Off-Camera Flash Kit – List of items you need to buy. My interest in artificial light started with Sigma EF-500 DG ST ETTL II, fully automated low end flash which stoped working after I upgraded my camera to 50D (usuall compatibility issue with third party flashes). Feeling let down by Sigma I decided to fork out significant amount of money and go directly for a canon flash. I set my eyes on 430 EX II, which seemed like a reasonable option, but still expensive on the student budget – especially in Europe (here we pay 30% more on photo equipment). So, I purchased flash from Honk Kong on ebay. Unfortunatly, little I knew about Italian postal system at that time… I had to go to post office every week for total of 3 month to finally learn that the day before my last visit they have shipped package back to Honk Kong.
But I learned my lessons: 1. I blame all my bad luck on ETTL. I hope this article will help you avoid my mistakes and let you plunge into artifical light photography right away. My rationale for choosing these: Manual Flashes 1. Gels. Canon EOS 70-200mm L Lenses (Updated) You cannot be a professional photographer without a high-quality, high-speed telephoto zoom lens. Within the Canon EOS system, three such lenses are available: 70-200/4L 70-200/2.8L 70-200/2.8L image-stabilized All of these provide very high image quality. All have ultrasonic motors and allow for full-time manual focus. This article is intended to help you decide among these three lenses. Portraits The f2.8 aperture is essential to throw the background out of focus, especially for portraiture at around 100mm. Ruggedness I was covering the IMTA convention in Manhattan, where several thousand aspiring fashion models converge on the Hilton with their agents/handlers/schools (hoping to be discovered by agents in Japan, Europe, and maybe even New York).
Ben, one of my 18 y.o. students from MIT the preceding semester, had to leave New York that week and, his going-away present was to come along as an assistant on this job. No damage. AF Speed Autofocus with these lenses is nearly instant. Handling. Untitled. YouTube - Обработка видео для рекламного ролика автосервиса. Photofocus. About Us. Welcome to the New Photofocus Photography is a beautiful medium. It allows people to capture moments in time for the purpose of keeping, documenting, sharing, protecting and story telling.
Regardless of the type of photography you choose to focus on, Photofocus is here as a helpful and educational resource for the aspiring and professional photographer. Our goal is to assist in your success as an artist. This “blogazine” only provides content from the most accomplished photographers, unique artists and recognized business leaders in the photo industry. We’re here to make sure our audience gains insight into original and educational content from our team of experts, authors and guest contributors.
Photofocus also partners with some of the greatest vendors in the photography space to provide you with informative tools, gear and other products you need to succeed. Product Reviews We love to provide our audience with reviews of photo and video related products. Like this: Like Loading... Tamron AF 18 200mm f 3 5 6 3 XR Di II LD Aspherical IF Macro Zoom Lens for Canon Digital SLR Cameras. Understanding Camera Lenses. Understanding camera lenses can help add more creative control to digital photography. Choosing the right lens for the task can become a complex trade-off between cost, size, weight, lens speed and image quality.
This tutorial aims to improve understanding by providing an introductory overview of concepts relating to image quality, focal length, perspective, prime vs. zoom lenses and aperture or f-number. All but the simplest cameras contain lenses which are actually comprised of several "lens elements. " Each of these elements directs the path of light rays to recreate the image as accurately as possible on the digital sensor. The goal is to minimize aberrations, while still utilizing the fewest and least expensive elements. Optical aberrations occur when points in the image do not translate back onto single points after passing through the lens — causing image blurring, reduced contrast or misalignment of colors (chromatic aberration).
Original Image ZOOM LENSES vs.
How to increase your available light | Lighting Lesson 1. Pro photo life professional photography blog - digital photography tips for amateur and aspiring professional photographers. Portraits. Macro photography. Rick Sammon's Top Ten Digital Photography Tips. DSLR Tips: Latest DSLR Workshops, Tips and Tutorials. DSLR Tips Workshop: How to blur water for a creative effect. DSLR Tips Workshop: How to blur water for a creative effect When it comes to photographing moving subjects, you’d naturally assume freezing the action would give the best result. That’s certainly the case for some subjects, but others can end up looking static and lifeless. Waterfalls and rivers are classic examples which can take on a far more dramatic appearance when the water itself is blurred.
In the photo above left, I’ve used the camera’s automatic settings, and a relatively quick exposure has frozen the water in its tracks – as a result it looks lifeless. In the photo above right, I’ve adjusted the shutter speed for a slower exposure which has blurred the water, giving both a dreamy appearance and a far greater impression of motion. Checklist: Blurring water for a creative effect 1: Switch your camera to Shutter Priority mode by turning the mode dial to ‘S’ or on Canon models, ‘Tv’. 2: Choose a slower than normal shutter speed to blur the water. 1/30 is a good starting point. DSLR Tips: DSLR Lens Buying Guide - focal length and coverage.
DSLR Tips Lens buying guide The DSLR factor One crucial point to note is the above focal lengths and rules only apply to DSLRs with full-frame sensors, or older 35mm film models. The vast majority of DSLRs however have physically smaller sensors which crop the field of view and effectively multiply the focal length by between 1.5 and two times. So-called ‘cropped’ models from Nikon, Sony and Pentax effectively multiply focal lengths by 1.5 times.
Cropped models from Canon effectively multiply by 1.6x, while any DSLR based on the Four Thirds standard by Olympus or Panasonic, effectively multiply by two times. This is why digital photographers commonly talk about ‘effective’ focal lengths, where the actual lens focal length is multiplied by the DSLR’s ‘crop’ value. This means if you want 50mm standard coverage on a Nikon cropped DSLR, you’ll actually need to use a lens with a 33mm focal length (35mm models are closest). Lens coverage Aperture Now to our final page: focusing and anti-shake. DSLR Tips: DSLR Lens Buying Guide. Welcome to my guide to choosing your next camera lens! If you're looking for recommendations for specific brands, feel free to jump straight to my guides on buying the best Canon lenses, best Nikon lenses and best Micro Four Thirds lenses. If you'd like to understand more about different types of lenses and how they're described, you're already on the right page.
The joy of owning a DSLR or mirror-less system camera is the ability to change lenses. You could go for a wide angle to squeeze more in, a telephoto to magnify a distant subject, or a macro lens for taking great quality close-ups. But first a question for you. There’s almost always more than one lens which does what you’re after, so the next step is working your way through the options which are available. Lens mount Before even discussing the numbers, it's important to remember most camera companies employ their own unique lens mountings, which means one company's lenses generally won't work on another company's cameras.