APA Formatting and Style Guide. Summary: APA (American Psychological Association) style is most commonly used to cite sources within the social sciences. This resource, revised according to the 6th edition, second printing of the APA manual, offers examples for the general format of APA research papers, in-text citations, endnotes/footnotes, and the reference page. For more information, please consult the Publication Manual of the American Psychological Association, (6th ed., 2nd printing). Contributors:Joshua M. APA style has a series of important rules on using author names as part of the author-date system. Citing an Author or Authors A Work by Two Authors: Name both authors in the signal phrase or in the parentheses each time you cite the work. Research by Wegener and Petty (1994) supports... (Wegener & Petty, 1994) A Work by Three to Five Authors: List all the authors in the signal phrase or in parentheses the first time you cite the source.
(Kernis, Cornell, Sun, Berry, & Harlow, 1993) (Kernis et al., 1993) (E. (E. The interview: Richard Serra | Art and design. Richard Serra's reputation precedes him: he is cerebral, single-minded, austere, as steely and uncompromising as his work. He may indeed be all these things but he is also, it turns out, a great storyteller. One of his best anecdotes concerns his turbulent years as a student at Yale in the early Sixties, where he came of age in an intensely creative milieu that included the artists Frank Stella, Chuck Close and Nancy Graves, a classmate who became his first wife. 'I was thrown out of Yale for something real stupid,' says Serra, stern features dissolving into a childlike grin. 'Robert Rauschenberg came up there as a visiting critic.
Being a bit sparky back then, I thought I'd see what he was made of. I found a chicken and tethered it to a rope and put it in this box on a pedestal. It was a kind of prank at Rauschenberg's expense, right? You can see that Serra relishes the memory of that rebellious moment even though it almost cost him his scholarship. Next year Serra will be 70. APA Formatting and Style Guide. Summary: APA (American Psychological Association) style is most commonly used to cite sources within the social sciences. This resource, revised according to the 6th edition, second printing of the APA manual, offers examples for the general format of APA research papers, in-text citations, endnotes/footnotes, and the reference page.
For more information, please consult the Publication Manual of the American Psychological Association, (6th ed., 2nd printing). Contributors:Joshua M. An Entry in an Encyclopedia Bergmann, P. Work Discussed in a Secondary Source List the source the work was discussed in: Coltheart, M., Curtis, B., Atkins, P., & Haller, M. (1993). NOTE: Give the secondary source in the references list; in the text, name the original work, and give a citation for the secondary source. In Seidenberg and McClelland's study (as cited in Coltheart, Curtis, Atkins, & Haller, 1993), ... Dissertation Abstract Yoshida, Y. (2001). Dissertation, Published Lastname, F. Lastname, F. Culture Shock: Flashpoints: Visual Arts: Richerd Serra's Tilted Arc. Google Oversetter. Richard Serra's Big Show. Correction Appended: May 25, 2007 Hanging a new museum show is never less than a complicated job. Getting all that art positioned just so--it's a test of nerves.
But when the show is for Richard Serra, whose typical work is made from coiling steel plates that weigh 20 tons or so, complicated doesn't begin to describe it. Putting the things in place is like moving a dozen rockets to their launch pads. There's one sizable new Serra, called Sequence, that consists of 12 plates weighing a total of 243 tons. The average commercial airliner weighs 199. This is why earlier... Subscribe Now Get TIME the way you want it One Week Digital Pass — $4.99 Monthly Pay-As-You-Go DIGITAL ACCESS — $2.99 One Year ALL ACCESS — Just $30! Richard Serra. The matter of time - Guggenheim Museum Bilbao. Richard Serra: Man of steel | All media content | DW.DE | 02.11.2014. Richard Serra | Inside Out (2013) The monumental sculptures of Richard Serra, one of the preeminent sculptors of the 20th century, emphasize or alter viewers' perceptions of space and proportion.
“It's all about centralizing the space in different ways. How people move in relation to space, that's essentially what I'm up to,” he has said. Inspired early in his career by modern dance—notably through his relationship with members of New York City’s influential Judson Church dancers—and Japanese Zen gardens, the artist sought to create works that engage viewers in movement, taking in his large-scale sheet-metal pieces by navigating the space around them. Serra, who was schooled at Yale with classmates Frank Stella, Chuck Close, and Nancy Graves, has been called “cerebral, single-minded, austere, as steely and uncompromising as his work.” “I have a certain obstinacy, a certain willfulness that has got me in trouble but it has also got me through,” he has quipped. New Serras for Bilbao.: EBSCOhost. Infinite Passages: Serra in Bilbao.: EBSCOhost.
Diving into the color theory of Josef Albers will forever change the way you perceive and approach color. Albers began as a student at the Bauhaus in Germany and later became an instructor, which he considered an honor, and took the position very seriously. Unfortunately, the Bauhaus was forced out by the Nazis, and Albers was one of the members who emigrated to the United States in 1933. Albers continued his Bauhaus teachings at Black Mountain College and later at Yale. Through teaching, his own painting, and learning from his students as they developed, he created his own color theory outlined in the 1963 classic Interaction of Color. The book is simple in its presentation and the ideas are easy to understand. Albers does not preach theory; he encourages one to experiment and discover the nuances of color on a trial and error basis.
However, he does state one important tenet: color is the most important medium in art. Just like in music, color can be harmonious or dissonant. APA Formatting and Style Guide. Richard Serra | Shelter Benefit Print (2001), Available for Sale. The monumental sculptures of Richard Serra, one of the preeminent sculptors of the 20th century, emphasize or alter viewers' perceptions of space and proportion. “It's all about centralizing the space in different ways.
How people move in relation to space, that's essentially what I'm up to,” he has said. Inspired early in his career by modern dance—notably through his relationship with members of New York City’s influential Judson Church dancers—and Japanese Zen gardens, the artist sought to create works that engage viewers in movement, taking in his large-scale sheet-metal pieces by navigating the space around them. Serra, who was schooled at Yale with classmates Frank Stella, Chuck Close, and Nancy Graves, has been called “cerebral, single-minded, austere, as steely and uncompromising as his work.” 1981 World History. Richard Serra. Richard Serra was born in San Francisco in 1939. After studying at the University of California at Berkeley and at Santa Barbara, he graduated in 1961 with a BA in English literature. During this time, he began working in steel mills in order to support himself. In 1964, he graduated from Yale University with both a BFA and an MFA. Receiving a Yale Traveling Fellowship, he spent a year in Paris, followed by a year in Florence funded by a Fulbright grant.... continue reading Richard Serra was born in San Francisco in 1939.
After studying at the University of California at Berkeley and at Santa Barbara, he graduated in 1961 with a BA in English literature. LinksGagosian GalleryRichard Serra on the Art21 Blog done reading. Richard Serra - Talk with Charlie Rose (2001) Interactives | Exhibitions | 2007 | Richard Serra Sculpture: Forty Years. Richard Serra. Richard Serra was born in San Francisco in 1939. After studying at the University of California at Berkeley and at Santa Barbara, he graduated in 1961 with a BA in English literature. During this time, he began working in steel mills in order to support himself. In 1964, he graduated from Yale University with both a BFA and an MFA. Receiving a Yale Traveling Fellowship, he spent a year in Paris, followed by a year in Florence funded by a Fulbright grant.
Serra’s early work in the 1960s focused on the industrial materials that he had worked with as a youth in West Coast steel mills and shipyards: steel and lead. A famous work from this time involved throwing lead against the walls of his studio. Though casts were created from the impact of the lead hitting the walls, the emphasis of the piece was really on the process of creating it: raw aggression and physicality, combined with a self-conscious awareness of material and a real engagement with the space in which it was worked. Life’s Work: Richard Serra. Richard Serra makes rolled-steel sculptures so massive that New York’s Museum of Modern Art designed a gallery to support their weight. He’s been close to the industry that creates his signature material for half a century: Decades before achieving critical and popular acclaim, he joined a U.S.
Steel rivet gang to put himself through Yale. Since the 1970s, he has relied on a family of New York riggers to erect his installations. These complex engineering projects—requiring steel sheets to be manipulated in unprecedented ways—have led to radical innovation at the plant that fabricates them. Serra’s experiments contain glimpses of how steel mills, long in decline, might begin to reinvent themselves. HBR: Did you enjoy working for U.S. Serra: I was 17, 18 years old. The German steel mill you work with has had to continually retool in order to produce your installations.
Companies need the ability to entertain ideas they know are going to be one-offs. You have to work with them. Life's Work: EBSCOhost. Richard Serra makes rolled-steel sculptures so massive that New York's Museum of Modern Art de signed a gallery to support their weight. He's been close to the industry that creates his signature material for half a century: Decades before achieving critical and popular acclaim, he joined a U.S. Steel rivet gang to put himself through Yale. Since the 1970s, he has relied on a family of New York riggers to erect his installations.
These complex engineering projects--requiring steel sheets to be manipulated in unprecedented ways--have led to radical innovation at the plant that fabricates them. Serra's experiments contain glimpses of how steel mills, long in decline, might begin to reinvent themselves. HBR: Did you enjoy working for U.S. Serra: I was 17, 18 years old. The German steel mill you work with has had to continually retool in order to produce your installations.
Companies need the ability to entertain ideas they know are going to be one-offs. You have to work with them. The interview: Richard Serra | Art and design. An Introduction to Minimalism | Minimalism and Earthworks. Donald Judd, Untitled, 1969, ten copper units, each 9 x 40 x 31 inches with 9 inch intervals (Guggenheim Museum, New York)A Reductive Abstract Art Although many works of art can be described as “minimal,” the name Minimalism refers specifically to a kind of reductive abstract art that emerged during the early 1960s. At the time, some critics preferred names like “ABC,” “Boring,” or “Literal” Art, and even “No-Art Nihilism,” which they believed best summed up the literal presentation and lack of expressive content characterizing this new aesthetic. While scholars have recently argued for a broader definition of Minimalism that would include artists in number of disciplines, the term remains closely linked to sculpture of the period.
Donald Judd’s Untitled (1969) is characteristic in its use of spare geometric forms, repeated to create a unified whole that calls attention to its physical size in relationship to the viewer. Lack of Apparent Meaning Writings Legacy Essay by Virgina Spivey. Culture Shock: Flashpoints: Visual Arts: Richerd Serra's Tilted Arc. Richard Serra - 148 Artworks, Biography & Shows on Artsy. Richard Serra. Richard Serra was born in 1938 in San Francisco. While working in steel mills to support himself, Serra attended the University of California at Berkeley and Santa Barbara from 1957 to 1961, receiving a BA in English literature. He then studied as a painter at Yale University, New Haven, from 1961 to 1964, completing his BFA and MFA there.
While at Yale, Serra worked with Josef Albers on his book The Interaction of Color (1963). During the early 1960s, he came into contact with Philip Guston, Robert Rauschenberg, Ad Reinhardt, and Frank Stella. In 1964 and 1965 Serra received a Yale Traveling Fellowship and traveled to Paris, where he frequently visited the reconstruction of Constantin Brancusi’s studio at the Musée National d’Art Moderne.
He spent much of the following year in Florence on a Fulbright grant and traveled throughout southern Europe and northern Africa. In 1966 Serra made his first sculptures out of nontraditional materials such as fiberglass and rubber. Cantor Arts Center to Exhibit Serra’s Monumental Sculpture "Sequence"