Tethering 101: Choosing the Right Tethering Software. There are only a few requirements to shoot tethered: a camera, a computer, a cable and software.
In this article, we’re going to focus on the last one: software. There are two important factors when deciding on tethering software: Does it support your camera? This is obviously the most important one. Not all software supports all cameras. Other Factors to ConsiderAt this point, the two factors above may have guided you to the software of your choice. Camera ControlDoes the tethering software give you the ability to change settings on the camera, or just the ability to fire the shutter button? We try and maintain a complete list of tethering software on TetherTools.com. Also, if you know of or use one that’s not on the list, let us know in the comments below and we’ll add it. Next: Choosing the Right Cable for Your Camera. Radom na fotografii - RÃ³wnoczesne podÅÄczenie zewnÄtrznego monitora i wÄÅ¼yka zdalnego sterowania do aparatu Olympus OM-D EM-5.
English version Tytułowy aparat (oraz wiele innych modeli Olympusa) ma możliwość podłączenia kabla usb, audio/video oraz przewodowego zdalnego sterowania.
Niestety wszystkie trzy funkcje są obsługiwane przez jedno gniazdo, więc w danym momencie można korzystać tylko z jednej, gdyż każdy z firmowych kabli ma wyprowadzony tylko podzbiór sygnałów. OM-D ma wprawdzie jeszcze gniazdo mini hdmi, ale stare, analogowe wyjście video wciąż w wielu zastosowaniach bywa niezastąpione. Co zatem zrobić, by równocześnie podłączyć do aparatu monitor i wężyk zdalnego sterowania? Poniższe rysunki wszystko wyjaśniają, pozwolę sobie jednak na parę słów komentarza.
Wraz z aparatem dostajemy kabel usb oraz kabel audio/video. Installare Canon Digital Photo Professional(DPP) senza utilizzare il cd-rom originale su Mac Os X. Using Digital Photo Professional (3.2) December 2007 The latest incarnation of Digital Photo Professional (DPP) is version 3.2, released with the EOS-1Ds Mark III.
It includes some ingenious new features and functionality. Ricoh-theta-tools. Personal. Image Quality, Sensor- and Pixel Sizes. CCD or CMOS?
So far, I have just referred to camera sensors as "CCDs" (Charge Coupled Devices) and not mentioned the alternative sensor type CMOS (Complementary Metal Oxide Sensor) at all. This is deliberately so, as the quality compact cameras have almost exclusively used CCDs until today (mid-2009). In later years, CMOS have entered into the DSLR designs and recently also in some current "prosumer" camera designs - i.e.: Larger, cameras with more advanced specifications somewhere between compact and DSLR cameras.
All what has been said above applies to both CCD and CMOS sensors - simply because both types use photodiodes (PD) in their individual sensor elements (pixels). The main difference in designs is that each PD in a CMOS has its own receiver-amplifier circuit embedded in the sensor chip itself, while the PDs in CCDs need a more complicated external circuitry before the analogue signals (charges) can be converted to the digital signals forming the raw image in the camera. Alongi Marcello. Emanuele Vergari. Reflections on a Mote of Dust. EARTH: The Pale Blue Dot. 5 MP Camera Daughter board for DM37x - developer resources. 5 MP High definition camera module. Videology Imaging Solutions, Inc. - We Know Imaging, We Make Cameras.
360. Canon Speedlite 430EX II Flash Review. You are looking at one of the most popular DSLR accessories available - a shoe-mount flash.
The Canon Speedlite 430EX II Flash, at the time of this review, is Canon's middle child of standard Speedlite flashes. It contains a big amount of functionality, power and style in a modestly priced and sized body. The Canon Speedlite 430EX II Flash replaces the Canon 430EX Speedlite Flash, so let's start with a review of the upgrades. Enhancements include 20% faster and silent recycle time, a new metal mounting foot with redesigned connection pins, a new quick release and locking mechanism, manual mode settings in 1/3 stop increments and, when used with compatible EOS cameras, all Speedlite 430EX II settings can be controlled through the camera menu system as seen below. These enhancements are nice. Overall, the 430EX II functions very well - I don't have any complaints.
Pinpointing the 430EX II's position in the current Canon Speedlite system is helpful. What is a "Guide Number"? Understand Canon's EF-S lens lineup. List of EOS Lenses. FORUMSI've added a forum section to the website.
I'm sure traffic will be light at first, but please don't be shy in posting a question or comment there NEWS:A review of the newTokina 12-24 f4 has been posted on bobatkins.com Find out more Visit the OPTICS section at Bob Atkins Photography for more information on optics Affiliate SitesShopping at these websites via these links helps support the expenses of maintaining LensPlay The above vendors are approved by this website, which means they offer good service, fair prices, liberal return policies and reasonable shipping charges.
Canon EF-S 18-200mm f/3.5-5.6 IS Lens Review. The Canon EF-S 18-200mm f/3.5-5.6 IS Lens features an awesome focal length range (one that completely covers the needs of many photographers) and an excellently-performing IS system in a nicely-sized body.
I have to admit, when i saw the initial Canon press release for the 18-200 IS, I was highly skeptical that this lens could produce even reasonable optical quality throughout the focal length (FL) range. Any FL range over 5x (max FL/min FL) raises a warning flag in my mind - you just know that there will be at least some optical deficiencies. And an 11x zoom lens is just begging for optical problems. The lack of a USM AF system raised a second warning flag. Stereographic_projection_of_Paris. Aerial Hyperspectral Imaging Using Flea2 Cameras.