Gain Staging In Your DAW Software. If you don't understand gain structure, you may be undermining your recordings and mixes without even realising it.
Despite the immense power and flexibility available in modern digital audio worstation software, many people still find that the mixes they craft entirely 'in the box' sound unsatisfying. Why is that? There are obviously many things that can go wrong, and Mike Senior's Mix Mistakes article in SOS September 2011 (/sos/sep11/articles/mix-mistakes.htm) did a better job than I have space for here of exploring many common pitfalls. In this article, I'll focus on one fundamental issue that blights many tracks sent to SOS for help or advice: poor management of levels throughout the signal chain. In other words, poor gain staging. Why The Problem? Mix Mistakes. We explore some of the most common causes of mix failure we've tackled in our monthly Mix Rescue column.
Banish these demons and you're most of the way to a devilishly good mix! Over the years, I've listened to piles and piles of amateur mixes from home studios, including thousands of productions submitted by SOS readers to Mix Rescue, Studio SOS, Demo Doctor (the predecessor of the current Playback column), and the My Sound Files section of the SOS forum. On top of that lot, I've heard almost as many mixes again from students and teachers working in small college studios. Tips on Mixing Dub Drum Beats. The dub approach to mixing is based around the creative use of effects and usually improvised re-arrangement of the instruments and parts used in the song to create a unique ‘version.’
Start by setting up your basic mix so that all elements are well balanced and the sound stays crisp whilst keeping bass and drums dominant. A great many classic dubs were made on very basic tape machines, so to emulate this you can sub mix or group the individual channels so you can dub the whole drum kit simultaneously etc. Basically it means you need fewer fingers and less brain power, which helps... Typical Layout: Drums Percussion Bass Guitar and piano chops Organ shuffle or keyboard melodies Vocals and harmonies or lead instrument melodies FX or samples. Tips on Drum Recording & Mixing. General Use two room mics on the kit as well as conventional close mics and overheads- one in front of the kit for a bass drum heavy sound (positioned 50 cm in front of the bass drum at head height- move closer or further as is required) and the other above the drummers head pointing to the snare (for a snare heavy sound) Unless its the desired effect don't over compress bass drum, snare and hi-hat microphones when recording.
Save it for the mix. Interactive Frequency Chart - Independent Recording Network. 9 Sound Design Tricks To Hack Your Listeners Ears. It’s easy to focus on the technology we use while mixing and mastering a track, but what happens to the sound after it leaves our speakers?
How is that sound actually perceived by the brain? Thinking inside the Box: a complete EQ tutorial - dnbscene.com. ContentsThis article was originally written and published on dnbscene.com in 2003.
Part One: Intro To begin: an anecdote. I started making music with Impulse Tracker. Compress to impress: a complete compression tutorial - dnbscene.com. ContentsThis is a follow-up to our popular article on EQ, "Thinking inside the box: a complete EQ tutorial", which was written by dnbscene co-founder Steve Mercer (aka hipnotic).
This article was written by Marc Crouch, owner of dnbscene.com, and is intended as an accompaniment to Steve's article. Ah, the compressor. This magical tool will fix all your volume problems and make your tunes instantly sound fat and professional. Mixing Advice. All About EQ - Tuts+ Music & Audio Tutorials. The equalizer is an important piece of audio technology.
As one of my Conservatorium tutors once said, when you’re setting up a session, adding an EQ as the first insert is almost as essential as creating the tracks themselves. Studio audio isn’t about capturing every frequency of every sound: it’s about creating a polished track that highlights the best of each instrument. How to Use a Parametric Equalizer. The equalizer is an important piece of audio technology.
As one of my Conservatorium tutors once said, when you’re setting up a session, adding an EQ as the first insert is almost as essential as creating the tracks themselves. Studio audio isn’t about capturing every frequency of every sound: it’s about creating a polished track that highlights the best of each instrument. Let’s take a look at this basic yet widely misunderstood tool, the parametric EQ plug-in. Let’s take a look at the plug-in itself. I’m using the one that comes with Pro Tools LE, but you can use any parametric EQ in any DAW with these steps: There are several controls you’ll be using all the time, but three you’ll be using the most.
In: the In button turns that particular EQ control on or off. How to Use a Parametric Equalizer. 8 Easy Steps To Better EQ. How to Create a Sidechain Effect in Cubase. A sidechain configuration can be used to trigger an effect that is inserted on one channel with an audio signal from another channel.
For instance, you can create a "pumping" effect on a pad by inserting a compressor to the pad track and triggering it with a bass drum from another track. This article explains how to configure Cubase 5 / 6 to create a sidechain effect with Native Instruments' SOLID DYNAMICS compressor, but it also works for every other NI effect that has a sidechain feature. Open the Devices menu in Cubase and choose the entry VST Connections.In the VST Connections window, click the button Add Group.Open the Configuration menu and click on More….
From the menu that opens, choose Quadro (see screenshot). Click the Add Track button. - Mixing & Mastering : Resource Library and More Information. Learn about everything that happens after tracking - from editing to mixing various instruments to the ins and outs of mastering. Editing. - Beginners Series : Resource Library and More Information. The Beginner’s Guide to Compression – Tuts+ Tutorials. Compression is one of those studio processes that is all too often taken for granted and not used to its full potential. Today’s producers think nothing of inserting compressors on every single channel of their DAW when mixing, but old school engineers had to learn to make the most of only a few units of compression—and this made us learn them inside out. Republished Tutorial Every few weeks, we revisit some of our reader's favorite posts from throughout the history of the site. This tutorial was first published in December of 2008.
A Basic Guide to Mixing and Mastering – Tuts+ Tutorials. The Beginner’s Guide To Mixing [Part 1] Today I want to start a short multi-part series on mixing basics.