but thirty-six tragic situations. This list was published in a book of the same name, which contains extended explanations and examples. The list is popularized as an aid for writers, but it is also used by dramatists, storytellers and many others. The 36 situations Each situation is stated, then followed by the necessary elements for each situation and a brief description. See also References External links