Varleypix.com. Erez Sabag. Fashion, Travel + Lifestyle Photographer | New York, Miami, Hamptons | Eric Striffler. Eric Bean photography. LaChapelle Studio. Loretta Lux. Photo_brownim_c_and_n.jpg (JPEG Image, 367x371 pixels) PEOPLE/2/_002_20060501_FREIES_SHOOTING_BEAUTY003880_PREFINAL.JPG/ Simon Stock - Photographer. JO CLARK REPRESENTS// JO CLARK REPRESENTS// James Day. 500 Photographers. EYEMAZING.COM. STUDIO ERWIN OLAF. PEOPLE/13/_024_ABENDMAHL_1.JPG/ Pictures. Alexandfelix. .: Eugenio Recuenco :. Online portfolio. Vivian Maier - Her Discovered Work. BillyundHells. STUDIO ERWIN OLAF. Marc's Mini Tip: The Key to a Photograph from Ansel Adams. Amazing NYC Blizzard Photographs Discovered Buried in Snow | Silber Studios. One of the photos found by Todd Bieber in NYC’s Prospect Park. When Todd Bieber stumbled upon a small canister of film buried in the aftermath of New York City’s massive blizzard, something told him he had to get it developed.
What he found has prompted a genuine photography mystery. Bieber, a local filmmaker, has launched an online campaign to find the photographer of an amazing set of black-and-white photos that capture New York City during last month’s huge snowstorm. As Bieber tells it in his YouTube video, one day following the storm he decided to strap on his “crappy” cross-country skis (apparently the only practical mode of transportation at the time) and headed out to Prospect Park. Stopping to take a breath, Bieber says he spotted a small, white canister of 35 mm film in the snow. At first he considered leaving the canister on a post, hoping the owner would return for it. But Prospect Park was 500 acres of blanketing whiteness — no one would be able to find it. Found: Lost Pictures of New York Blizzard. 2011 Photography Tip #1: 5 Ways to Visualize Your Image | Silber Studios. BY Marc Silber on January 3, 2011 Want to give your photography new life in the New Year?
Learn the secret of visualization from Ansel Adams. This will give you greater control over your final images. If you’ve been following along with my videos and blog, or attended one of my workshops, you know that it all begins with “visualization” which Ansel Adams said was the”whole key”— which makes it stand as a mighty powerful concept. In filmmaking this is called “previz” where the whole concept it put out as in creating storyboards, without which the director would be trying to wing it and waste a lot of time going back to re-do or simply getting sequences that “dead ended.” The same can be true in still photography, but let’s also look at other ways to visualize or previz: Stating your goals is actually a previz step: You’re painting the broad strokes of where you want to make images, which in effect is the origin of all visualization.