なツマグ. Things we lost at dusk. Brickme: Otsuka Eiji casually drops hints about the inspiration behind Iyami (source) (this is just a rambly note to myself) This is a book about the history of manga, but more than that, as the cover might suggest, it is a book about the history of manga and war, specifically WW2, or even more precisely what people in the West usually conceptualize as “WW2″ but which from Japan’s (and Asia’s) POV is the “15 year war” that began with Japan’s invasion of Manchuria.
Researching manga and anime has become quite popular in Asia, but when I give lectures around Asia on how manga and anime have their roots in fascist Japan, the audience is quite put off. Super interesting! Classic Shoujo. Tokimeki Tonight by Koi Ikeno Kimiko Uehara Ouke no Monshou (1976) by Chieko Hosokawa wooden box with glass oj majokko club in fimo by glamour-fashionstyle leirin Asked: What's wrong with Cinderella Kishi that led you to say you won't ever wash it out of your mind?? LOL My answer: I think it was the naked siblings making out, plus the torture chamber w(°ｏ°)w You know?
Frappeundmocha Asked: Have you heard of this glam rock 80s manga by Ryoko Taniguchi? Hmm, no, I haven’t! Tumblr Theme By: DollieCrave. Welcome to matt-thorn.com––shoujo manga (shojo manga) and more! Hoshi no Hitomi | shoujo manga blog. Shoujo-manga.com » Article Features » A Peek At Some Random 70′s – 80′s Shoujo Manga. I have a small but growing collection of shoujo manga from the 1970′s and the early 1980′s. While I have just barely begun to scratch the surface in terms of reading older shoujo manga, I HAVE noticed a few common styles about them so far as I go through my books. I am not even remotely an expert on this subject (that would be Matt Thorn, lol), but I have decided to have some fun and post a few of those styles here. 1.
Blondes Have More Fun Seriously, I think it must be true. 2. Not only are so many retro shoujo manga heroines blondes, but they also have majestic fancy hairstyles, usuallly involving curls,large ringlets, and hair ribbons. 3. Even in my small collection here, you can see some crazy tongue action going on. 4.
Wow, with the amount of sparkles and stars and eyelashes these characters have, it is amazing they can even see! 5. For me, this (along with Galaxy Eyes) is the most noticeable style point of older shoujo manga. 6. No, I am not talking about Galaxy Eyes again. Vintage Manga. Le pool Vintage Shoujo Manga Art, bags, cases, etc. Feh Yes Vintage Manga. Year 24 Group - Club. Fuck Yeah Year24: Archive. 萩尾望都作品目録 - Moto Hagio Works Library. Moto Hagio. Moto Hagio – Période musicale – Errances et phylactères.
Moto Hagio – Univers SF – Errances et phylactères. The Moto Hagio Interview conducted by Matt Thorn (Part Two of Four) « The Comics Journal. Previously: Part One. "Ten Billion Days and One Hundred Billion Nights" (from the novel by Ryu Mitsuse) Click to view larger image Girl Books and Beyond Thorn: I understand that you read a lot of literature when you were young. Hagio: Yes, I would read anything and everything. I started with the books in school. There was a little reading corner in the school. Thorn: What kind of books did you like? Hagio: American writers like Gene Stratton-Porter and Louisa May Alcott, and then there was Lucy Maud Montgomery.
Thorn: Really? Hagio: A dozen or so books geared at boys and girls. Thorn: Wasn’t that unusual for an elementary school library in those days? Hagio: It was. Thorn: Why was that? Hagio: First of all, there weren’t many stories that featured women. I preferred stories that I could dive right into without any prior knowledge. Thorn: So it was mostly Western literature you were attracted to? Hagio: Yes. Thorn: And you were attracted to Western literature because …?
Thorn: I see. Hagio: Yes. Planète manga - Conférence de Moto Hagio. Après m'être plongé dans les débuts de l'animation japonaise le samedi, j'ai enchaîné le dimanche avec la conférence de Moto Hagio, l'une des figures historiques du manga, notamment shôjô et science fiction. La mangaka a eu un programme chargée, avec un atelier de 4 heures au centre Pompidou, avant de terminer, moins d'une heure plus tard, par cette conférence, qui a duré 2 heures pleines! L'entrée étant libre et la petite salle n'ayant que 150 places, je suis venu à l'avance mais finalement, s'il y eu du monde à l'ouverture, ce n'était pas non plus la cohue, l'heure et l'endroit n'étant pas propice à faire venir ceux qui passaient par hasard. L'organisation était simple, avec deux intervenantes, Moto Hagio et Hiroko Uchiyama, une professeur à l'université de Joshibi, qui conduisait en fait cette séance, en présentant des diapositives à l'écran. Pour Moto Hagio, la bande dessinée est un média très riche capable de marier l'écrit avec une communication graphique spécifique.