Intro to the Mandala. Cymatics in Sacred Architecture. Stele of Ur. Cymatic pattern. Why the Hare? « Movement of the Spirit – the Optimum Path. Why is the hare the emblem for this healing?
Some interesting facts about the Hare The sacred symbol of the Hare is as prevalent throughout the ancient world as tales of the Great Flood. It is seen to be the messenger between Creator and created, and it is fluid between these states of being. The hare was held sacred by the Egyptians, Babylonians, Celts, Mayans and Native Americans, and amazingly the image of the Three Hares that share three ears appears again and again in art sacred to the world’s major religions – Hinduism, Buddhism, Christianity, Judaism and Islam. 1) Sacred Geometry The Three Hares Roof Boss at Southtawton (photo: Chris Chapman) Click on picture -> Three Hares Project There is strong evidence that the design of the Three Hares derives from sacred geometry: the ears are the shapes which form from the intersections of the Vesicae Piscis within the Flower of Life, itself a sacred and fundamental design concerned with creation of form, also found globally.
N.B. 6) Liminality. Cymatics in the bible. The revival of an ancient science. At the other end of the scientific spectrum of contemporary science an ancient science is being restored.
For ages it has been preserved carefully. It is more or less an art form and it is called ‘sacred geometry’. Why sacred, what is so sacred about geometry? In spiritual mystery-schools of the past it was taught that sacred geometry has been used by God to create the universe. We now know that sacred geometry contains many mysterious elements that elegantly describe many phenomena such as the growth of plants, the proportions of the human body, the orbit of the planets, light, the structure of crystals, music. Now why do we introduce sacred geometry in a book that is about contemporary and groundbreaking science? The archaic science of sacred geometry can be traced back to the Egyptian civilization but may well be a heritage from the civilisation of mythological Atlantis and we’ll provide sufficient clues in this book to sustain this claim. It is called the genesis pattern.
Torus. Flower of Life - Nassim Haramein. Test Yourself The tree of life Vesica piscis Secret Geometry. Sacred Geometry: drawing a Seed of Life. Cymascope Research. The earliest evidence of granite working in ancient Egypt dates to 3,900 BC at Nekhen, 1400 years before the Great Pyramid was built (around 2,500 B.C.) a long period in which an acoustics science could have been acquired by the ancient Egyptian engineers.
However, an obvious question to ask is what would have driven their need to control the acoustics environment? The answer, almost certainly, relates to their desire to communicate with the spirit world during their sacred ceremonies The following quotation from Demetrius, circa 200 B.C., from "Aristotle, Poetics" suggests that purity of sound was important in his era: "In Egypt, when priests sing hymns to the gods, they sing the seven vowels in due succession and the sound of these vowels has such euphony that men listen to it instead of the flute and the lyre.
" Dr. 'Instructor of the singers of the Pyramid of King Userkaf' Now consider the following extract from the ancient Egyptian Book of the Dead, translated by R.O. R.A. Garden of the Witch. The following is an ongoing research project to understand ancient witches.
The goal, to reveal a character in The Witch. Check out all the links and references. All images are copyright of their respective owners. John William Waterhouse's The Lady of Shalott, 1888. The Lady of Shallot has not been referred to as a witch, but the poem by Tennyson (or its inspiration: La Donna di Scalotta from the 13th century Cento Novelle Antiche) demonstrates that she was aware of some force that prevented her from leading a normal life.
“She has heard a whisper say, A curse is on her if she stay To look down to Camelot. . - Lord Alfred Tennyson, 1842 “Selling the Wind”