Untitled. Untitled. Hanley Font Collection from District 62 is a group of fonts that consists of 9 font files, 2 Inline Only fonts and 2 Extras fonts that work extremely well together for an authentic vintage look with a modern vibe. It features letterforms with just the right amount of irregularity to the edges and rounded corners to give a warm, human feel, that creates a sign-painterly, hand-drawn feel that still looks clean. Hanley is extremely versatile, it can look fresh and modern or authentically vintage. We think this group is perfect for logos, restaurant and cafe branding, typographic designs, signage or any project where you need a fresh take on a vintage look. PLEASE NOTE The logos and photo mockups are NOT included. You can purchase the logos here: 11 font files with OTF and TTF versions for each: Hanley Script, Hanley Block Display, Inline and Inline Only, Hanley Sans, Inline and Inline Only, Hanley Slim Sans and Slim Serif and Extras1 and 2.
Hanley Font Collection. Untitled. Aprille Typeface Introducing a new display vintage font with tons of cool characters, symbols, and OpenType Features. Aprille Typeface is perfect for quotes, logos, apparel, advertising, wedding invitations and packaging design. Features: All Caps & Small Caps fontStylistic AlternatesLigaturesSymbols & PunctuationA total of 290 GlyphsOpenType Features+ Bonus Characters Stylistic Alternates Aprille Typeface comes with a complete set of stylistic alternates for both Upper and Lowercase letters that offer a more decorative option to the standard characters. Ligatures To improve the look of characters that combine in an unattractive way, Aprille Typeface provides a wide variety of Discretionary and Standard Ligatures. International Characters (Multilingual) Aprille Typeface supports most Latin Script languages such as English, Spanish, French, German, Portuguese, Italian, Norwegian, Swedish, Irish, Turkish, etc.
Bonus Characters OTF and TTF files are included. Bourton • 34 Fonts • 75% Off ~ Display Fonts on Creative Market. Bourton is a new typeface by Kimmy Design. It’s the sans-serif cousin to Buford: In addition to a new look, it boasts more layering options, stylistic alternatives, graphic extras and even comes with it’s own script font! To top it off, we are providing you with a set of over 30 free bonus logo templates. These mock-ups utilize some of Bourton’s extras and contain live text. Simply change the placeholder text with your own and ‘BAM!’ You now have a sweet logo. Okay...so here's everything you get with Bourton!
Bourton Layering Fonts 6 Base Layer Fonts (Base, Inline, Marquee, Stripes A, Stripes B, Stripes C)6 Top Layer Fonts (Base Drop, Dots, Line Light, Outline Light, Outline Medium, Outline Bold)6 Extrude Fonts (Extrude, Outline, Shade A, Shade B, Shade C, Shadow) 5 Drop Shadow Fonts + 5 solo styles (Drop Shadow, Drop Extrude, Drop Line, Drop Stripes A, Drop Stripes B)2 Line Fonts for secondary text (Line Medium, Line Bold) Untitled. Behance. Selected works of Leandro Senna. Jessica Hische - Home. Marmalade bleue. Doily Type - www.hansje.net. Doily Type Type drawings. Applied for Poster Royal Award for Painting 2012Long Live Print, W139=30, Go Slow2 - Droog Design Type was on display at CAM Raleigh USA. Deep Surface: Contemporary Ornament and Pattern, CAM Raleigh (USA) September 24, 2011 - January 2, 2012 As part of the exhibition Deep Surface: Contemporary Ornament and Pattern at CAM Raleigh (USA) my Doily Type was silk screened on the wall. ncartblog.org.
"Deep Surface: Contemporary Ornament and Pattern is the first major exhibition to examine the re-emergence of ornament and pattern over the last 15 years -- celebrating its reinvigoration as a communicative, functional, and desirable form of cultural expression. >> REVIEW "The work—by Dutch artist Hansje van Halem and called Doily Type—is most remarkable, however, for its embellished typeface. Pictures « Fred Eerdekens. Not the old, not the new, but the necessary. Simon Walker | Design & Typography. The (sketch)Book of Logos on Behance. /// GED PALMER : CUSTOM LETTERING & GRAPHIC DESIGN /// As part of their new urban headphones campaign, ‘You Need To Hear This,” Philips unveiled tables you need to hear. Pub goers across east London got a chance to listen to trending music curated specifically for the neighbourhood they were in just by plugging their headphones into bespoke tables. Each table featured hand illustrated typography and iconography inspired by its neighbourhood - all prompting people to plug their headphones directly into the table (Philips headphones were provided by the bar).
The surfaces were entirely handmade using three types of wood: American oak, fumed oak and maple and each used a range of techniques including marquetry, laser etching, wood burning and hand distressing.Advertising, Illustration, Typography2013 Spring 2012 saw the opening of a new venue on Bristol's Gloucester Road, a lively neighbourhood full of independent shops and cafés. Aurelie Maron on Behance. Colo Pro by Fontfabric. Bureau de design noirceur | Graphic design. URBAN CALLIGRAPHY PROJECT || NationalTraveller.com. Simon says: "My style is a mix of Western, Asian and Arabian calligraphy and I try to find abandoned places and turn them with the calligraphy to a piece of art.
I create my works in studio with ink and bamboo pens and when it comes to wall i use materials such as flat brushes and large brooms. " Doku typeface - Tamer Köşeli. Djmase : Salt & Steel || Love Your Neighbor A label like... Typo/graphic posters. Freddy Maertens. Annual Report 2013 (in opdracht van Ancienne Belgique, Brussel)Editorial Design2014 De enige geautoriseerde, exclusieve en beperkte uitgave over Kim Clijsters. Afmetingen van de box: 61,5 x 50,5 cm / Afmetingen van het boek: 44 x 40 cm / Het boek is gebonden in een hardcourt band, met een uniek nummer / Gedrukt in quadri en bichromie / Elke box bevat tien unieke flesjes met gecertificeerde souvenirs / Limited edition: 250 NL exemplaren, gesigneerd en genummerd, geen herdrukken.
(in opdracht van Uitgeverij Kannibaal) Boekpresentatie op de Kim Thank You Games in het Sportpaleis van Antwerpen op 12/12/12. Bestellen kan op www.uitgeverijkannibaal.be Editorial Design, Packaging2012 font: Flanders Art (by Jo De Baerdemaeker)Typography2014 Een imaginaire kunsthal, een visuele rollercoaster die recent werk toont van kunstenaars die actief zijn in Vlaanderen en daarbuiten. Eat & love — fuckyeahweddingideas: Movember Themed Elopement... Modern Man. MESSAGE Culinary BlogAbout meTUMBLR THEMES MESSAGE Culinary BlogAbout me lylaandblu: Expert Americana Tattooing — Two Arms Inc. kThis post has 1,104 notes tThis was posted 1 year ago rThis was reblogged from 1924us.
Otres Market on the Behance Network. Hagin Free Font. Hagin is a new serif free font from Fontfabric constructed with strong geometric forms in ”old school” style. Applicable for any type of graphic design – web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos. Have fun! “In Use” samples was designed by Miroslav Bekyarov for Fontfabric. ‘Dreams’, ‘Stars’ & ‘So Much To Do’ 3 new limited edition prints by Seb Lester I released three new limited edition prints today, ‘Dreams’, ‘Stars’, and ‘So Much To Do’. I’ll show all three prints in this article, but for practical purposes I’ll focus primarily on ‘Dreams’, one of my most ambitious prints to date.
What follows is an outline of what I wanted to achieve, the lettering styles I developed, and why I produced it. I guess it’s because of my design background that I always write a brief for myself before I start a print — a distillation of everything I want the print to say and do. I always try to aim as high as possible. I think the high water marks in my previous prints have probably been ‘Blazing’ and ‘Flames’. With ‘Dreams’ I wanted to try something else, to push the boat out somewhat and develop something more showy and complex. I love strong contrast in design and I wanted to create some bold display styles to act as a counterbalance to the scripts. Ode, a Fresh Start for a Broken Script. By Martin Wenzel When designing a typeface, I prefer to explore a construction principle rather than revive an existing typeface idea.
These principles or writing models are based on the tools and techniques originally used. Understanding these workings are often a great source of inspiration for me. The starting point for my latest typeface Ode was the Textualis, one of the various broken script writing models. Albrecht Dürer’s visualisation of the contemporary broken-script construction (Nuremberg, 1525). This brings us to the first disadvantage of this model regarding its legibility.
Another readability issue of many classic interpretations of the Textura model is the high contrast between the foreground (letters) and the background (paper or screen). Left: Typical example of a printed publication from the 1920s in Germany (German translation of Jonathan Swift’s Gulliver’s Travels). Tannenberg, a commonly used broken-script during the Third Reich. Taking liberties Weight issue. FaithHopeLove exhibition id & calligraffiti performance on Typography Served. Winlove Wine on the Behance Network. Love Letters on the Behance Network.