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Facebook Twitter - Welcome to MOTU Audio. Tasty Visuals. Code couleur CMJN. Graffer sur un mur de LED. Innovative Designs For Eco-Friendly Business Cards. Running a design business and writing for news organisations , I've always printed my own promo...

Innovative Designs For Eco-Friendly Business Cards

Running a design business and writing for news organisations, I've always printed my own promotional cards using recycled papers. But printing in bulk is costly, especially with ink expenses and time. How do I recycle unwanted business cards? What's the best way of staying remembered without using truckloads of new white paper? So I looked into various ways of promoting an eco-business the most eco-friendly way. Print your business details onto fabric, punch a hole in the end and tie with a ribbon. All my online work can be found on + About Zaufishan.

Fontwalk. Plusieurs Tutoriels After Effects. All our video tutorials on motion design. 10 pro After Effects tips. With the arrival of Adobe’s Creative Cloud, more designers than ever have access to After Effects.

10 pro After Effects tips

We’ve rounded up 10 brilliant tips for the motion graphics software from the experts who use it daily. Enjoy! Also read: 01. How To Create A Parallax Scrolling Website. The trend for parallax scrolling in modern websites shows no signs of stopping.

How To Create A Parallax Scrolling Website

Getting Started With Foundation CSS. Download and Install To get going with Foundation, simply download a default or custom CSS package from the download page.

Getting Started With Foundation CSS

Download Foundation CSS Setting Up Your Project First, after you unzip the package, move the folder to your desired location and open it in a text editor. Initializr - Start an HTML5 Boilerplate project in 15 seconds! Les 11 meilleurs motion designers à travers le monde en 2011 (et leurs Showreels) Alsacréations : Actualités et tutoriels HTML, HTML5, CSS, CSS3, standards du web. Bad Ass Motion Graphics. 50 amazing After Effects tutorials. Want to know how to do something in After Effects?

50 amazing After Effects tutorials

The web is brimming with tutorials for people wanting to learn about Adobe Creative Cloud's 3D, motion graphics and animation software. But sometimes it can be an uphill struggle finding the tutorial that's right for you. So here we've collected together the best After Effects tutorials on the web for you. These are the sections we've divided them into: You should be able to find what you're looking for here whether you're using an older version of AE or are signed up to the Creative Cloud – if not, let us know what topics we're missing in the comments below! 01. Even if you're only just getting started with After Effects, it's only natural to want to create some impressive effects straight away, and so this tutorial from Adobe is just the ticket. 02. How to move from Photoshop to After Effects.

Getting into motion design and After Effects can be quite intimidating – but there are a lot of similarities between Adobe's motion tool and Photoshop.

How to move from Photoshop to After Effects

After Effects is a complex, huge application that takes a long time to master – just like Photoshop. With some patience and taking your existing skills across, you can master the basics in no time at all. Motion Design Directory. DuDuF R&D. 11 innovations/inventions réellement prévues qui font très peur. Selon une étude commandée par le journal 20 minutes par l’agence Harris Interactive, 73% des Français estiment que l’évolution technologique est avant tout source d’opportunités.

11 innovations/inventions réellement prévues qui font très peur

Pas con quand on y pense. Sauf que selon cette même étude, les Français sont plutôt flippés. Cours de Portugais brésilien Gratuits en ligne. Si vous connaissez l'espagnol, cette leçon va vous paraître très facile car comme dans la langue de Cervantes, le verbe être se divise en deux verbes portugais : ser et estar.

Cours de Portugais brésilien Gratuits en ligne

De manière générale, ser est réservé aux situations permanentes et estar aux situations temporaire ainsi qu'au lieu. Par exemple eu sou alto (je suis grand) utilise le verbe ser car c'est quelque de (relativement) permanent, ser alto est ce qui me définit. Par contre, si je viens de faire une bêtise et que je dis eu estou estupido (je suis stupide), c'est une définition temporaire (je vous le souhaite en tout cas !) Car je me considère comme stupide sur le moment. Si je dis eu sou estúpido, cela signifierait que j'ai toujours été stupide. Meurtre, mensonges et (jeu) vidéo : "Her Story" révolutionne la fiction interactive.


Meurtre, mensonges et (jeu) vidéo : "Her Story" révolutionne la fiction interactive

Le mot figure déjà dans la barre de recherche. Il n’y a qu’à cliquer, on verra bien ce que ça donnera. Biosafe. Só-Lar Electrodomésticos e Mobiliário. 7 Billion World - 7 billion people on 1 page. World Population Clock: 7 Billion People (2015)

The world population (the total number of living humans on Earth) was 7.4 billion as of June 2016 according to Worldometers and based on the latest estimates provided by the United Nations Department of Economic and Social Affairs, Population Division [1].

World Population Clock: 7 Billion People (2015)

World population is projected to reach 8 billion in 2024 and 10 billion in the year 2056. World Population: Past, Present, and Future (move and expand the bar at the bottom of the chart to navigate through time) The chart above illustrates how world population has changed throughout history. View the full tabulated data. At the dawn of agriculture, about 8000 B.C., the population of the world was approximately 5 million. The Lovie Awards. Conditionnement et emballage. Eric Rocher - Decitre - 9782212538137 - Livre. Avec 1 Cédérom. The Society of Typographic Arts. About the Chicago Design Archive The Chicago Design Archive is an STA-sponsored initiative that has been serving the entire community of Chicago designers since 2002. It provides the one permanent, online record of excellent design created by local professionals from 1927 right up to the present.

The major goal of the Chicago Design Archive is to provide a means for those practicing in the Chicago area, independent of professional affiliation, to have their best work permanently preserved and made accessible to a worldwide audience. The Type Directors Club - Promoting excellence in typography for over 65 years. Home - International Society of Typographic Designers. Linotype: Fonts for Desktop, Web & More. CMYK Magazine // Home // Showcasing Artist Talent Competitions in Graphic Design, Illustration, Photography and Art Direction.

Graphic Design Inspiration, Blogs, Business & Career Advice. Reputations: Adrian Frutiger. For more than 45 years the Swiss type designer Adrian Frutiger, born in 1928, has been a hugely influential figure in typography. After an apprenticeship as a compositor in Interlaken, he studied from 1949-51 at the Kunstgewerbeschule, Zurich. In 1952 he as hired by Charles Peignot, of the type foundry Deberny & Peignot, as a youthful artistic director. Roger Excoffon - Font Designer of Mistral, Antique Olive, Choc and Banco. Roger Excoffon – born 7. 9. 1910 in Marseille, France, died 1983 in Paris, France – graphic designer, typographer, type designer.

Studies law at the University of Aix-en-Provence. Studied painting in Paris, works as a graphic designer. 1947: opens his studio. Co-founder of the U + O (Urbi et Orbi) advertising agency in Paris. Art consultant for the Fonderie Olive type foundry in Marseille (until 1959). 1968: designs the symbols for the Winter Olympics in Grenoble. 1972: founds his agency Excoffon Conseil. Excoffon produced numerous poster designs for Air France, Bally shoes, Dunlop, Sandoz and SNCF, among others and has contributed to the magazines "Le Courier Graphique", "Typographica", "Esthétique Industrielle" and "Techniques Graphiques". Roger Excoffon, ouvrage, Atelier Perrousseaux, RAULT David. RAULT David Voilà un bouquin sympa qui a l'énorme avantage d'être disponible en papier.

Hommage au Graphiste et à l’homme. Voici déjà les documents que je compléterai dans les heures qui suivent par les textes et légendes. Réjouissez-vous tout de même, ces images sont issues du catalogue de l'exposition qui se tint au Musée de la Monnaie peu après la disparition du maître. Ce catalogue est introuvable et il constitue une véritable somme, un résumé très complet de l'œuvre de Roger Excoffon.

Vous pouvez en attendant les textes définitifs de cette chronique, consulter ce que j'ai déjà produit dans un billet précédent sur Roger Excoffon ici. Hermann Zapf, le magicien de la typographie. Peter Gabor, nous emmène dans un passé récent découvrir de purs chef d’œuvres de la typographie, celle du maître Hermann Zapf, créateur du Palatino et de l’Optima, entre autres...Un article à lire pour (re)découvrir le pourquoi de créations absolument époustouflantes de beauté.Attention les yeux...

Hermann Zapf. Helvetica specimen (D. Stempel AG. – 1960) Max Miedinger - Font Designer of Helvetica. Max Miedinger – born 24.12.1910 in Zurich, Switzerland, died 8.3.1980 in Zurich, Switzerland – type designer. 1926-30: trains as a typesetter in Zurich, after which he attends evening classes at the Kunstgewerbeschule in Zurich. 1936-46: typographer for Globus department store’s advertising studio in Zurich. 1947-56: customer counselor and typeface sales representative for the Haas’sche Schriftgießerei in Münchenstein near Basle.

From 1956 onwards: freelance graphic artist in Zurich. 1956: Eduard Hoffmann, the director of the Haas’sche Schriftgießerei, commissions Miedinger to develop a new sans-serif typeface. 1957: the Haas-Grotesk face is introduced. 1958: introduction of the roman (or normal) version of Haas-Grotesk. 1959: introduction of a bold Haas-Grotesk. 1960: the typeface changes its name from Neue Haas Grotesk to Helvetica™. 1983: Linotype publishes its Neue Helvetica®, based on the earlier Helvetica™. Helvetica forever. Max Alfons Miedinger Born December 24, 1910 in Zurich, died March 8, 1980 in Zurich. After finishing school in 1926, Max Miedinger was urged by his father to complete an apprenticeship in typesetting at Jacques Bollmann printing office in Zurich. From 1930 to 1936 he worked as a typesetter for various companies and also took evening courses at the art school in Zurich.

From 1936 he worked as a typographer in the advertising department at Globus, Zurich’s renowned chain of department stores.