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Why Vampires Never Die. 10 Creatures in Scandinavian Folklore. Creepy The Scandinavian Folklore consists of a huge variety of creatures, good or evil, which have frightened people for centuries. They were often meant to scare children, but even today they are essential and important to the modern northern society. In the 1890s, something changed in the way common Scandinavians saw themselves and their culture. They looked back in time to rediscover their old myths and legends; folklore which had been forgotten because of the coming of Christianity. It was a time when people feared nature, because we were becoming more industrialized. The forests, the mountains, and the sea – it all seemed strange, dark and magic, and because of that, we are now left with evil spirits and monsters who used to represent our own way of seeing nature. Huldra (or called Tallemaja in Swedish) is a troll-like woman living in the woods.

These beings are actually still very important in the modern society. Made famous by J. Draugen, from Norse “draugr” meaning ghost. Ancient Viking code deciphered for the first time. An ancient Norse code which has been puzzling experts for years has been cracked by a Norwegian runologist - to discover the Viking equivalent of playful text messages. The mysterious jötunvillur code, which dates to 12th or 13th-century Scandinavia, has been unravelled by K Jonas Nordby from the University of Oslo, after he studied a 13th-century stick on which two men, Sigurd and Lavrans, had carved their name in both code and in standard runes.

The jötunvillur code is found on only nine inscriptions, from different parts of Scandinavia, and has never been interpreted before. "The thing that solved it for me was seeing these two old Norse names, Sigurd and Lavrans, and after each of them was this combination of runes which made no sense," said Nordby, who is writing his doctorate on cryptography in runic inscriptions from the Viking Age and the Scandinavian Middle Ages. "I thought 'wow, this is the system, this is the solution, now we can read this text," said Nordby. Norse Mythology | The Ultimate Online Resource for Norse Mythology and Religion. What Happened On Easter Island — A New (Even Scarier) Scenario : Krulwich Won... We all know the story, or think we do. Let me tell it the old way, then the new way.

See which worries you most. Robert Krulwich/NPR First version: Easter Island is a small 63-square-mile patch of land — more than a thousand miles from the next inhabited spot in the Pacific Ocean. In A.D. 1200 (or thereabouts), a small group of Polynesians — it might have been a single family — made their way there, settled in and began to farm. When they arrived, the place was covered with trees — as many as 16 million of them, some towering 100 feet high. These settlers were farmers, practicing slash-and-burn agriculture, so they burned down woods, opened spaces, and began to multiply. As Jared Diamond tells it in his best-selling book, Collapse, Easter Island is the "clearest example of a society that destroyed itself by overexploiting its own resources. " OK, that's the story we all know, the Collapse story. A Story Of Success? Success? Rat Meat, Anybody?

For one thing, they could eat rats. I wonder. Aztec Mythology: Gods and Myth. The first sun, the watery sun, was carried off by the flood. All that lived in the world became fish. The second sun was devoured by tigers. The third was demolished by a fiery rain that set people ablaze. The fourth sun, the wind sun, was wiped out by storm. People turned into monkeys and spread throughout the hills. Memory of Fire: Genesis, Eduardo Galeano. Sources "Aztec Gods and Religion. " IRISH LITERATURE, MYTHOLOGY, FOLKLORE, AND DRAMA. Irish Writers OnlineIrish PlayographyStudy Ireland: Poetry - BBCIrish Women Writers - M. OckerbloomIreland Literature GuidePoetry Ireland / Éigse ÉireannEarly Irish Lyric Poetry - Kuno MeyerSonnets from Ireland - E. BlomquistColum's Anthology of Irish Verse - Bartleby.comBREAC - Digital Journal of Irish Studies Medieval Celtic ManuscriptsThe Book of KellsCarmina GadelicaCELT Irish Electronic Texts Irish Writers OnlineIreland Literature ExchangeBibliography of 19th-c.

Jonathan SwiftJonathan Swift ArchiveJonathan Swift Biography - IncompetechGulliver's Travels - U. Bram StokerDraculaBram Stoker Biography - Classic Literature LibraryBram Stoker's Dracula - Carstens smith Oscar WildeThe Official Home Page of Oscar WildeWilde Biography - BBCOscar Wilde OnlineCELT: Oscar WildePoetry of Oscar Wilde - Bartleby.com George Bernard ShawShaw Biography - C. William Butler YeatsYeats Biography - Poetry FoundationCollected Poems - W. Donn ByrneByrne Biography - J. Fine Art The Faery Harper Oisín. Lost Civilizations: Atlantis. Crystal Skulls -- National Geograhic. By Richard A. Lovett and Scot Hoffman Crystal skulls are not uncommon or terribly mysterious. Thousands are produced every year in Brazil, China, and Germany.

But there are a handful of these rather macabre objects that have fueled intense interest and controversy among archaeologists, scientists, spiritualists, and museum officials for more than a century. There are perhaps a dozen of these rare crystal skulls in private and public collections. Many believe these skulls were carved thousands or even tens of thousands of years ago by an ancient Mesoamerican civilization. Supernatural Fascination Stories about the skulls focus heavily on their perceived supernatural powers. Joshua Shapiro, coauthor of Mysteries of the Crystal Skulls Revealed, on his Web site cites claims of healings and expanded psychic abilities from people who have been in the presence of such skulls.

Most archaeologists and scientists are skeptical, to say the least. All Fakes? List of tree deities. Yakshi under a stylized ashoka tree. Railing figure at Bharhut Stupa, 2nd century BC, India Examples of tree deities[edit] The Yakshis or Yakshinis (Sanskrit: याक्षिणि), mythical maiden deities of Hindu, Buddhist, and Jain mythology are closely associated with trees, especially the ashoka tree and the sal tree. Although these tree deities are usually benevolent, there are also yakshinis with malevolent characteristics in Indian folklore.[3] Panaiveriyamman, named after panai, the Tamil name for the Palmyra palm, is an ancient fertility deity linked to this palm that is so important in Tamil culture. In Thailand the village ghosts or fairies related to trees such as Nang Takian and Nang Tani are known generically as Nang Mai (นางไม้).[5] There are also other tree ghosts that are male.

Tree deities were common in ancient Northern European lore. List of tree deities[edit] Tree deities in different cultures of the world include: Gallery[edit] See also[edit] References[edit] The Nine Muses of the Greek Mythology. “Sing to me oh Muse”… The Nine Muses of the Greek Mythology were deities that gave artists, philosophers and individuals the necessary inspiration for creation. Hesiod reveals that they were called Muses or Mouses in Greek, as the Greek word “mosis” refers to the desire and wish. The word museum also comes from the Greek Muses. The Nine Muses were: Clio, Euterpe, Thalia, Melpomeni, Terpsichore, Erato, Polymnia, Ourania and Calliope. All the ancient writers appeal to the Muses at the beginning of their work. Homer asks the Muses both in the Iliad and Odyssey to help him tell the story in the most proper way, and until today the Muses are symbols of inspiration and artistic creation.

In painting the Muses are usually presented as ethereal women with divine beauty, holding laurels and other items depending on their faculty. The 9 Muses are dancing while Apollo is playing the lyre The Muses in the Greek Mythology Μnemosyne gave the babies to Nymph Eufime and God Apollo. Muses and Arts 1. 2. 3. 4.

DRYADS & OREADS : Nymphs of Trees & Mountains | Greek mythology, w/ pictures,... THE DRYADES & OREIADES were the beautiful Nymphs of the trees, groves, woods and mountain forests. They were the ladies of the oaks and pines, poplar and ash, apple and laurel. For those known as Hamadryades, trees sprung up from the earth at their birth, trees to which their lives were closely tied. While the tree flourished, so did its resident nymph, but when it died she passed away with it. There were several classes of Dryades associated with a particular types of tree: (1) The Meliai were the Nymphs of the ash-trees.

They sprang up from Gaia the Earth when she was impregnated by the blood of the castrated Ouranos. . (2) The Oreiades were the Nymphs of the mountain conifers. . (3) The Hamadryades were the Nymphs of oak and poplar trees. . (4) The Maliades, Meliades or Epimelides were Nymphai of apple and other fruit trees. . (5) The Daphnaie were Nymphs of the laurel trees, one of a class of rarer tree-specific Nymphai. Homer, Iliad 20. 4 ff ff (trans. Hesiod, Theogony 129 ff (trans. Tree worship. Tree worship (dendrolatry) refers to the tendency of many societies throughout history to worship or otherwise mythologize trees. Trees have played an important role in many of the world's mythologies and religions, and have been given deep and sacred meanings throughout the ages.

Human beings, observing the growth and death of trees, the elasticity of their branches, the sensitivity and the annual decay and revival of their foliage, see them as powerful symbols of growth, decay and resurrection. The most ancient cross-cultural symbolic representation of the universe's construction is the world tree. The image of the Tree of life is also a favourite in many mythologies. Various forms of trees of life also appear in folklore, culture and fiction, often relating to immortality or fertility. These often hold cultural and religious significance to the peoples for whom they appear. For them, it may also strongly be connected with the motif of the world tree.

Wishing trees[edit] In film[edit] Epic of Gilgamesh. The Epic of Gilgamesh, an epic poem from Mesopotamia, is considered the world's first truly great work of literature. The literary history of Gilgamesh begins with five Sumerian poems about 'Bilgamesh' (Sumerian for 'Gilgamesh'), king of Uruk. These independent stories were used as source material for a combined epic. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates to the 18th century BC and is titled after its incipit, Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few tablets of it have survived. The later "Standard" version dates from the 13th to the 10th centuries BC and bears the incipit Sha naqba īmuru ("He who Saw the Deep", in modern terms: "He who Sees the Unknown").

Approximately two thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BC Assyrian king Ashurbanipal. History[edit] Versions of the epic[edit] Tablet one[edit] Hob (folklore) A hob is a type of small mythological household spirit found in the north and midlands of England, but especially on the Anglo-Scottish border, according to traditional folklore of those regions. They could live inside the house or outdoors.

They are said to work in farmyards and thus could be helpful, however if offended they could become nuisances. The usual way to dispose of a hob was to give them a set of new clothing, the receiving of which would make the creature leave forever. It could however be impossible to get rid of the worst hobs.[1] A famous hob called the hobthrust lived near Runswick Bay in a hobhole, and was said to be able to cure whooping cough.[2] In Moldovan Romani folklore a correlate of the hob was the "Goblin". Rubedo. Interpretation[edit] The symbols used in alchemical writing and art to represent this red stage can include blood, a phoenix, a rose, a crowned king, or a figure wearing red clothes.

Countless sources give mention to a reddening process. The seventeenth dictum of the 12th century Turba Philosophorum is one example: O Turba of Philosophers and disciples, now hast thou spoken about making into white, but it yet remains to treat concerning the reddening! Know, all ye seekers after this Art, that unless ye whiten, ye cannot make red, because the two natures are nothing other than red and white. Whiten, therefore, the red, and redden the white! [3] Jung[edit] The Self manifests itself in "wholeness," a point in which a person discovers their true nature. See also[edit] References[edit] Jump up ^ Shaeffer, Katherine H. Further reading[edit] Jung, C. External links[edit] Jung’s Quaternity, Mandalas, the Philosopher's Stone and the Self.

Chaos (cosmogony) Rubedo. Nigredo. For the character in Xenosaga, see Gaignun Kukai. Nigredo is also an album by Diary of Dreams. Nigredo, or blackness, in alchemy means putrefaction or decomposition. The alchemists believed that as a first step in the pathway to the philosopher's stone all alchemical ingredients had to be cleansed and cooked extensively to a uniform black matter.[1] Jung[edit] For Carl Jung, 'the rediscovery of the principles of alchemy came to be an important part of my work as a pioneer of psychology'.[3] As a student of alchemy, he (and his followers) 'compared the "black work" of the alchemists (the nigredo) with the often highly critical involvement experienced by the ego, until it accepts the new equilibrium brought about by the creation of the self'.[4] Jungians interpreted nigredo in two main psychological senses.

Cultural references[edit] W. See also[edit] References[edit]