background preloader

Creativity

Facebook Twitter

How to Think Creatively - Tony Schwartz - Business. People often associate innovation with a light bulb. Forget that. Creativity isn't an on/off switch or a sudden burst of light. It's a process, and you can learn to control it and master it. Tom&Kwikki /Shutterstock I grew up hungry to do something creative, to set myself apart. I also believed creativity was magical and genetically encoded. As early as the age of 8, I began sampling the arts, one after another, to see if I'd inherited some gift. Eventually, I became a journalist. The first hint I might have sold myself short came in the mid-1990s.

When Edwards peered down at the self-portrait I had drawn on the first day, she smiled. From an early age, we're taught in school to develop the logical, language-based, rational capacities of the left hemisphere of our brain, which is goal oriented and impatient to reach conclusions. The left hemisphere gives names to objects in order to reduce and simplify them. The right hemisphere, by contrast, is visual rather than verbal. 1. 2. 3. 4. The best free music-making software on the net. Free plugins, then. They say there’s no such thing as a free lunch, and as a society we’re conditioned to be (often rightly) sceptical when we’re offered something for nothing. When it comes to music software, though, the dream is a reality - you really can pick up pro quality plugins for free with no strings attached. Why might a developer let you download one of its creations without you paying for the privilege, though?

Well, there are actually a multitude of reasons why programers create and distribute so-called freeware. Often, free plugins act as promotion for an expanded paid version of the same plugin, or as an entry-point to the rest of a developer’s range. Sometimes, freeware plugins are older versions of a recently updated product; sometimes they’re created as a learning exercise for the developer; and sometimes they’re simply a labour of love. • The best free VST synth plugins 2021: wavetable, FM, VA and more Best free synth plugin Best free drum machine plugin.

Freelance Graphic Design, Logo Design, Web Design Services | DesignCrowd. 5 Misunderstood Great Benefits Of Twitter. 397 Flares Filament.io 397 Flares × Imagine you were alive hundreds of years ago, and wanted to meet the world’s greatest thinkers and hear their thoughts. If you were independently wealthy, you could devote your life to traveling the world and finding those wise men and women, talking to them and listening to them. But it would’ve taken you your whole lifetime. Today, thanks to Twitter, you can find the thoughts of many of the world’s greatest thinkers in art, business, politics, technology – almost any area of human achievement, all at your fingertips. Imagine what it is doing for our brain development to be exposed to the best thoughts of the greatest achievers of today and throughout history! This is probably the #1 greatest thing about Twitter that too few people take advantage of. 1.

And you can see the best of what the greatest people throughout history said, thanks to folks sharing and repeating their words on Twitter today. 2. Article continues below 3. But don’t limit yourself! 4. Modelos de negocio, innovacion e ideas para pymes |Ciberopolis. Everything is a Remix. Nina Paley: All Creativity Builds On What Came Before. By Maria Popova We’re big believers in creativity as a combinatorial force — a great big puzzle you construct from existing pieces in your mental pool of resources. Which is why we strive to continuously bring you tidbits of interestingness and inspiration, in the hope that each of them lies dormant in your mind until one day it sparks some incredible new creation. So the concept of remix culture is both a frequent topic and a point of passion around here.

Now, from filmmaker Nina Paley of Sita Sings The Blues fame comes a simple yet brilliantly conceived and beautifully executed case for the combinatorial nature of creativity. Paley photographed archaeological artifacts from the Metropolitan Museum of Art and animated them to illustrate her point: All creativity builds upon something that existed before and every work of art is essentially a derivative work. A free hi-res download of Paley’s animation is available at the Internet Archive. Donating = Loving Share on Tumblr. Networked Knowledge and Combinatorial Creativity.

By Maria Popova Why creativity is like LEGO, or what Richard Dawkins has to do with Susan Sontag and Gandhi. In May, I had the pleasure of speaking at the wonderful Creative Mornings free lecture series masterminded by my studiomate Tina of Swiss Miss fame. I spoke about Networked Knowledge and Combinatorial Creativity, something at the heart of Brain Pickings and of increasing importance as we face our present information reality. The talk is now available online — full (approximate) transcript below, enhanced with images and links to all materials referenced in the talk. These are pages from the most famous florilegium, completed by Thomas of Ireland in the 14th century. In talking about these medieval manuscripts, Adam Gopnik writes in The New Yorker: Our minds were altered less by books than by index slips.”

You may have heard this anecdote. Here’s the same sentiment from iconic designer Paula Scher on the creation of the famous Citi logo: Kind of LEGOs. And I like this last part. Monoculture: How Our Era's Dominant Story Shapes Our Lives. By Maria Popova What Galileo has to do with the economy, or how Wall Street is moulding your taste in art. “The universe is made of stories, not atoms,” poet Muriel Rukeyser famously proclaimed.

The stories we tell ourselves and each other are how we make sense of the world and our place in it. Some stories become so sticky, so pervasive that we internalize them to a point where we no longer see their storiness — they become not one of many lenses on reality, but reality itself. And breaking through them becomes exponentially difficult because part of our shared human downfall is our ego’s blind conviction that we’re autonomous agents acting solely on our own volition, rolling our eyes at any insinuation we might be influenced by something external to our selves. Yet we are — we’re infinitely influenced by these stories we’ve come to internalize, stories we’ve heard and repeated so many times they’ve become the invisible underpinning of our entire lived experience.

That’s exactly what F.