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209.jpg (JPEG Image, 1280 × 1024 pixels) DOUBLE EXPOSURE PORTRAITS on the Behance Network. SUPAKITCH & KORALIE Art. Aqueous Fluoreau on the Behance Network. Artist Minh Dam {Part 3} Posted on November 16, 2011 in Illustration If you’re new here, you may want to subscribe to our RSS feed or follow us on Facebook or Twitter .

Artist Minh Dam {Part 3}

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Photography

e6542bcccf_75247609_o2.jpg (JPEG Image, 1920x1080 pixels) - Scaled (55%) Leaf Cut Art by Lorenzo Durán. 340638.jpg (JPEG Image, 670x897 pixels) Viewing Entry - 'SOCIETY'. Ethan Law Roue Cyr/ Cyr wheel presentation. ENVISION : Step into the sensory box. Hilarious Celebrity Portraits. New York-based photographer Martin Schoeller loves to make us laugh!

Hilarious Celebrity Portraits

Take a look at his celebrity portraits of everyone from Quentin Tarantino to Chris Rock and you'll notice a common theme running throughout his work. They're wonderfully wacky! Having worked as an assistant for Annie Leibovitz from 1993 to 1996, Schoeller has the guts to create dramatic scenes that call for his subjects to work outside the box. He's been a staff photographer at The New Yorker since 1999 and his work has appeared in magazines like Rolling Stone, Esquire, Vogue and Vanity Fair. No doubt it's his unique flair that captures our attention and has us eternally wondering what he's got next up his sleeve. One man, 100,000 toothpicks, and 35 years: An incredible kinetic sculpture of San Francisco. Thirty five years ago I had yet to be born, but artist Scott Weaver had already begun work on this insanely complex kinetic sculpture, Rolling through the Bay, that he continues to modify and expand even today.

One man, 100,000 toothpicks, and 35 years: An incredible kinetic sculpture of San Francisco

The elaborate sculpture is comprised of multiple “tours” that move pingpong balls through neighborhoods, historical locations, and iconic symbols of San Francisco, all recreated with a little glue, some toothpicks, and an incredible amount of ingenuity. He admits in the video that there are several toothpick sculptures even larger than his, but none has the unique kinetic components he’s constructed. Via his website Weaver estimates he’s spent over 3,000 hours on the project, and the toothpicks have been sourced from around the world: I have used different brands of toothpicks depending on what I am building. I also have many friends and family members that collect toothpicks in their travels for me.

See the sculpture for yourself at the Tinkering Studio through the end of June. SUPAKITCH & KORALIE - VÄRLDSKULTUR MUSEET GÖTEBORG. A Stunning, Intricate Maze Made From 2,200 Pounds of Salt. Motoi Yamamoto has to be the most patient man in the world.

A Stunning, Intricate Maze Made From 2,200 Pounds of Salt

A Japanese artist, Yamamoto uses salt to create monumental floor paintings, each so absurdly detailed, it makes A Sunday Afternoon on the Island of La Grande Jatte look like child's play. He calls them, fittingly, his Labyrinths. Yamamoto's latest labyrinth creeps out from a brick tunnel at the Fondation Espace Ecureuil, a gallery in France. He made it -- as he makes all these installations -- by sprinkling salt on the floor through a plastic bottle used for machine oil, starting at the back of the tunnel, then moving forward to avoid stepping on the designs he's already drawn. The whole thing took 50 hours over the course of five days and a whopping 2,200 pounds of salt. Here's an older installation at Sankt Peter parish in Cologne: The story behind Yamamoto's salt sculptures is sweet and sad. Yamamoto takes pains to extend the metaphor beyond the walls of the art gallery. Small Favors Catalog.

Here are the pieces I'm showing at the Giant Robot NY Small Favors show, up from March 27th to April 14th, 2010. Each piece is $150. For purchase inquiries please contact Giant Robot NY: (212) 674-4769 | grny.net "Island Tree" - watercolor and gouache on paper, mounted on board - 5" x 5" (tabletop background saturation bumped back in Photoshop) "River Tree" - watercolor and gouache on paper, mounted on board - 5" x 5" (tabletop background saturation bumped back in Photoshop)