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Disco naïveté. La musique Electro-Pépère. The Drone | Watching Music... LAZZYDIGGER. Ask Theme The ContinentalTh - Earls 13th February, Thursday — Reblog I Can’t Understand (Original Mix) - Secret Society 13th February, Thursday — Reblog Freek ‘N You (MK Dub) - Jodeci 13th February, Thursday — Reblog Dance Dance Dance (1995 - )Fruit Loops 13th February, Thursday — Reblog Psychotic Pimpin (Cajual 259) - Braxton Holmes & Mark 13th February, Thursday — Reblog Doctors HousecallBlack - Traxx 13th February, Thursday — Reblog Why Must a Girl Like Me - Claudja Barry 13th February, Thursday — Reblog Fuck Diamond - Jessy Lanza 13th February, Thursday — Reblog There But For The Grace Of God Go I (12” Version) - Machine 13th February, Thursday — Reblog My Love Turns To Liquid - Dream 2 Science 30th January, Thursday — Reblog Awake At Night (Original Mix) - Daso 30th January, Thursday — Reblog Always There Feat. 30th January, Thursday — Reblog Taste the Groove - Joey Negro & The Sunburst Band 30th January, Thursday — Reblog Street Life (Original Mix) - Purple Disco Machine 30th January, Thursday — Reblog.

The Bunker | Podcast. Chicago House Bass in Ableton Live: Subtractive Synthesis, Analogue, Envelopes & Filters | Point Blank Blog. Today we are bringing you an exclusive taster from our new Sound Design in Ableton Live Course which launched in Jan 2012. In this tutorial Danny J Lewis demonstrates how to create a classic Chicago house style bass using subtractive synthesis and Ableton’s Analogue. Subtractive synthesis is the ‘classic’ method of making sounds and is known for its warm and round character. If you are after contemporary high frequency energy sounds like those in some forms of dubstep it’s not going to be your first port of call but it’s an essential string in a sound designers bow. Techniques that you learn in relation to subtractive synthesis will be applicable across other Ableton devices such as Simpler, Sampler and effects like the Autofilter.

If using subtractive synthesis we use a Filter to adjust the tone of the sound. The filters will be connected to Envelopes or LFOs to link the tone adjustment to time and the duration you hold down the key/s. Let’s take a look at how to make it: Hi. The Quietus.