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Mapping the Intersection of Two Cultures: Interactive Documentary and Digital Journalism. Drawing on MIT’s legacy of media innovation and its deep commitment to open and accessible information, the MIT Open Documentary Lab brings storytellers, technologists, and scholars together to explore new documentary forms with a particular focus on collaborative and interactive storytelling.

Mapping the Intersection of Two Cultures: Interactive Documentary and Digital Journalism

The Lab understands documentary as a project rather than as a genre bound to a particular medium. In the spirit of MIT’s open courseware and open source software movements, the Open Documentary Lab is collaborative and committed to sharing knowledge, networks, and tools. The Lab is catalyst, partner and guide to the future of reality-based storytelling. The projects on this playlist mark the convergence of interactive documentary and digital journalism; two forms that, despite their distinctive institutional traditions, share common cause at the frontiers of fact-based storytelling.

To read the full report, click here. The Top 100 Documentaries We Can Use To Change The World. By Films For Action / filmsforaction.org/ Jun 10, 2015 Documentaries have an incredible power to raise awareness and create transformative changes in consciousness both at the personal and global levels.

The Top 100 Documentaries We Can Use To Change The World

Over the last 8 years, we've watched hundreds of social change documentaries and cataloged the best of them on the site. There's now so many that we realized we needed to filter this down even further. So what follows is our list of the very best 100 - hand-picked for their quality, insight and potential to inspire positive change. All of the films have been selected because they are either free to watch online, or can be rented online. Did we miss anything really good? Greene Street. SmarterEveryDay. Twitter SmarterEveryDay Loading...

SmarterEveryDay

Working... The Backwards Brain Bicycle - Smarter Every Day 133 16,322,571 views 2 years ago Get your own here ⇒ Shirt: Support Link: ⇒ ⇐ ↓↓↓↓↓↓↓READ MORE: ↓↓↓↓↓↓↓Here's the link from the Amsterdam meetup! (I usually make a localized facebook post before I visit a city to see if anyone wants to high five.) threads on Reddit: (Bicycling)My Instagram account: Support Link: Motion Sound Design by "A Shell In The Pit"The awesome music by "A Shell In The Pit" is called:"Bottles" which can be downloaded here. The DNA Project by j.viewz. Télévision et contenu vidéo : Si un image vaut 1000 mots, une vidéo en vaut... [infographie] Voici une infographie sur la puissance de la télévision et du contenu vidéo par rapport aux images et au texte.

Télévision et contenu vidéo : Si un image vaut 1000 mots, une vidéo en vaut... [infographie]

Vous connaissez le dicton : une image vaut mille mots. Et bien, dans cette ère de la télévision et de YouTube, vous pouvez vous imaginer la puissance de la vidéo. Je voulais vous partager cette infographie, car elle fait un bon résumé de faits et de statistiques concernant le contenu vidéo et à quel point son impact peut être grand sur ceux qui le regardent. C’est aussi la raison pour laquelle la télévision n’est pas morte. Webdoc.fr ← NOUVELLES ÉCRITURES, GAMIFICATION. Le Fonds Belval. Etablissement public créé par la loi du 25 juillet 2002 pour la réalisation de la Cité des Sciences, de la Recherche et de l’Innovation, le Fonds Belval assume le rôle de maître d’ouvrage pour la construction des équipements de l’ État sur la friche industrielle de Belval.

Le Fonds Belval

Sa mission est de développer des projets, depuis l’établissement du programme de construction jusqu’à la mise en service des ouvrages. Contenus premium : Sport, cinéma, fiction TV. Premium content: Sport, cinema, fiction TV Florence Le Borgne Head of the TV & Digital content Practice, IDATE.

Contenus premium : Sport, cinéma, fiction TV

What potential exists for “everything OTT” distribution? IDATE’s latest report spotlights premium content right holders’ strategies to tap the new internet territories. It provides a benchmark of OTT services launched by major rightholders. The study also provides the analyses and conclusions on these OTT strategies in highlighting their drivers and hurdles: technology, regulation, consumption patterns. There is not a lot of audiovisual content that can be designated as 'premium'. Broadcast by a small number of providers (the importance of rights and the relative scarcity of premium content automatically limits the number of possible candidates), premium content belongs to a variety of players, such as in cinema where production is distributed among a large number of smaller players, although a few big US studios produce a large part of the sector's revenue. "Suggérer, c'est créer, Décrire, c'est détruire", Robert DOISNEAU.

Gamification & Serious Game - Entretien avec Florent Maurin. 9 tools for journalists to produce immersive stories. Tools to help journalists produce content which readers can deep-dive into Credit: ThinkStock With publishers keen to keep viewers engaged, many are looking at opportunities to offer more immersive storytelling experiences, and add greater depth to the content they are producing, be it text, video or images.

9 tools for journalists to produce immersive stories

A number of news outlets have worked to produce content which delivers a more immersive experience than traditional templates or styles may allow, such as the oft-cited New York Times Snow Fall feature, which it later followed up with its Jockey piece. And there have been plenty of other similar projects before and since by other outlets as well, from Pitchfork's Bat For Lashes feature to the Guardian's Firestorm package.

While the full-screen design of these features is a significant contributor to the feeling of a more immersive environment, this is not the only factor. This feature looks at a handful of online tools already available, or due for public launch soon. 2. 6. 7. 9. Nouvelles narrations. Bienvenue - Guide du datajournalisme.