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For a primer on how to make fun of Nazis, look to Charlie Chaplin. White nationalists and neo-Nazis are having their moment.

For a primer on how to make fun of Nazis, look to Charlie Chaplin

Former Ku Klux Klan Imperial Wizard David Duke is back, yet again, in the media spotlight, while newer figures such as white supremacist Richard Spencer and Christopher Cantwell are broadcasting their views via social media feeds and niche internet channels. Many Americans are wondering if this resurgent movement should be ignored, feared or fought. What, exactly, is the best antidote for neo-Nazism? What about laughter? While the August 12 violence in Charlottesville, Virginia was no joke, the images of armor-clad, tiki-torch-wielding white nationalists did give fodder to late-night talk show hosts and editorial cartoonists. In a different age, another ascendant white supremacist – Adolf Hitler – used a combination of garbled ideas, stagy phrasing and arch gestures to bewitch much of his nation, even as the rest of the world looked on in disbelief and terror.

Chaplin homes in on his target Exposing a fraud. The Wipers Times, BBC Two, review. An enraged staff officer brandished a copy of The Wipers Times, the jokey paper produced in the trenches of the First World War, and said to the General (played by Michael Palin): “The war is not funny, Sir.”

The Wipers Times, BBC Two, review

To which the General replied: “I've a feeling that may be the point.” A few minutes into The Wipers Times (BBC Two), a 90-minute drama by Ian Hislop and Nick Newman (both veterans of Private Eye), I was worried that it would simply prove a self-indulgent jape to tinkling music. Thank heaven, it did not. The surface story was of a periodical (which, like Private Eye, resembled a school magazine produced without official sanction) printed under bombardment from Fritz (not to mention the General Staff). The strong sub-text was the courage displayed by officers and men, month after month. Historically, the trenches of Ypres and the Somme were an unreal world blown featureless. Another artificiality of the trench-world was its exclusive masculinity. I shed a tear at that. Young Men (short film)

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