Music Technology Glossary of Terms | Music On My PC. Keywords | Music Technology at Simon Balle. UA035246_GCE_Lin_MusicTec_Issue_3. TechRadar | Technology News And Reviews. Sound On Sound | Recording Techniques | Audio Technology | Music Production | Computer Music | Video Media. Learn Electronic Music Production Up to Degree Level at Point Blank Online Music School. TheMusicEspionage. TechRadar | Technology News And Reviews. Bass Guitar – Gotta Get Through This- AS Music Technology : themusicespionage.co.uk. Time for even more help from The Music Espionage again for the song ‘Gotta Get Through This’, by Daniel Bedingfield. Yes more tutorials for the amazing course GCE As Music Technology. In this tutorial we will focus on the Bass Guitar in ‘Gotta Get Through This’. Gotta Get Through This! For the most part the bass guitar follows the same rhythm as ‘Synth 1’, these are normally short stab notes, mainly using quavers.
The two instruments layered together basically develop the texture of the track and stop it sounded thin and weak. You can see below, that for the most part the two instruments follow each other, nevertheless still make sure you double check when you are sequencing and inputting notes. Getting that Bedingfield Sound! The best place to start with the Bass guitar in Gotta Get Through This is the ES1 synth instrument. You will need to play around with the different Oscillator settings, such as a square or trangel wave. Big Finish! The Video!!! Sweep FX Sound – Daniel Bedingfield – AS Music Technology : themusicespionage.co.uk.
More wonderful AS Music Technology coursework here again! As you all know, and I’m sure love, the Sequencing track of Unit One GCE As Music Technology is the classic by Daniel Bedingfield “Gotta Get Through This”. The Music Espionage is here to help yet again! This tutorial will be looking at the “BIG” sweep sound used in the breaks throughout the sound. In case you are not sure which element of the song we’re talking about have a little listen below. It can be heard best at bars “28“ and “60” in the sound. Notes for the sweep Basically this sound is just one note that extends the length of each break during the sound. During this section there are 2 different sweeps that are being used. You should now have two tracks each with one note that lasts the full bar. Getting the Sound For both of these instruments use the ESP synth, with the default settings applied. We can now develop the two sounds/timbres that are playing on each of these tracks.
Sweeping Pad: Flutter Sweep: