Canon EOS-1D. Da Wikipedia, l'enciclopedia libera. La Canon EOS-1D è una fotocamera reflex digitale (DSLR) presentata dalla Canon il 25 settembre 2001; è la prima fotocamera reflex digitale di fascia professionale interamente prodotta da Canon, il precedente modello in tale fascia (EOS D2000) è invece il risultato di uno sviluppo congiunto con Kodak. La EOS 1D monta un sensore in un formato denominato APS-H da Canon, le cui dimensioni sono intermedie tra pieno formato e APS-C e il cui fattore di moltiplicazione è circa 1,3x. Il modello successivo, denominato Canon EOS-1D Mark II, è stato presentato a gennaio 2004. Caratteristiche[modifica | modifica sorgente] La 1D fu vista come una pietra miliare nel settore delle fotocamere professionali in formato APS-H.
Note[modifica | modifica sorgente] ^ Canon EOS-1D Review: Digital Photography Review Riferimenti esterni[modifica | modifica sorgente] Altri progetti[modifica | modifica sorgente] Commons contiene immagini o altri file su Canon EOS-1D. A - associazione fotografi professionisti - fotografia professionale - associazione fotografi tau visual. The Time-lapse Photography How to Guide - Learn Time-lapse Photography | Learn Time-lapse Photography. Hello and welcome to the time-lapse photography how-to guide, an evolving road-map for the evolving art of altered time perception cinematography.
This page attempts to weave together separately covered tutorials, tips, and resources into one location that can hopefully act as a launching pad for your own time-lapse experiments and productions. Time discovers truth. -Seneca We’ve come a long way since Occident’s hooves left the ground but time-lapse still requires patience, dedication, and some special tools and know-how in order to get the scene we design in our minds to show up on screen. Outstanding forums: Let’s go ahead and get started: Don’t worry, it’s not nearly as bad as you might think.
Stability (or controlled movement) is the most essential component for a time-lapse photographer. What makes a good time-lapse camera? I have broken the external intervalometer world down into 4 segments. Neutral Density (ND) Filters You’ll end up with a shot just like everyone else’s. 1 second Longer. RAW workflow for timelapse.
Originally posted on KesslerU Tom Baurain has done this excellent video tutorial on RAW workflow for timelapses. I use a mix of RAW and JPEGS dependent on the project. Eric Kessler and I worked with Tom to get this tutorial done and it’s excellent for those looking to up their game and take the next step! It’s pretty solid information, I don’t do the same as Tom on everything especially when it comes to shutter speeds. I let mine go as high as needed! Why shoot timelapse using raw instead of jpgs? The larger files not only hold more color information, but the size of these images allows you the ability crop out what you don’t want or pan and scan without compromising quality.
The very nature of the raw file allows you to tweak the image in such a way that allows you to achieve the look you want without baking that look into the file itself. Taking advantage of the Raw format isn’t without peril, but the Red Owl breaks it all down with this Raw workflow. General Learning Lenses Filters Software. Digital Timelapse Discussion - Index page. Time Lapse Tutorial – BBC Human Planet | Photography by Timothy Allen. Tips and techniques One lump or two? Update: If you have questions about time lapse please contact me via my new Facebook page or join a photography workshop HERE.
Time lapse photography can be a lovely way to spend a quiet afternoon somewhere. Whilst others might go fishing, I prefer settling down with a flask of tea and my tripod, giving myself the time to really appreciate the environment I find myself in. Time lapse is an important part of my work on Human Planet. Before we start, it would be good to see an example of a time lapse film. (You must forgive me for adding the music – it seemed apt) OK, so it’s badly exposed and poorly composed, but it is nevertheless a time lapse film. Equipment Firstly, you need a camera. Using an ND 3.0 filter, in Spain I was able to shoot a 1 minute exposure in bright sunlight at f22 Starting out OK, now onto the practical side of things.
Interval Put simply, the shorter the interval between each frame, the more slowly the action will move in your film. 1. Timelapse+, the utimate intervalometer. Bulb ramping, HDR, Light trigger and more! Dynamic Perception. Kessler Crane - Quality Professional Camera Cranes, Camera Jibs, Camera Sliders, Camera Motion Control and Support Products. Lighting Infinite White. 10 of Art History's Most Controversial Photographers [NSFW] In 1971 Norman Mailer said that “giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.” Lo and behold: Child With Hand Grenade. Even before her suicide that year, Arbus’ magnificent body of work evoked criticism and suspicion of exploitation. She was drawn to the so-called deviants, outsiders, marginalized people, glamorous transvestites, graceful giants, disturbed-looking children, circus performers and of course, twins and subjects with other birth eccentricities.
Had she lived, Arbus would have been 89 years old today. In tribute, we’d like to present you with this brief survey of some of the most controversial photographers, contemporary and of recent yesteryear. Diane Arbus Arbus was a curious case. Diane Arbus. Diane Arbus (/diːˈæn ˈɑrbəs/; March 14, 1923 – July 26, 1971) was an American photographer and writer noted for black-and-white square photographs of "deviant and marginal people (dwarfs, giants, transgender people, nudists, circus performers) or of people whose normality seems ugly or surreal".[2] Arbus believed that a camera could be "a little bit cold, a little bit harsh" but its scrutiny revealed the truth; the difference between what people wanted others to see and what they really did see – the flaws.[3] A friend said that Arbus said that she was "afraid ... that she would be known simply as 'the photographer of freaks'", and that phrase has been used repeatedly to describe her.[4][5][6][7] Personal life[edit] Diane and Allan Arbus separated in 1958, and were divorced in 1969.[15] Photographic career[edit] Death[edit] Notable photographs[edit] Eddie Carmel, Jewish Giant, taken at Home with His Parents in the Bronx, New York, 1970 Arbus's most well-known individual photographs include:
Andres Serrano. Home. Splitter e27. COOPH - The Cooperative of Photography.