25 Things You Should Know About Character. Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment!
— about characters: 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8.
You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 13 Vital Reminders For Writers. Writing is tough work.
If I may be so bold as to attempt a simile, I’d say that it’s like walking through a dark forest, but with your legs tied together. So in actuality you’re not really walking at all. But sort of hopping. Oh yes, and there’s a little devil perched upon your shoulder whispering sweet doubts in your ear. And the worst thing of all is that he’s composing his insults more poetically than you ever could. To battle this devil, here are 13 punchy quotes that will help you remain focused as you hop through that dark forest. Escritura. Cure writer's block with writing prompts. 105 Writing Tips from Professional Writers. Questionnaires for Writing Character Profiles.
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A tale shall accomplish something and arrive somewhere. 2. The episodes of a tale shall be necessary parts of the tale, and shall help develop it. 3. The personages in a tale shall be alive, except in the case of corpses, and that always the reader shall be able to tell the corpses from the others. Plot Scenario Generator. The Thirty-Six Dramatic Situations. The Thirty-Six Dramatic Situations is a descriptive list which was created by Georges Polti to categorize every dramatic situation that might occur in a story or performance.
To do this Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors. In his introduction, Polti claims to be continuing the work of Carlo Gozzi, who also identified 36 situations. Publication history “Gozzi maintained that there can be but thirty-six tragic situations. This list was published in a book of the same name, which contains extended explanations and examples. The list is popularized as an aid for writers, but it is also used by dramatists, storytellers and many others.
The 36 situations Each situation is stated, then followed by the necessary elements for each situation and a brief description. See also References External links 10 tipos de bloqueo de escritor y cómo resolverlos. How to Write a Novel Using the Snowflake Method.