How to Use Clashing Fonts | News, Notes & Observations. As powerful as typography can be in setting a reader’s expectations, it’s often the dialogue between typefaces that most effectively communicates how information is meant to be understood. Dictionaries use bold Antiques and delicate Ionics to distinguish their headwords and definitions; wayfinding systems use different fonts to identify routes and destinations. Find the most monotonous piece of design you can, and it’s still likely that its logo, headlines, and text are wearing different typographic dress. It’s therefore customary for designers to reach for palpably different typefaces when assembling a palette. If not, why use more than one font in the first place? But just as the most stylish person you know can pull off wearing four different kinds of check, or live in a room painted six different shades of orange, there are techniques for successfully bringing together typography’s first cousins, its doppelgangers, and its long-lost twins. 1. 2. 3.
Pinterest. Free Music Downloads MP3 WAV Jazz. Design Break. Bad Behaviour in the workplace - Business. Minimalist Digital Art for Sale. Associates.
Playing Arts: 54 ilustradores y una baraja. The Bézier Game. Corporate Logos. Impossible Photography by Martin De Pasquale. Jun 16, 2014 Martin De Pasquale is an artist and photographer based in Buenos Aires, Argentina. Martin is currently an art director for an advertising agency but is best known online for his incredible photo manipulations and surreal digital artworks. Using programs like Photoshop, Poser and 3DS Max, De Pasquale creates amazing images that distort the lines between reality and fantasy. While the digital artist is adept with the previously mentioned software programs, a great deal of planning goes into his composites.
To see more of Martin’s amazing artworks, check him out on Facebook and Behance. [via Sploid] 1, 2, and 3-Point Perspective. Motion Study by Justin Mezzell: Archive. Digital Image Size and Resolution, How Big for Publication? DPI has become the accepted and most commonly used term when referring to image resolution ( 300 dpi, 72 dpi, etc.) . DPI really refers to dots in printing and PPI (Pixels Per Inch) is a more accurate term for digital images whose "dots" are pixels on a screen. However the two terms have come to be used interchangebly. 300ppi (or dpi) is the accepted standard in stock photography because it meets the needs of most high quality reproduction.
Magazines, books and most other high quality publications are typically printed at a 133 or 150 Line Screen ( LPI for Lines Per Inch). The common rule of thumb for determining the dpi required for print is to double the LPI, so for a 150 Line Screen a 300 ppi image resolution would be appropriate. A digital image's size is really dependent on the number of pixels it contains. For more articles on Image Resolution and how it relates to print quality see: UPDIG Guidelines - Resolution Understanding Resolution at fotofinish.com Back to the Resources Index.
Adobe photoshop - What resolution should a large format artwork for print be? - Graphic Design Stack Exchange. Grande format resolutions, as various folks have pointed out, depend on viewing distance. Several answers refer to line screens, but technology has moved on. Very few, if any, grande format jobs are printed that way, and in any case, none of the answers indicated how to translate from PPI (dots) resolution in Photoshop to LPI (lines of dots at different angles) resolution in offset.
They are NOT the same thing. The related question e100 refers to has answers that also don't really cover the necessary bases. There are two answers, depending on whether you have a images (raster) or shapes (vector, including text) or a mixture of both. The overall, practical rule is: don't go much above the minimum resolution you need, to keep file sizes manageable and avoid problems with the printer's RIP (Raster Image Processor -- the software that translates you artwork to the physical dots that will hit the paper).
Inkjet processes are very different from offset. VECTORS and TEXT. How to Choose the Right Heat Press | Stahls' BSBSUS201A - Participate in environmentally sustainable work practices. Participate in environmentally sustainable work practices Evidence Guide. BSBSUS201A - Participate in environmentally sustainable work practices Evidence Guide Student: __________________________________________________ Signature: _________________________________________________ Tips for gathering evidence to demonstrate your skills The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!).
Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick! From the Wiki University What evidence can you provide to prove your understanding of each of the following citeria? Assessed Comments: Instructions to Assessors. Spot Process Separation Studio™ Radiant Orchid Pantone Color of the Year 2014: Color Standards, RGB, HEX HTML code. FASHION + HOME SMART color swatch card standard FASHION, HOME + INTERIORS Color Specifier TPX (paper) Replacement Page PANTONE Plastic Standard Chips. Videos | Karen Kavett. I began making YouTube videos in early 2008, and fell in love with video production.
Through the years my production values and editing have just kept improving, and my videos have evolved through many different genres. These days my main channel, www.youtube.com/karen focuses on crafting, graphic design, and other random nerdy subjects. I am signed with the network Big Frame, who help to organize advertisements, product placements, and collaborations.
As of the writing of this page, I have over 33,000 subscribers and over 2.4 million video views. Besides my main channel, I also have a second channel www.youtube.com/karenkavett, where I post vlogs and other videos that no longer belong on my main channel. And I also have a third channel karenswrockvideos, where I upload videos of music performances I attend. I shoot my videos on a Canon T3i with a standard zoom lens and a macro lens. Graphic Design Videos – Watch the full playlist Comic Sans: What’s all the fuss about? ABC’s of Screen Printing/ Screen Preparation | Printer's Edge. Screenprinting Glossary: Definition Of Screen Printing Terms, Explanations For Printers. Learn How To Screen Print With Catspit Productions, LLCGlossary Of Screen Printing Terms This is a general glossary of screen printing terms used in our YouTube informational videos. Here you will find definitions for the screen printing terminology used in the videos and articles on this website.
You can find the fabric glossary here. Read screen printing articles and learn how to print tee shirts! Abrade - To wear off or down by scraping or rubbing, to scrape off. Amberlith or Rubylith - Rubylith® and Amberlith® brand masking films are light safe knife cut films coated onto a clear polyester backing sheet. Artwork - Also may be referred to as “screen art”. Belt Oven - The piece of equipment used to cure the shirts. Bleeding - This occurs when an ink that is printed migrates outside of its printed area into surrounding areas of the shirt. Block Out - This is an emulsion like chemical that is most often not light sensitive. Capillary Films - Pre-sensitized emulsion on a film base. Learn How to Clean and Remove Plastisol Ink From a Squeegee and Silk Screen Frame. How To Screenprint: Tips For Cleaning Ink Off Screens. Illustrator * Trapping.
Where colors printed from separate plates overlap or adjoin one another, press misregistration can cause gaps between colors on the final output. To compensate for potential gaps between colors in artwork, print shops use a technique called trapping to create a small area of overlap (called a trap ) between two adjoining colors. There are two types of trap: a spread , in which a lighter object overlaps a darker background and seems to expand into the background; and a choke , in which a lighter background overlaps a darker object that falls within the background and seems to squeeze or reduce the object. Spread (object overlaps background) compared to choke (background overlaps object) When overlapping painted objects share a common color, trapping may be unnecessary if the color that is common to both objects creates an automatic trap.
Trapping type can present special problems. Illustrator * Overprinting. By default, when you print opaque, overlapping colors, the top color knocks out the area underneath. Overprinting prevents knockouts and makes the topmost overlapping printing ink appear transparent in relation to the underlying ink. Where colors printed from separate plates overlap or adjoin one another, press misregistration can cause gaps between colors on the final output.
To compensate for potential gaps between colors in artwork, print shops use a technique called trapping to create a small area of overlap (called a trap ) between two adjoining colors. About overprinting By default, when you print opaque, overlapping colors, the top color knocks out the area underneath. You may want to overprint in the following situations: Overprint black ink to aid in registration. Colors knocked out (by default) and with overprinting Set up overprinting Select the object or objects that you want to overprint. Overprint black Simulate or discard overprinting. Acrobat Help | Trapping color (Acrobat Pro) When creating or editing presets, the value you type for Black Color determines what is considered solid black and rich black. A rich black is any black color that uses a support screen—additional percentages of one or more process inks to strengthen the black.
The Black Color setting is useful when you must compensate for extreme dot gain (as when using low-grade paper stock). These situations cause black percentages lower than 100% to print as solid areas. By screening back blacks or rich blacks (using tints of solid black) and decreasing the Black Color setting from its default of 100%, you can compensate for dot gain and ensure that the trapping engine will apply the proper trap width and placement to black objects. When a color reaches the Black Color value, the Black trap width value is applied to all abutting colors, and keepaway traps are applied to rich black areas using the Black trap width value. Teaching and Learning Templates - All Documents. Training material for ICPSU203C - Prepare and maintain the work area. Photoshop * Image size and resolution. Printer resolution is measured in ink dots per inch, also known as dpi.
Generally, the more dots per inch, the finer the printed output you’ll get. Most inkjet printers have a resolution of approximately 720 to 2880 dpi. (Technically, inkjet printers produce a microscopic spray of ink, not actual dots like imagesetters or laser printers.) Printer resolution is different from, but related to image resolution. To print a high quality photo on an inkjet printer, an image resolution of at least 220 ppi should provide good results. Screen frequency is the number of printer dots or halftone cells per inch used to print grayscale images or color separations. The relationship between image resolution and screen frequency determines the quality of detail in the printed image. Photoshop * Printing images to a commercial printing press. Which Quality Setting Should I Use? You may have noticed that your camera offers a few different photo quality settings.
These are available on almost any model in the market today, whether it is a point-and-shoot or a digital SLR. Oftentimes, they are labeled as “low,” “normal,” or “fine.” Some camera companies use their own proprietary quality standards such as SQ, HQ, and SHQ (standard, high and super high quality respectively). Compression So what’s the difference? Why is compression needed? JPG image format Most cameras save their images in what’s called the JPEG (or JPG) format. So a 6 megapixel photo that would need 18 megabytes to store only needs around 4 megabytes when saved in a JPG format. Quality = Compression Your camera can increase or decrease the level of compression it uses on a photo. High Quality Setting High Quality High Quality = Low Compression = Great Image = High Space Requirement The High Quality setting will give you a great looking image, but also takes more space on your memory card.
Low Quality. What Is Image Resolution? Why Does It Matter? If you’ve been around since the beginning of digital photography, you no doubt understand how much progress we’ve made. Today’s models make the first digital cameras look incredibly weak, and the reason is resolution. For a lot less than you would have paid back then, you can get a digital camera with ten times the resolution. Does that mean your images will be ten times better? To answer that question, we need to get a better understanding of what resolution is and what it isn’t. [Photo Above By Andrew Magill] Think of resolution as “image quality” Put into some very basic terms, resolution is the quality of the image. If you remember those old computer monitors from the 90s, you’ll remember how blurry the images were. Piecing it together even more Sometimes a good example does what words will never do. Well that’s pretty boring. Alright.
That’s closer to what we want, but it still doesn’t have that crisp quality I’m used to seeing on my laptop. That’s better. Cheating Resolution. Mozilla Firefox Start Page. Fit and Industrial Tolerances. "The designer's considerations in establishing any specification limits [for industrial tolerances or quality-control fit statistics] may be classified into three groups, namely, (1) those related to the service needs of the article or part for which specifications are being written, (2) those related to the capabilities of the production process to produce to any given specification limits, and (3) those related to the means to be used for determining whether the specifications are actually met by the product.
"The fundamental basis of all specification limits is, of course, the service need of the part or article. This is not primarily a statistical matter. However, it often happens that the service need can be judged more accurately with the aid of statistical methods. The viewpoint that every quality characteristic is a frequency distribution is always helpful. This is particularly true in matters involving the interrelationships of specification limits. Figure. Roland DG - Printers / Cutters - VersaCAMM VS-540. The World is Metallic. | How to Make Data Using Metallic Colors | Roland DG. Roland DG - Printers / Cutters - VersaCAMM VS-540. Untitled. LED Exposure Unit | ScreenWeb | screenweb.com. Plastisol vs. Water-based Ink for Textile Printing. Plastisol Transfer Paper, Plastisol Transfer Paper Products, Plastisol Transfer Paper Suppliers and Manufacturers at Alibaba.
ScreenWeb | screenweb.com | A companion site to Screen Printing Magazine. Color separation software for screen printers | Digital Desk Solutions. ICPSP282A - Prepare film for basic screen printing. Develop a basic design concept Evidence Guide. ICPSP282A - Prepare film for basic screen printing. Separation Studio Spot Process Color Separation Software for Printers | InkSoft. Screen Printing Exposure Unit. Develop a basic design concept Evidence Guide. ICPPP211C. ICPSP271C Manually produce basic screen prints - ICPSP271C_R1.pdf.