Sound & Music
Sound: an elementary text-book for ... - John Walton Capstick
Neuroscience for Kids - The Ear
History Early history See also: Fortepiano and Bartolomeo Cristofori Early piano replica by the modern builder Paul McNulty, after Walter & Sohn, 1805 The Piano - Claviersite
Proven techniques for songwriting success This friendly, hands-on guide tackles the new face of the recording industry, guiding you through the shift from traditional sales to downloads and mobile music, as well as how you can harness social media networks to get your music "out there." You get basic songwriting concepts, insider tips and advice, and inspiration for writing — and selling — meaningful, timeless songs. Songwriting For Dummies, 2nd Edition:Book Information
Music Composition For Dummies:Book Information Want to turn that haunting tune in your head into an awesome sound in your ear? You can! Music Composition For Dummies demystifies the process of composing music and writing songs. It guides you through every step of writing your own music, from choosing the right rhythm and tempo to creating melodies and chord progressions and working with instruments and voices. In this fun and practical guide, you’ll learn how to match keys and chords to the mood you want to convey, work a form without limiting your creativity, and hammer out a musical idea, even when your mind is drawing a blank.
Music & Creative Arts - How-To Help and Videos Ukulele Buying a Ukulele To add or subtract with powers, both the variables and the exponents of the variables must be the same. You perform the required operations on the coefficients, leaving the variable and exponent as they are. When adding or subtracting with powers, the terms that combine always have exactly the same variables with exactly the same powers. [more…]
How to Read the Key Signature to Determine What Key to Play Knowing how to read the key signature to determine what key to play is critical to reading music, but it isn't difficult. Count the number of sharps or flats in the key signature, and then you can use the circle of fifths (or the following table) to determine which major key to play in. The circle of fifths shows the major keys on the outside of the circle and the minor keys on the inside of the circle.
How to Read Key Signatures Key signatures are important when reading music. You must understand how to read key signatures in order to know how to play the notes the way the composer intended. The key signature is a grouping of symbols (sharps [#] and flats [b]) that tell you to always play certain notes one semitone (half-step) higher or lower. The key signature is typically placed after the clef at the beginning of the music or after a double bar. To better understand how to read key signatures, take another look at the circle of fifths. Circle of fifths shows the major keys on the outside of the circle and the minor keys on the inside of the circle.
You couldn't read or write music without notes. If you think of music as a language, the notes are like letters of the alphabet. If you know how to recognize the notes, you can learn the language. How Musical Notes Are Constructed
How to Recognize the Beat in Music Recognizing the beat in a song means finding the pattern and speed of the music. If you know how to recognize the beat, you can control all of the other elements of the music. A beat is a pulse of time. A ticking clock is a good example.
Understanding how to read the circle of fifths will help you understand the relation between music's major keys and their relative minor keys. A major key and its relative minor use the same key signature, which means they use the same sharps (indicated as #) and flats (shown as b) in their scales. When you read the circle of fifths, you'll notice that the major keys are on outside of the circle. Opposite them, inside the circle, are their relative minor keys. At the top, you have the key of C major, which has no sharps or flats in its key signature. How to Read the Circle of Fifths
Music Theory - Intervals & Scales
Chords, featuring chromatically altered sevenths and ninths and progressing unconventionally, explored by Debussy in a "celebrated conversation at the piano with his teacher Ernest Guiraud" (Lockspeiser 1962, 207). The emancipation of the dissonance was a concept or goal put forth by composer Arnold Schoenberg and others, including his pupil Anton Webern. The phrase first appears in Schoenberg's 1926 essay "Opinion or Insight?" Emancipation of the dissonance
Consonance The definition of consonance has been variously based on experience, frequency, and both physical and psychological considerations. These include: Perception Blend/fusion: perception of unity or tonal fusion between two notes (Stumpf)Frequency ratios: with ratios of lower simple numbers being more consonant than those that are higher (Pythagoras). Many of these definitions do not require exact integer tunings, only approximation. Both Continuity: consonances are continuous and dissonances are intermittent in sensation, determined by coincidence of partials (Helmholtz) These may be generalized as simplicity. Consonance & Dissonance
Medieval music is Western music written during the Middle Ages. This era begins with the fall of the Roman Empire and ends sometime in the early fifteenth century. Establishing the end of the medieval era and the beginning of the Renaissance is difficult; the usage in this article is the one usually adopted by musicologists. Overview Instruments Genres
The first 16 harmonics, with frequencies and log frequencies. Overtone series, partials 1-5 numbered Play . In just intonation, intervals between pitches are drawn from the rational numbers. Harmonic Limit
Binaural beats To experience the binaural beats perception, it is best to listen to this file with headphones on moderate to weak volume – the sound should be easily heard, but not loud. Note that the sound appears to pulsate.
The octave has occasionally been referred to as a diapason. Theory An example of an octave, from G4 to G5 For example, if one note has a frequency of 440 Hz, the note an octave above it is at 880 Hz, and the note an octave below is at 220 Hz. The ratio of frequencies of two notes an octave apart is therefore 2:1. Octave