Eden Barrena. Jérémie Solomon. Agnieszka Cieślińska. Izzy Jarvis. Atelier Tout. Elizabeth Corkery. Teemu Mäki. (an extract from) The Charm of Printmaking Unlike in regular drawing, in etching it is hard to see what one is doing while drawing.
One makes faintly visible scratches on the copper plate with one's nose against it, or depending on the technique in some other way that forces one to be physically close to the image and struggle with it, without knowing what the result will look like, or even what the line one is currently drawing will look like. Paradoxically enough, exactly because of this ignorance the maker can absorb him/herself in the work. Therefore s/he is freer when engraving the plate than a draughtsman is at his/her paper or a painter at his/her canvas. Only the proofs will show the printmaker what s/he has done. My favourite aspect of printmaking is the line.
One can attempt to scratch the subject precisely and meticulously onto a plate in spite of the stylus not obeying one’s hand, the needle slipping on the slippery copper and the wooden plate splitting unexpectedly. Peter Milton. Mini prints. Basilica San Marco, Venice 1.75 X 2.25 This is a highly detailed miniature of the rooftops of San Marco, featuring etching and spit bite.
Edition of 12. S.L. Dickey. E Repp. Gert & Uwe Tobias. Carnovsky. RGB Color est e pluribus unus RGB is a work about the exploration of the “surface’s deepness”.
RGB designs create surfaces that mutate and interact with different chromatic stimulus. Carnovsky's RGB is an ongoing project that experiments with the interaction between printed and light colours. The resulting images are unexpected and disorienting. The colors mix up, the lines and shapes entwine becoming oneiric and not completely clear. See the Wallpapers collections available: Sarazen Haile. Alexa Karabin. Chris Silas Neal. Dan Mather. And Atelier. Festival of Chaumont La Fabrique y: 2012 c: – Academia Newsletter y: 2011 c: FAP Scheiner and Sons y: 2013 c: Self initiated Cidade Resgatada Reabilitar a cidade (re)desenhando-a y: 2013 c: OASRN Logos.
Anthony Burrill. Jae Young Kim. Yannick Desranleau and Chloe Lum. Christopher Hartshorne. Corey Hagelberg. Bicicleta Sem Freio. Pol Bury. Iv Solyaev. Jason Adam Schroeder. Hugh Langis. Benjamin Rider. Pamela Hare. Mike Perry. Joseph Parra. Hugh MacLeod. Mirta Kupferminc. Jon Swindler. Manolis Angelakis. People of Print. People of Print are proud to present our favourite screen-print artists of 2013.
Many of them were featured in the weeks most popular posts, took part in major projects and are currently followed by numbers of print fanatics. Some can be found on our Department Store. In alphabetical order: Ben Rider Benjamin Rider, a renowned print technician at Print Club London, is a London-based illustrator and graphic designer who specialises in various print techniques including an unconventional process such as Cyanotype printing which is regularly used by engineers and architects to create blueprints.
His time-served expertise in print together with his sense of humour then results in a memorable series of eye-catchy prints. __________ Beniffer Editions Beniffer Editions is an experimental micro-vanity tape and record label based in Toronto. __________ Blexbolex Blexbolex is a multi-award winning graphic artist and illustrator based in Berlin. __________ __________ Big Active. Judgeworks. Screwball Press. Bite Studio. Tugboat Printshop. "FARM BARGE" 16" x 20" Color Woodcut on Ivory Somerset Paper Valerie Lueth + Paul Roden, 2012.
>>> VIEW MORE DETAILS + PHOTOS "GARDEN" 18" x 24" Color Woodcut Print on Ivory Somerset Paper Paul Roden + Valerie Lueth, 2011. NOTE: "GARDEN" is temporarily out of stock. Please allow approximately 4-8 weeks for delivery. "AMERICA THE BEAUTIFUL" 24" x 32" Color Woodcut Print on Ivory Somerset Paper (Paper Size 26" x 34") Paul Roden + Valerie Lueth, 2009. "BONFIRE" 18" x 26.25" Color Woodcut Print on Ivory Somerset Paper Paul Roden + Valerie Lueth, 2010. "MAMA BEAR" 20" x 16" Woodcut Print on Natural Kitakata Paper Paul Roden + Valerie Lueth, 2012. NOTE: "MAMA BEAR" is temporarily out of stock.
"SNAKE VINE" 20.5" x 11" Woodcut Print on Natural Kitakata Paper Paul Roden + Valerie Lueth, 2013.