Dissertation

′Ethical lapse′: Photoshop scandal catches up with iconic photojournalist Steve McCurry | Americas | DW.COM | 31.05.2016. Steve McCurry, a Magnum photographer and contributor to National Geographic magazine, admitted on Monday to using the image editing software Photoshop in a selection of his images, crossing what many consider the ethical red line of photojournalism. However, the world-renowned American photographer, known for the National Geographic magazine front-cover image titled "Afghan Girl," told Time Magazine that despite "years of covering conflict zones," he now considers himself a "visual storyteller.

" "Even though I felt that I could do what I wanted to my own pictures in an aesthetic and compositional sense, I now understand how confusing it must be for people who think I'm still a photojournalist," McCurry said. "Going forward, I am committed to only using the program in a minimal way, even for my own work taken on personal trips," he added. The post prompted a backlash from social media users, who questioned the integrity of the photojournalist's works. 'Ethical lapse' Sean D. Ultimate Guide to Harvard Referencing - Cite This For Me. Harvard is a style of referencing, primarily used by university students, to cite information sources. Two types of citations are included: In-text citations are used when directly quoting or paraphrasing a source.

They are located in the body of the work and contain a fragment of the full citation. Depending on the source type, some Harvard Reference in-text citations may look something like this: "After that I lived like a young rajah in all the capitals of Europe…" (Fitzgerald, 2004). Reference Lists are located at the end of the work and display full citations for sources used in the assignment. Here is an example of a full citation for a book found in a Harvard Reference list: Fitzgerald, F. (2004). Reference lists are created to allow readers to locate original sources themselves. Name of the author(s) Year published Title City published Publisher Pages used Generally, Harvard Reference List citations follow this format: Last name, First Initial. Last name, First initial. Example: Tourist Multiple - Camera-wiki.org - The free camera encyclopedia. The World's First 35mm Cameras.

The 135 film size is derived from earlier still cameras using lengths of 35 mm cine film, the same size as, but with different perforations than, 135 film. The 35 mm film standard for motion picture film was established in Thomas Edison's lab by William Kennedy Laurie Dickson. Dickson took 70 mm film stock supplied by George Eastman's Eastman Kodak Company. The 70 mm film was cut lengthwise into two equal width (35 mm) strips, spliced together end to end, and then perforated along both edges. The original picture size was 18 x 24 mm (half the full frame size later used in still photography). While the Leica camera popularized the format, several 35 mm still cameras used perforated movie film before the Leica was introduced in the 1920s. The first big-selling 35 mm still camera was the American Tourist Multiple, which also appeared in 1913, at a cost of $175 (at today's prices, the same cost as a modern $3000 Leica.) Here's a list of early 35mm cameras from the 1910's.

List of Early 35mm Cameras, from 1914 to 1932 pag.1. There were a number of 35mm still cameras using perforated movie film prior to the Leica. The first patent for one was issued to Leo, Audobard and Baradat in England in 1908. The first full scale production camera was the Homeos, a stereo camera, produced by Jules Richard in 1913. It took stereo pairs, 18x24 mm, with two Tessar lenses. It was sold until 1920.

Click on picture to see large model for contact me click me! Botched Steve McCurry Print Leads to Photoshop Scandal. Steve McCurry is, perhaps, one of the most iconic names in the National Geographic pantheon. A travel photography giant, his vibrant images have inspired millions, but he’s recently come under fire over Photoshop use after a botched print at a show in Italy was found to have a serious issue. The print in question was spotted first by photographer Paolo Viglione, who went to the show in Italy and posted about what he saw on his blog. His intent was not to start a full-scale witch hunt, but in many ways that’s what happened when he posted the picture below showing a closeup of the botched street photograph from Cuba: Viglione says he, “had no intention to attack [Steve McCurry],” he simply wanted to show something “‘strange’, even a little ‘fun'” that he had seen.

While the original photo was soon removed from Mr. The two versions of an image below were found on Mr. And an astute Facebook user found another two images that allegedly show cloning at work. We’ve followed up with Mr. Quando steve McCurry etc etc - paolo viglione fotografo di matrimonio, Cuneo, Piemontepaolo viglione fotografo di matrimonio, Cuneo, Piemonte. ′Ethical lapse′: Photoshop scandal catches up with iconic photojournalist Steve McCurry | Americas | DW.COM | 31.05.2016. Editing error at Italian exhibition brings unwanted attention to NatGeo veteran Steve McCurry’s work.

By Jeremy Gray posted Monday, May 9, 2016 at 4:00 PM EDT Renowned National Geographic photographer Steve McCurry finds himself in a bit of a controversy right now due to some rather poor Photoshop work done by someone on his staff. Steve McCurry currently has more than 250 of his photographs on display at Le Venaria Reale in Italy until September 25th and an Italian photographer, Paolo Viglione, visited the show. While at the show, impressed by the large prints but curious about their unusual colors, Paolo looked more closely -- and noticed that there was evidence of a poor Photoshop job in one of McCurry's images.

He decided to write a blog post about his discovery, but later removed it, concerned that it was being used to attack McCurry. After Paolo wrote the original blog post, McCurry came under fire as other people started searching for more Photoshop evidence throughout the well-known photographer's site. And an up-close look provided by Paolo. (Seen via PetaPixel) History of the camera. Camera obscura, from a manuscript of military designs. Seventeenth century, possibly Italian. The history of the camera can be traced much further back than the introduction of photography. Cameras evolved from the camera obscura, and continued to change through many generations of photographic technology, including daguerreotypes, calotypes, dry plates, film, and to the modern day with digital cameras. Camera obscura An artist using an 18th-century camera obscura to trace an image The forerunner to the photographic camera was the camera obscura.

The use of a lens in the opening of a wall or closed window shutter of a darkened room to project images used as a drawing aid has been traced back to circa 1550. Before the invention of photographic processes there was no way to preserve the images produced by these cameras apart from manually tracing them. Early fixed images Daguerreotype camera made by Maison Susse Frères in 1839, with a lens by Charles Chevalier Daguerreotypes and calotypes 35 mm. 135 film - Wikipedia. This article is about a type of roll film.

For the 36×24 mm image format, see 35mm format. 135 film. The film is 35 mm (1.4 in) wide. Each image is 36×24 mm in the most common "full-frame" format (sometimes called "double-frame" for its relationship to the "single-frame" 35 mm movie format). Leica I, 1927, the first camera worldwide with 135 film 135 is photographic film in a film format used for still photography. The term 135 (ISO 1007) was introduced by Kodak in 1934[2] as a designation for the cassette for 35 mm film, specifically for still photography. 135 camera film always comes perforated with Kodak Standard perforations. Characteristics[edit] Cassette[edit] Most cameras require the film to be rewound before the camera is opened.

Since the 1980s film cassettes have been marked with a DX encoding pattern; conforming cameras detect this and set their light meters according to film speed. Film type and speed[edit] Image format[edit] 135 frame and perforations Length[edit] History[edit] Dorothea Lange's "Migrant Mother" Photographs in the Farm Security Administration Collection: An Overview.

The photograph that has become known as "Migrant Mother" is one of a series of photographs that Dorothea Lange made of Florence Owens Thompson and her children in February or March of 1936 in Nipomo, California. Lange was concluding a month's trip photographing migratory farm labor around the state for what was then the Resettlement Administration. In 1960, Lange gave this account of the experience: I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions. I made five exposures, working closer and closer from the same direction. I did not ask her name or her history. She told me her age, that she was thirty-two. The images were made using a Graflex camera. There are no known restrictions on the use of Lange's "Migrant Mother" images. Note: The Library of Congress does not maintain all of the Internet sites listed below.

Curtis, James. Dunn, Geoffrey. Dorothea Lange's "Migrant Mother" Photographs in the Farm Security Administration Collection: An Overview. Destitute pea pickers in California. Mother of seven children. Age thirty-two. Nipomo, California. Digital ID: (digital file from original neg.) fsa 8b29516 Reproduction Number: LC-DIG-fsa-8b29516 (digital file from original neg.) LC-DIG-ppmsca-12883 (digital file from print, pre-conservation) LC-DIG-ppmsca-23845 (digital file from print, post-conservation) LC-USF34-T01-009058-C (b&w film dup. neg.) LC-USZ62-95653 (b&w film copy neg. of an unretouched file, showing thumb) Repository: Library of Congress Prints and Photographs Division Washington, DC 20540 About This Item JPEG (75kb) | JPEG (353kb) | TIFF (55.8mb) More Photoshopped Photos Emerge in the Steve McCurry Scandal. Experts Confirm "Integrity" of 2013 World Press Photo Award Winner. <img src="<a pearltreesdevid="PTD1859" rel="nofollow" href=" class="vglnk">http://pixel.

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gif</a>" style="display:none" height="1" width="1" alt="Quantcast" /> None. World press photo 2013 image alteration controversy. Feb 20, 2013 world press photo 2013 image alteration controversy world press photo 2013 winning image by swedish photographer paul hansenimage © paul hansen the 2013 world press picture of the year, taken by the swedish photographer paul hansen shows the funeral procession of two palestinian children tragically killed by a missile attack on their gaza home in november 2012. the entry, awarded the first prize in the news category, is currently at the centre of a debate surrounding the practice of image manipulation in documentary photography. when photography was first invented, its overwhelming power came from the fact that it recorded ‘moments’ or ‘nature’ more realistically than any other art form had ever done before. photography could just easily become a manipulated discipline – visual fiction!

Véronique de viguerie, a getty photojournalist and member of the world press 2013 jury says : read more on the issue here and here in french, and here in italian. lara mikocki I designboom. Looking at Dorothea Lange’s Migrant Mother. Something appears to have been mixed up here, since the photograph above is not the well-known Migrant Mother photograph by Dorothea Lange. However, it is, unmistakably, the mother from that photograph. What I’m going to do in the following is to try to investigate how portraiture works (at least in part) by using a set of Lange’s photographs, namely the Migrant Mother ones that can be found in the Library of Congress.

(For this article, I’m using the scans from the LOC scans, hence the frames and the writing around the image) There are all kinds of reasons for me to pick these images, the most important ones being that everybody knows the most well-known picture, while only few people have ever seen the other ones. In fact most people don’t even seem to be aware of them. I’m going to ignore all background information about these photographs other than what is available in the LOC, since I want to discuss what can be seen in the photos. What do we actually see here? Let’s keep looking. A True Picture Of Hard Times - tribunedigital-dailypress. November 12, 2002|By CARL SCHOETTLER Special to the Daily Press Dorothea Lange's personal print of the gripping photograph "Migrant Mother," the stark symbol of a woman trapped in poverty during the Great Depression, was sold at Christie's auction house in New York a few weeks ago for the affluent, 21st-century America price of $141,500.

The woman was a pea-picker stranded alone with her six children in a makeshift campsite near Nipomo, Calif., when Lange took the photo in March 1936. Identified only in the 1970s, the subject was Florence Owens Thompson, an American Indian forced west from Oklahoma to find work. Her image has become a collector's item now worth 30 to 50 times what she might have made in any year during the 1930s -- if she could find work at all in the stoop labor fields of California.

In the picture, Thompson, her face pinched with doubt, despair and hunger, cradles her infant daughter while two other daughters press close and hide their faces. In 1998, the U.S. A True Picture Of Hard Times - Page 2 - tribunedigital-dailypress. November 12, 2002|By CARL SCHOETTLER Special to the Daily Press Within days, the federal government shipped 20,000 pounds of food to the pea-picker camp. But by the time the food arrived Thompson and her family had moved on. Lange went on to photograph factory workers and Japanese internment camps during World War II. She became the first woman awarded a Guggenheim fellowship and spent 10 years doing photojournalism for magazines, including Life, traveling extensively on assignments in Vietnam, Ireland, Pakistan and India -- and growing increasingly irked when people said she had never surpassed the "Migrant Mother" photograph. The print Christie's offers today comes from Lange's private collection.

"She considered it one of the finest examples she had made of the image," the catalog says. Anyone can buy an exhibition-quality print of M-tMigrant MotherM-v made from a copy of Dorothea Lange ASCIICHAR_e1 s negative from the Library of Congress. . * 101 Independence Ave. World Famous Image "Migrant Mother" by Dorothea Lange Was Retouched | 1 Adventure Photography Blog. World Famous Image "Migrant Mother" by Dorothea Lange Was Retouched | 1 Adventure Photography Blog. Iconic Photo Exposed: Migrant Mother. ETHICS MATTERS: A commentary from NPPA’s Ethics Committee regarding the photographs of Steve McCurry. Steve McCurry photo editing scandal. Steve McCurry and Photojournalism’s Burden of Truth | Disphotic. Steve McCurry photo editing scandal. The Falling Soldier.

The Falling Soldier, 1936. New Doubts Raised Over Capa’s ‘Falling Soldier’ Isabel Hilton: The camera never lies. But photographers can and do | Opinion. Roy Stryker. Oral history interview with Roy Emerson Stryker, 1963-1965. Many Great Depression Photos Were 'Killed' by This Editor's Hole Punch. Forensics Analyst Claims That the World Press Photo Winner is a Composite. 769844. The First Photograph. José Manuel Susperregui Echeveste | University of the Basque Country/ Euskal Herriko Unibertsitatea (EHU/UPV) - Academia.edu. Nicéphore Niépce - Wikipedia. Camera obscura - Wikipedia. Louis Daguerre - Wikipedia. Calotype - Wikipedia. Henry Fox Talbot - Wikipedia. The Daguerreotype & The Calotype: Photography’s Parallel Histories — United Photographic Artists Gallery. Dawn's Early Light - Exhibition > Daguerre & Talbot. Steve McCurry and Photojournalism’s Burden of Truth | Disphotic.

Web.mit. Log In. Photography, Cinema, Memory: The Crystal Image of Time: Amazon.co.uk: Damian Sutton: 8580000814644: Books.

Steve McCurry photoshop scandal

Alec Soth: The Last Days of W: Alec Soth, Lester B. Morrison: Amazon.com: Books. Nikon-Walkley finalist withdraws entry after photo found to have been altered | Media. Dorothea Lange. Visual Journalisms | Paul Hansen. Bending the Frame: Photojournalism, Documentary, and the Citizen: Amazon.co.uk: Fred Ritchin: Books. Lee Miller's War: Photographer and Correspondent with the Allies in Europe 1944-45: Amazon.co.uk: Antony Penrose, David E. Scherman: Books. The Bang-Bang Club: Snapshots from a Hidden War: Amazon.co.uk: Greg Marinovich, Joao Silva: Books. Daring to Look: Dorothea Lange's Photographs and Reports from the Field: Anne Whiston Spirn: 9780226769844: Amazon.com: Books. Daring to Look : Dorothea Lange's Photographs and Reports from the Field | Just another WordPress site. SALGADO. Magnum Photos Photographer Portfolio. Magnum Photos Photographer Portfolio. GUP - Guide to Unique Photography.

Www.vice.com/en_uk/ Magnum Photos Home. VCD3930 Briefing L2 May2014. VCD3930 Proposal form1. CCResearch Project Briefing. Richard Mosse | Home. Best News Photos from 2013 World Photo Press Contest. VII Photo’s John Stanmeyer wins 57th World Press Photo of the Year. Artificial Light: A Narrative Inquiry into the Nature of Abstraction, Immediacy, and Other Architectural Fictions: Keith Mitnick: 9781568987491: Amazon.com: Books.

How to Create a Lighting Control Narrative - Facilities Management Lighting Feature. Part 2: Mise-en-scene. Building a Narrative Through Photojournalism. Narrative Light. Gregory Crewdson: Narrative, Time & SF Photography | Deletion. Photojournalism and Truth. Digital photojournalism – am I tweaking the truth? | Art and design. The Burden of Visual Truth: The Role of Photojournalism in Mediating Reality Lea's Communication: Amazon.co.uk: Julianne Newton: Books. Truth With A Camera. Kevin Carter.