Cindy sherman (@_cindysherman_) Artist and Studio, Photographer Cindy Sherman. Photo by Mark... Cindy Sherman - Moma. Sherman’s history portraits (1988–90) investigate modes of representation in art history and the relationship between painter and model.
These classically composed portraits borrow from a number of art-historical periods—Renaissance, baroque, rococo, Neoclassical—and make allusions to paintings by Raphael, Caravaggio, Fragonard, and Ingres (who, like all the Old Masters, were men). This free-association sampling creates a sense of familiarity, but not of any one specific era or style. The subjects (for the first time for Sherman, many are men) include aristocrats, Madonnas with child, clergymen, women of leisure, and milkmaids, who pose with props, costumes, and obvious prostheses. Theatrical and artificial—full of large noses, bulging bellies, squirting breasts, warts, and unibrows—the history portraits are poised between humorous parody and grotesque caricature. A handful of Sherman’s portraits were inspired by actual paintings. Cindy Sherman et ses 171 métamorphoses. Ingrid Sischy on Cindy Sherman’s MoMA Retrospective. MAC make-up gets the Cindy Sherman treatment. By Tamara Abraham Updated: 07:22 GMT, 2 August 2011 MAC regularly defies convention when it comes to its collaborations, but its latest, with artist Cindy Sherman, has to be one of the most exciting to date.
The artist, 57, has created three collections for the make-up giant, which take their lead from typically unconventional subjects, such as a Park Avenue plastic surgery maven and an off-kilter Hitchcock heroine. In what MAC calls 'the campaign we've longed forever to conceive', Sherman uses the cosmetics in her own unique way, treating her face as a canvas. Cosmetic canvas: Cindy Sherman has created three collections for the make-up giant, which take their lead from typically unconventional subjects such as a Park Avenue plastic surgery maven One image, of the artist dressed as a circus performer, makes reference to her 2003 Clown series. The company explained in a press release that the line was intended to inspire people to see make-up differently. He said: 'It’s like a weapon. Cindy Sherman Photo la plus chère du monde. La photographie de Cindy Sherman est devenue la plus chère du monde, lors d’une vente organisée à New York par Christie’s.
Cette image, appelé Untitled, de 1981, a été vendue près de 3,9 millions de dollars (2,77 millions d’euros) alors que son estimation de dépassait pas les 2 millions de dollars. La photographe Cindy Sherman avait vendu cette photographie 79.000 euros en 2007. Les infos de cette photographie : Artiste : Cindy Sherman Titre : Untitled Média : color coupler print Taille : 24 x 48 in. / 61 x 121,9 cm.
Année : 1981 – Description : Cindy Sherman (B. 1954) Untitled signed, numbered and dated ‘Cindy Sherman 10/10 1981’ (on a paper label affixed to the reverse) color coupler print 24 x 48 in. (61 x 121.9 cm.) Cindy Sherman - September 14 - October 10, 2012. Download Press Release PDF (38 Kb)French Version PDF (39 Kb) [Scroll down for French version / Veuillez trouver ci-dessous la version française] Opening reception for the artist: Friday, September 28th, from 6:00 to 8:00pm Gagosian Gallery is pleased to present a series of recent landscape format photographs by Cindy Sherman.
This is her first exhibition with the Paris gallery, following exhibitions in Los Angeles and Rome in previous years. Working exclusively as her own model for more than thirty years, Sherman endlessly transforms herself to address the complexities of identity through photographs that she controls as author, director, and stylist. In Sherman’s latest photographs, recondite female figures stand against vast and inhospitable natural landscapes. For this series, Sherman shot the background landscapes on the isles of Capri and Stromboli, in Iceland during the 2010 volcanic eruption, and on Shelter Island, New York. Cindy Sherman was born in 1954 in New Jersey.