Arts graphiques
Get flash to fully experience Pearltrees
redbolt
Here is the cover of Quebec musician Mathieu Fiset's last album , you can check this crasy electro , prog, jazz stuff here http://mathieufiset.bandcamp.com/album/robojazz
BACK TO THE FUTURE : Irina Werning - Photographer
I love old photos. I admit being a nosey photographer. As soon as I step into someone else’s house, I start sniffing for them. Most of us are fascinated by their retro look but to me, it’s imagining how people would feel and look like if they were to reenact them today… Two years ago, I decided to actually do this. So, with my camera, I started inviting people to go back to their future..
New York Times Photojournalism - Photography, Video and Visual Journalism Archives - Lens Blog - NYTimes.com
Lens is the photography blog of The New York Times, presenting the finest and most interesting visual and multimedia reporting — photographs, videos and slide shows. A showcase for Times photographers, it also seeks to highlight the best work of other newspapers, magazines and news and picture agencies; in print, in books, in galleries, in museums and on the Web. Here are some suggestions for getting the most out of Lens. You can also send us an e-mail message.
Apedogs / Arrested Motion / Audrey Kawasaki / Barnaby Ward / Booooooom! / COLOSSAL / Conrad Roset / Drawn! / Eidolon Fine Arts / Exhibition-ism / FFFFOUND!
supersonic electronic / art
ASHLEY WOOD
"There" update, all There shipped this week, so keep an eye out There purchasers, then its onto the Gospel 3A Forum print. We will be offering a new print soon, actually a colored print or two soon will be in the store very soon. So check the STORE here and there. All the art has shipped up to Hong Kong for the Venture show, should look like the ash salon when hung, and being the ash salon, I rejected some of my own work just to add a realistic flavor. Add in the power of William Wray and Rufus Dayglo its the best art show Hong Kong has ever seen!
Et alors, en regardant la hase dans les yeux, j’ai vu qu’elle ne se plaignait plus parce que j’étais pour elle encore plus terrible que les corbeaux. Ce n’était pas apaisement ce que j’avais porté là, près de cette agonie, mais terreur, terreur si grande qu’il était désormais inutile de se plaindre, inutile d’appeler à l’aide. Il n’y avait plus qu’à mourir.
Aline ROBIN
drawings 2
The page you requested cannot be displayed right now. It may be temporarily unavailable, the link you clicked on may have expired, or you may not have permission to view this page.