Cinephilia
¿Aceptan el desafío? Para los que no la hayan visto pueden elegir entre una versión de 124 minutos ¡o de 229 ¡. Además su director, Jacques Rivette , de 78 años, es un cineasta insobornable y le encanta dilatar el tiempo en sus películas, dejando que vayan surgiendo, poco a poco, imperceptiblemente, esos mágicos instantes de genialidad. “El arte es verdad y la verdad es dolor. Por esta razón, en el arte tiene que haber sangre” . Algo rotunda esta afirmación, una de las frases de “La bella mentirosa” , ensayo sobre el arte, el artista y el objeto-modelo que se desea sublimar y que es también una de las prouestas más insólitas del cine, quizás sólo comparable a “El sol del membrillo” , de Víctor Erice .
Clásicos: "La bella mentirosa"
by Kimberly Lindbergs | July 30, 2010 Julie Christie in an early promo shot for Billy Liar (1963) I recently wrote a lengthy piece about Donald Cammell’s science fiction thriller Demon Seed (1977), which has been published at the Turner Classic Movies site. My article coincides with TCM’s annual Summer Under the Stars event that celebrates the careers of various actors and actresses all summer long. This year many of my favorite screen stars will be represented in TCM’s lineup including Steve McQueen, Errol Flynn, Gene Tierney, Elizabeth Taylor, Peter O’Toole and the lovely ’60s icon, Julie Christie. Demon Seed will be shown on August 2 along with many other terrific Julie Christie’ films such as The Go-Between (1971), Doctor Zhivago (1965), Far From the Madding Crowd (1967), Billy Liar (1963), Darling (1965) and Petulia (1968).
C I N E B E A T S :: July :: 2010
By Jonathan Wallace jw@bway.net You and I live on the margins of some larger organization which is itself on the margins. The place where we live has seen better days. We are not particularly happy with our status and we want to get out.
Film Noir Construction Kit
Femme fatale —is defined as “an irresistibly attractive woman, especially one who leads men into danger or disaster”. To me the most engaging semblance of a “femme fatale” is the stunning image of Lana Turner, as the camera pans from her ankles upward in that breathtaking shot from The Postman Always Rings Twice 1946. Extremes The most consistent aspect of film noir, apart from its visual style, is its protagonists.
High Heels on Wet Pavement: Film Noir and the Femme Fatale
Pedro Almodovar
Matador, 1986 A dashing former matador named Diego Montes (Nacho Martínez), prematurely retired after a career-ending injury, rehearses the principal tenets of the art of the kill at a converted classroom on his estate to a group of aspiring bullfighters, including an unlikely, hypersensitive student named Angel Giménez (Antonio Banderas). The training lecture then cuts to the image of a beautiful, enigmatic woman sitting on a park bench, María (Assumpta Serna) as she initiates contact with an anonymous man innocuously passing by, follows him back to an apartment, and, at the height of physical intimacy, stabs him with a long ornamental pin behind the nape of the neck - in the region between the shoulder blades defined in bullfighting as the cleft of the clods .
kamera.co.uk - book review - Cinema Italiano: The Complete Guide from Classics to Cult - Leo White
Cinema Italiano: The Complete Guide from Classics to Cult By Leo White Cinema Italiano makes a bold claim: that it is the complete guide to Italian cinema from classics to cult. This statement initially seems somewhat ambitious considering the enormous output of that country's cinema. How does it manage such a broad remit? Its approach is to make it clear that the book is predominantly centred on a strong and specific period of Italian cinema history, beginning in the late 1950's and looking up to the 1980's.
Histórico
Dirección Marco Ferreri Guion Marco Ferreri, Sergio Bazzini Productora Pegaso Cinematografica Intérpretes Michel Piccoli, Anita Pallenberg, Annie Girardot, Gigi Lavagetto, Carla Petrillo, Mario Jannilli, Carole André, Adriano Aprá Fotografía Mario Vulpiani, en color Montaje Mirella Mencio Música Teo Usuelli Duración 90' En una calurosa noche de verano, un ingeniero industrial vuelve a su casa y encuentra a su mujer en la cama con dolor de cabeza. Mientras se prepara la cena siguiendo un libro de recetas, encuentra en un armario una pistola envuelta en un recorte de periodico donde se anuncia la muerte del ganster Dillinger, que ha sido detenido por la policía mientras escapaba. El hombre desmonta, limpia y monta la pistola mientras cocina, come y ve grabaciones caseras de las vacaciones. La criada vuelve a casa y después de haber tenido un encuentro sexual con ella, el hombre sube a la habitacion.Extracto de la amplia entrevista que publicó Cahiers du Cinemá con el guionista español Serge Toubiana Pocas personas han sido más reacias a cualquier contacto con los medios de comunicación que Rafael Azcona. De ahí que la entrevista concedida a la revista francesa adquiera carácter de suceso extraordinario.
Rafael Azcona - Estudios críticos
'Deseando Amar', deseando sufrir
Normalmente, no suelo pensármelo mucho, pero para esta crítica tenía claro que quería esa imagen que tenéis arriba. Si en la de ‘Besos de Vampiro’ me referí a anécdotas que representan una película, aquí habría que hablar de planos. Ésa es una de las imágenes que siempre me viene a la mente cuando recuerdo el film, y la prefiero a otras (aunque no aparezca el precioso rostro de Maggie Cheung) porque representa perfectamente, sólo ese plano, toda la película. Desde luego, en un sentido muy sutil y jugando a resumir al máximo.
Festival de San Sebastián ::
Mija vive con su nieto adolescente en una pequeña ciudad dormitorio cerca del río Han. Mija es una señora a la que le gusta llevar sombreros floreados y ropa elegante, pero también es una persona imprevisible y llena de curiosidad. Se apunta por casualidad a un taller de poesía en un centro cultural del barrio y, por primera vez en su vida, se ve en la obligación de escribir un poema. El primer paso que da en busca de inspiración poética es observar la vida diaria a su alrededor, en la que nunca se había fijado. De pronto, una nueva energía se apodera de Mija, como si fuese una niña que acaba de descubrir la vida.Famous Film Directors, a Comprehensive Website Directory Registi famosi; Berühmte regisseure; Réalisateurs célèbres; Directores de cine To view webpages without leaving this website click here Academy Award and Cannes Film Festival Winners Academy Awards database of past winners and nominees.
Film Directors
Translated by Sally Shafto Excerpt from: Antoine Bourseiller, Sans relâche: Histoires d’une vie (Actes Sud, 2008): pp. 227-245. Reprinted in English translation with the permission of Antoine Bourseiller and Actes Sud . The years 1963-4 are a wheat field, the colour of gold, like you see in Soviet films, years of happy encounters with the icons of French cinema of that time. I was the director of the Studio des Champs-Elysées, a theatre of 250 seats, located at 15 Avenue Montaigne. I chose the plays I liked; I staged them; and I had a faithful following.
“The Godard Years”
Greatest Film Directors of All-Time: These honored selections are designed as a tribute to some of the greatest directors of predominantly English-language films, with suggested or recommended Best Films or 'Must-See' Films from their filmographies. Unfortunately, some of these directors have been pushed aside to make way for more recent works, but it should be noted that many of these film-makers were highly innovative mavericks and renegades who challenged the established 'system' that existed during their time. These choices are meant to encourage discussion and comparison, and to educate filmgoers about some of film history's most legendary and influential forces in film-making. The premise of honoring these film directors is based upon the debatable auteur theory -- the idea that the director is the primary 'author' or voice of a movie, and through a director's film, we see one person's way of viewing the world -- one that has the potential to change the way we see the world.
Greatest Film Directors
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