Perpetuum Mobile
PERPETUUM MOBIL : ВЕЧНЫЙ ДВИГАТЕЛЬ : IKILIIKKUJA :a multidisciplinary motion vehicle
THE ARTS ASSEMBLY. Arts Assembly SANDBOX. THE FIRST PILOT FOR AN ARTS ASSEMBLY « PERPETUUM MOBILƐ : ВЕЧНЫЙ. The First (Pilot) Arts Assembly The First (Pilot for a) ARTS ASSEMBLY took place 20-22 November, 2009 on the Island of Suomenlinna, and at an Open Door Session (Bar Llamas).
For Detailed and Updated Information, go to this page: What is an Arts Assembly? An Arts Assembly is a reflexive model for co-operation in the creative field. It unites a diversity of actors in new “formats” based on participatory action through peer-to-peer platforms. The Value Chamber (aka the Auction Chamber): This chamber was first conceived (during the collapse of casino-style markets) after the fashion of auctions: through bids and counter-bids according to a procedure.
The Chamber of Public Secrets: Many ideas, histories or movements are public, but not known… The Chamber of Diversity and Pre-Universalism: The Copyist Chamber: The Arts Assembly’s Open Door Party Random Shots from the Pilot: The AA in Gallery Augusta, Suomenlinna Like this: Like Loading... Leave a comment No comments yet. S.a.L.E. Docks, Venice. Arts Assembly. The ARTS ASSEMBLY (AA) « PERPETUUM MOBILƐ : ВЕЧНЫЙ ДВИГАТЕЛЬ : I. What is an Arts Assembly?
An Arts Assembly is a reflexive model for co-operation in the creative field. It unites a diversity of actors in new “formats” based on participatory action through peer-to-peer platforms. There are several Chambers of the Assembly. Parfyme » Index. The AA at Manifesta 8, Spain « PERPETUUM MOBILƐ : ВЕЧНЫЙ ДВИГАТЕ. CPS – The Rest is History? 9. Nafas Art Magazine. Manifesta 8 In Dialogue with Northern AfricaApril 2010 The 8th edition of Manifesta, the European Biennial of Contemporary Art, takes place in the Spanish cities of Murcia and Cartagena.
It is being curated by Alexandria Contemporary Arts Forum, Chamber of Public Secrets and Tranzit.org. From 9 October 2010 to 9 January 2011, in dialogue with Northern Africa, Manifesta 8 will explore the idea of Europe in the 21st century, focussing on the boundaries of the continent, and thus strengthening its international and intercontinental character. More specifically, the aim of Manifesta 8 will be to engage with Europe's present-day frontiers and its interrelation with the Maghreb region. The South of Spain, specifically Al-Andalus, has been a historical blend of Islamic, Judaic and Christian cultural influences co-existing together. Curatorial team: Alexandria Contemporary Arts Forum (Egypt, US) EXHIBITIONS « PERPETUUM MOBILƐ : ВЕЧНЫЙ ДВИГАТЕЛЬ : IKILIIKKUJA. THE RAW, THE COOKED AND THE PACKAGED The Archive of Perestroika Art KIASMA, Museum of Contemporary Art, Helsinki 2007 “The best exhibition on Perestroika since Perestroika” Vladimir Shinkarev, Originator of the Mit’ki Group “Probably the best exhibition I have ever seen at Kiasma” Ekaterina Andreeva, Senior Curator (Russian Museum) and Critic, St.
Petersburg Kiasma's Invitation Card using Evgeny Kozlov "Timur on Horseback" THE RAW, THE COOKED AND THE PACKAGED. Aleksanteri Conference 2007. Parallel to the Academic Conference, a series of cultural events were organised in Helsinki and other capitals around the Baltic.
These Aleksanteri Cultural Fora were open to conference participants. 0. The Raw, The Cooked and The Packaged The Archive of Perestroika Art Kiasma, Museum of Contemporary Art >> Framework 8. Perpetual GYPSY Pavilion. PEALELEND. Miks oli vaja tulla möödunud Veneetsia biennaalil välja projektiga „Mustlaste püsiv paviljon”? „Mustlaste püsiv paviljon” („Perpetual Gypsy Pavilion”) Veneetsias oli vastus kahekordsele kriisile. Esiteks, planeeritud „Roma paviljon”, mida esmakordselt eksponeeriti 2007. aasta biennaalil, otsustati ära jätta paar nädalat enne 2009. aasta biennaali. Kuid mustlaste ehk roma kunstnike näitus oli erakordselt vajalik, sest Veneetsia (ja seetõttu ka biennaal) oli sattunud mustlaste inimõiguste rikkumise keskpunkti nii Itaalias kui ka laiemalt Euroopas.
Kuigi Euroopa parlament mõistis selle situatsiooni hukka, ei teinud seda teised Euroopa kõrged ametlikud institutsioonid. Itaalia valitsus oli kas kiitnud heaks või vähemalt olnud salliv ebaõigluse suhtes romade ehk mustlaste vastu 2008. ja 2009. aastal. Kas teie projekt jätkab 2007. aasta mustlaskunsti paviljoni „Kaotatud paradiis” („Paradise Lost”) ideid? 2007. aasta näitus oli esimene, kus mustlaste kunst oli biennaalil väljas. Home.