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The Hype Machine. Jack White's Third Man Records tells the world: Your Music City is not dead | Cover Story. It's an October night in Music City, a Friday, in a gritty industrial no-man's-land between downtown and The Gulch. Two years ago, nobody but street people and strip-club habitués would have been found down here after dark. Tonight, though, outside a black brick building beside the railroad tracks, a line of eager music fans wraps around the block. The occasion is the Next Big Nashville festival. It's an annual plea for the music world to see Nashville as it sees itself — a buzzing hive for everything from jazz to gospel to classical, but especially a rock scene that's been primed for two decades to pop. It's barely 9 p.m., but for most in the serpentine queue, hopes of making it inside the mysterious building with the Tesla tower on top are futile.
Midway though a raucous set, local garage-punk quartet Heavy Cream bash away before a frenzied crowd of any and all ages. In a dark corner, taking in this view from the shadows, is a man clad head-to-toe in black.