02mycollect05 - #GradusAdParnassum
#Art - Instructions - #edu - #book
#Literature - porticus - 02myGradAdParn04 - 2011Sep
#Music - porticus - 02myGradAdParn02
#architecture - porticus 02myGradAdParn03_2011Sep
After posting the Vintage VW Logo Specifications Sheet one thing lead to another and now I can present a reasonably faithful recreation of the . Why the recreation? No real reason other than I thought it would be a fun project to work on, but also the original lacks some quality so can’t be enlarged and printed out to well. I thought that if I reproduced it, warts and all, it would allow me a up close view of how this was originally created. It’s not until you tear it apart and start looking at all the various line weights, arrows, text and the sobering realisation: we didn’t always have copy and paste and mathematical precision based artwork tools at our disposal.
After posting the Vintage VW Logo Specifications Sheet ; one thing lead to another, and now I can present a reasonably faithful recreation of the Vintage VW Logo Specification Sheet . Why the recreation? No real reason other than I thought it would be a fun project to work on, but also the original lacks some quality so can’t be enlarged and printed out to well.
The statues in tomb is the art form unique sculpture, a character in the traditional Tay Nguyen culture. The works of this type was launched at the time put for the tomb ceremony with purpose serving the dead (the Tay Nguyen people called ghosts) Put the tomb ceremony is a festival associated with most ethnic minorities have a life of shifting cultivation, nomadic in the Tay Nguyen.
In the wake of the 1979 Iranian Revolution, Iranian society and culture underwent massive changes. Here, Khatereh Sheibani argues that cinema evolved after the national uprising in 1978/79, and ultimately replaced poetry as the dominant form of cultural expression. She presents a comparative analysis of post-revolutionary Iranian cinema as an offshoot of Iranian modernity, and explains its connections with the themes present in traditional Persian poetry and conventional visual arts. She examines the pre-revolutionary film industry - such as Iranian new wave and filmfarsi movies - its styles and themes, and its relation to the emerging cinema after 1978. Sheibani argues that Iranian art cinema, as one of the signifiers and agents of modernity, underwent a cultural revolution by employing the aesthetics of Persian literature and visual arts in a modern context. This is a valuable contribution to the scholarly literature on Iranian cinema, politics and culture.
en ligne: Pierre Bourdieu , autour de la Domination masculine Cette liste de publications (en ligne) sera mise à jour au fur et à mesure, version augmentée le 23.06.2012, Gilbert Quélennec ---------------------------------------------------------- Sociologie de l'Algérie , Puf, 1958, p. 23-24, 34, 35, 53-54 Guerre et mutation sociale en Algérie, Études méditerranéennes 7, 1960, p. 25-37, aussi in Images d’Algérie, Une affinité élective . Paris: Actes Sud / Camera Austria / Fondation Liber, 2003, aussi in Esquisses algériennes , Seuil, collection Liber, 2008 Les relations entre les sexes dans la société paysanne, Les Temps modernes , no 195, août 1962, pp. 307-. 331
i made video called “unicode”. it shows all displayable characters in the unicode range 0 – 65536 (49571 characters). one character per frame.